More Circles
Restocked. In the late 1970s and through the 1980s there was a lot happening on the German "post Krautrock underground" that few people knew about, lots of independent artists doing their own thing, either via small labels or doing it themselves. Circles were one of these bands. Based on the Frankfurt suburbs, they consisted of the multi-instrumental duo of Dierk Leitert (synthesizer, sequencer, drums, bass, guitar, voice, saxophone, flute) and Mike Bohrmann (guitars, bass, synthesizer) plus a f…
Abendland. Zweites Stundenbuch
The new work by Gianfranco Pernaiachi is based on a re- working/re-thinking of a previous piano score: Abendland. This new work, passing thru a series of "actions" and further writings, became a completely different piece. Most important it's became an "open form" piece, expected to be interpretated by different people in different ways and, more important, with different artistic means. This edition contains 5 possible "interpretations": two musical ones, a piano verision by Pernaiachi himself …
Kore
'Kore' is a natural advancement of Reinhold Friedl's earlier composition 'Xenakis [a]live!' (released 2007 on Asphodel) - a homage to the French-Greek composer Iannis Xenakis. The piece is conceived for nine amplified instruments demonstrating Zeitkratzer well established tradition of instrumental amplification (e.g. the early collaborations with Zbigniew Karkowski or Merzbow and more recently with William Bennett of Whitehouse) where playing amplified does not only mean making things louder, it…
Le Mal Des Ardents
** Recorded in 1987 on cassette tape (private release). Limited numbered Edition Clear Vinyl 108 copies (with an insert) ** Le Bal Des Ardents is a mini-LP reissue of a strange cassette based on the terrifying historical event about the French King Charles VI the day of January 28th 1393, where he escaped from a fire caused by a torch during a masked ball, a tragedy who will let him sink into madness soon after. The main theme of this record try obviously to recall Charles VI hallucinations, tor…
120112
2014 release **
"The three pieces presented by Borg (piano) and Nørstebø (trombone) are spellbinding explorations of the low tone. Three pieces but they segue into one another effortlessly and, with the possible exception of slight variation in pitch (and I'm not even sure of that) are pretty much indistinguishable from each other unless I missing some subtle pattern shift. The sounds are all low and sustained--bottom of the keyboard piano and extremely low trombone (the disc says, simply, "trom…
Der Regen, das Glas, das Lachen
1998 release - While standing at the waterfall, we become aware of our thoughts, but not the waterfall itself; if we succeed in letting our thoughts stand still, we hear a melody within the turmoil. Everyone his own. (Peter Ablinger)
musik fur orgel und eine(n) tonsetzer(in)
2013 release **
"what do you do, if you work with just intonation and wish to write a piece for organ? you have to deal with the relation between equally tempered and over- or undertonal (just) intonation. 2001 i had several opportunities to make a study of some wonderful instruments. this eventually put me on the path towards this composition.in this piece only those frequencies of the organ sound that have close to whole-numbered ratios (+/- 6 cents) to a fundamental (in this case C’ at about …
Live at Lons Le Saulnier, 1974
A band formed in France, 1973, by English vibraphonist, guitarist and singer Robert Wood, together with Olivier Didier (ex-Herbe Rouge) on drums and Simon Wheatley on electric bass. Patrick Fontaine (ex-Ame Son and ex-Bananamoon Band) replaced Simon Wheatley a few months later. In 1974 Robert Wood & Woodlands played more than forty concerts in France. The LP offers a selection of the recordings that were made at those shows. This is a limited and numbered edition of 1.000 copies, Including postc…
Almasty
Solo bass played and composed by Kasper T. Toeplitz. Layers of noise full of details like the voice of dead machines !“A purely formal présentation of Almasty would point that it is a composition for solo bass – electric bass, which implies a few electric/electronic machines around the string instrument, which change or modifiy its resonances somehow, but nothing more that what is seen those days around any electric instrument. And Almasty is also a solo composition, as it is recorded and presen…
Pianophonie
'Forte e piano' is one of Serocki's lesser known and acclaimed works, while 'Pianophonie' is considered his greatest masterpiece. However, it's worth remembering that 'Forte a piano' and 'Pianophonie' are interrelated. It's difficult to imagine the latter without the former. Serocki was born in Torun. He studied composition with Kazimierz Sikorski and piano with Stanislaw Szpinalski at the State Higher School of Music in Lódz and graduated in 1946. He continued in Paris, studying composition w…
Schon geht anders
29 tracks of sheer joie de vivre form this manifesto of musical positivism. Reductionist on their acoustic surface, constructivist in their compositional core, the tracks themselves and in their sequence point to a sociological base: a sociology of sound or a sound sociology driven by the rough necessities of political acoustics. Advanced 4-track tape recording techniques struggle with primitive digital technology, thus forming a class of sound which contains itself as an element and attribute. …
A Bird In The Hand Is Worth Two In The Bush
This record should be seen not so much as a tribute to Zbigniew Karkowski than as an ongoing concern to further his work and thinking as they were when he was alive, reacting, and questioning, uncompromisingly. Nevertheless, these are his final recordings, which he made- a homecoming of sorts - in Sweden, at EMS Studios in Stockholm, with his friends Jean-Louis Huhta and Lars Akerlund. Late november 2013. a reminiscence from the 1980s, the creation of the label Radium 226.05 by Carl Mich…
Etrurya
The freaky merge of Psycho, Italo and Disco beats, drawn by synthesizers and drum machines dated 1980, driving you into a fancy trip of shady scenario.Lamusa is an Italian producer who loves create melancholy mirages; there is a warm quality to his sounds, it’s warped, glossy stuff that is innocuous for just long enough to make you feel uneasy, like glimpsing an alternate pop universe.Recently selected for Red Bull Music Academy Paris 2015.Acid, darkness, overnight mermaids swimming at 100b…
Porta
Umanzuki is the youngest act to emerge from the current Italian Occult Psychedelia milieu. What was born as some sort of exotic free-jazz combo with the Sonic Birds EP, quickly developed into Tropical Nature Of Tiaso, a 35 minute-long improvisation built upon minimal electronics, diluted sounds and reduced synthetic rhythm. Porta, their newest effort, explores one more artistic metamorphosis. Focusing on a EP format the Florencebased trio has been able to shape the looseness of its prev…
Crimini d'Odio
Mise En Abyme is the new project by Cristian Naldi (already in FulKanelli and Ronin) and Giovanni Lami (sound artist with releases on Kohlhaas, Felt and Granny Records). Two different backgrounds and attitudes to create something new, one and constantly evolving. From French translation "Put within the infinite”, the project is inspired by the technique used in cinema, visual arts and literature, where one image contains a smaller copy of itself, potentially repeating forever. In Mise En Abyme’s…
Inlands
Gron is the solo project of Bjarke Rasmussen, also owner and founder of the Infinite Waves label. The project is almost three years old now and has four releases under its belt. Over the past two years, Gron has grown his own ambient sound adding some rhythmic elements from time to time, while still fusing synths with field recordings and 4-track cassette loops.
Indland (Danish for “Domestic”) is his first release for Yerevan Tapes and features two 9-minute self-titled compositions that e…
Ex-
Pequod are an acoustic quartet (Antonio Bertoni – double bass, Federico Robol – bass flute and soprano sax, Luca Santini – cornet, Massimo Valentinotti – prepared guitar) formed in 2010, conceiving their music on a continuous tension between writing and improvisation and focusing their research on the sonic interaction between objects and spaces. After five years spent performing and collaborating with some of the major figures of acoustic improvisation like Seijiro Murayama, Enrico Malatesta, B…
Tocando fondo
Tocando Fondo is the result of a year’s deep collaboration between Vienna-based electronics artist Klaus Filip and Argentinian trumpeter Leonel Kaplan, recorded in Buenos Aires in 2014. The album gathers two extended improvisations, both unfolding at the intersection of air, sinewaves, and architectural space. Filip’s contribution is a world of tuned sinewaves - clear, oscillating, sometimes trembling at the edge of instability - while Kaplan’s trumpet weaves arcs of breath, attack, and fragile …
Filarium
In 1998, the Cultural Centre Andre Malraux of Vandoeuvre-Les-Nancy commissioned Michel Chion, Lionel Marchetti and Jerome Noetinger to collaborate on a work of musique concrete. Les 120 jours was the result - a fresco for which the composers exchanged a mass of sounds from multiple origins, that each had worked, transformed and recomposed in their own style.For this new commission (2014-2015), the work was realised in two stages. Firstly, during several recording sessions at the CFMI of Lyon (Un…