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Noisy duo improvisation by Toshimaru Nakamura (no-input mixing board) and Jun Numata (guitar, oscilator, radio, etc.). This CD shows a difference posture to a sound (noise) frankly between Nakamura and Numata. So it is very interesting duo improvisation ! You can continue to listen 30 minutes without getting tired of it. Recorded, mixed and mastered by Toshimaru Nakamura. Recorded on 10 March, 2017 at Shichoshitsu Jinbo-cho, Tokyo.
""An improvisation for about 30 minutes" performed by Jun Numata…
**200 copies ** When Timo Van Luijk isn’t working under his own name, he works under the alias Af Ursin - a project focused on structured improvisation, combining electronic and acoustic instrumentation. Itinera is his eight full length release under the moniker since 2002. The album is a stunning and challenging marvel, hearkening back to another less compromising era of electronic music - one of rigorous and complex arrangements of structure and tone. While drawing on a number of sources for i…
After more than ten years of making music with turntables, tapes and loops the swiss based musician, artist, performer and architect Christoph Hess started in 1998 the project Strotter Inst. to concentrate just on the manipulation of turntables not using any records or sounds made by someone or something else. Strotter Inst.rument's machineries have dual roles as objects and as instruments. The first live impact is as installations, then the sounds start to grab the listeners' attention. The aud…
A beautifull record from two Swiss masters of electronic music. Like an imaginary landscape full of pulses, resonances, ghostly voices and nice noises! Günter Müller, ipods, electronics. Norbert Möslang, cracked everyday electronics. Recorded April 10, 2016, cave12, Geneva.
Prolific Swiss electronic composer Francisco Meirino (Misantropic Agenda, Entr'acte, Antifrost) and Basque country’s most prominent experimental musician Miguel A. Garcia aka Xedh (Crónica, Idealstate) team up and go for the rawest yet most carefully built electronic experimentation. No-input mixer, modular synth, field recordings & magnetic fields find themselves at the core of this true gem of radical electronic music, savvily handcrafted with by two experts of the genre.
Istruttiva serie is a non-linear path progressing by attempts. A limited number of non consequential exercises about re-elaboration and evocation. The sound material comes from field recordings (recorded in Italy in 2014) and folk guitar. The main purpose is to investigate the constant encounter and collision between field sounds and melody by developing an acoustic stream which aims a perceptual redefinition. As “not completed” doesn’t mean “lacking” every track is here a personal exercise chal…
A selection of the most radical impressive works composed by Wayne Siegel when he was mid-twenties. Moved to Denmark, between 1979 and 1980, he began to investigate possibilities of a very personal language, contributing to mould the heterogeneous kaleidoscope of Post-Minimalism results. The early works are constructed around a relentless musical process that consists of delaying and repeating every element in a certain measure, without intentional alteration. Siegel called this process canon te…
2017 release ** Void Transactions is the most recent album of Alterations, released in 2017. Recorded at Cafe Oto during the live performance at Alterations Festival 2016. Peter Cusack: acoustic guitar, field recordings. Steve Beresford: piano, electronics, objects; Terry Day: drums, percussion, objects, balloons; David Toop: electric guitars, bass, flutes, objects.
The four tracks on “Interventions in a landscape” give a voice to the coastal landscape where human intervention is evident. The intervention creates a certain strengthening of contrasts, for instance at the Leihoek between the ever moving sea and the silent firm dyke. Though, at the coastline the weather, the sounds, the light and even the smell are always playing an important role on how someone experiences the coastal landscape. Therefore the tracks do not only reflect on the places mentioned…
Track 1: Multitrack recording of sustained tones using a ‘Jubel Töne’ zither and additional live electronic effect processing. Track 2: Multitrack recording of sustained tones using a ‘Hohner Organetta’ chord organ and additional live electronic effect processing. Both tracks are part of a composition series based on sustained, multilayered recordings of solo acoustic instruments. The instruments have been performed with extended techniques and additional live electronic “extensions” (looping fe…
Bored of working for years on microsounds, crick & crocks, drones and field recordings, Matteo Uggeri launches a new project based on field recordings, drones, crick and crocks, microsounds and ignorant beats. Each of these four tracks is then built using only 1 drone, 1 field recording, 1 sampled drumbeat. Then a lot of effects. Inspired by the letters of Charles Robert Darwin to William Darwin Fox. "I am at work on the second vol. of the Cirripedia, of which creatures I am wonderfully tired: I…
Space Text Sound documents text material used in three of my recent installations: An Attempt at Exhausting a Place in Hong Kong (After Perec) (2016), Drifting (2016) and Other Ghosts (2015). All three of these works investigate the nexus points between the production of space through sound and how text can be used to reflect on this process. I’m interested in how words can convey the sense of place sounds can and, beyond this, how these words impart a feeling for inner spaces, often more common…
The Brown brothers emerge from the depths of California with a new collection of oozing drone centred on ‘heavy visions of negative west coast mythology.’Darkness is never far away from a Robedoor session, and their first album in four years finds Alex and Britt Brown dealing with ‘multiple seismic life events.’ Naturally this results in quite a powerful listen, Robedoor’s sludge even denser and mired in more pain and crepuscular mysticism. The brothers craftily let the gloom seep in slowly over…
Beneath a saturated nebulous city landscape lies a mirror reflecting sharp, complex particles of light that disappear under the faintest drop of rain, literally silver dissolving into rust, mercury poisoning the train tracks of modern paranoia. Through the cracks, the chilled warmth of Stromboli’s Volume Uno rises, expanding on the notion of a solitary figure gasping for life in an industrial setting. After turning heads with his 2015 debut, Stromboli is back with his second offering of beautifu…
Aude Romary, cello. Jérôme Noetinger, electroacoustic devices. This duo started in 2014 with the idea to transform the acoustic instrument into a real electroacoustic one. Transducers, springs and microphones are attached to the cello which is then processed through electronic and tape. This CD comes from several hours of improvisations recorded in studio and reorganised to build six pieces of abstract electroacoustic music.
A genuine mystery of the prog scene - and not only - from Italy for almost forty years, Lydia e gli Hellua Xenium just released a couple 7-inch records, that went completely unnoticed at the time (1972-73) and represent today authentic and rare collectible items, listed for hundreds of Euros each. Only recently the names of the musicians involved have been revealed, together with the story of the group (hailing from Busto Arsizio, a town in the province of Varese in Northern Italy), even …
Ingrid Schmoliner, prepared piano, voice. Elena Kakaliagou, French horn, vocals. Corvo Records’ new LP + download release Nabelóse shows Austrian prepared piano virtuoso and yodeler Ingrid Schmoliner and the French horn player Elena Kakaliagou from Greece, putting their hands and voices on traditional folk music from both countries. Ingrid Schmoliner & Elena Kakaliagou form a duo that creates dark interpretations of ancient songs and tales from mountains and the sea.Recorded at Alte Gerberei, St…
Anthony Pateras, piano. 21st century piano music! The first solo piano album by Anthony Pateras in 10 years, marking the mid-point of the Immediata series. Blood Stretched Out explores sound phenomena, generating swirling overtones through polymorphic repetitions, gradually spanning the entire range of the keyboard. The piece was commissioned by Lampo, premiering in Chicago and since performed all over Europe and Australia, including an infamous concert opening for Faith No More at Zitadelle Spa…
Alessandro Cortini (Nine Inch Nails) and Japanese noise legend Massami Akita (Merzbow) bask in their mutual love for the EMS Synthi, a British synthesizer from the early 70's notorious for it's patch matrix, portability and distinct tone. Astonishingly, these two disparate artists meld into a single sound as they flex the analog circuitry of the EMS Synthi in new ways; giving this classic synth a modern workout and proving that, in capable hands, a 40 year old analog synthesizer is a tool for th…
For four decades Don Dietrich has been one of the three musicians that makes Borbetomagus, a band that somewhere in the crossing point between loud rock, free improvisation and electronic noise music carved their own unique place in the musical landscape. Often overlooked and underappreciated Borbetomagus kept going like a steam train, slowly building a cult following that appreciates them for their uncompromising vision. Few bands can look back at a career with as much integrity as Borbetomagus…