The Grief That Shrieked To Multiply
To Live and Shave in L.A. -- Illustrative presentations of critics'lipsticks and protagonists' stills; tangential bruises, ephemeral knots; an inter-generational installation view; the gulf between conscious quotation and subjective arrangement of cabinets of parasitic methodologies; tolerance and idealization via dirty electric documentation; staged symposia with supplemented acoustics; subtle modifications of unconcerned expressions; a formal repertoire in characteristic rasps; interventionist…
Moon Magic Illegal Art
People Like Us & Ergo Phizmiz composed 45 minutes of music that is simultaneously whimsical & poignant. Once the soundtrack was in place, visuals were assembled around the audio in order to create a stimulating assault on the mind that evokes a sense of the surreal and fantastical. These two cuts are pressed on limited edition 7-inch vinyl containing audio from "The Keystone Cut Ups" DVD on Illegal Art.
Inventionen VII: 30 jahre inventionen 1982 - 2012
* Five hours of electroacoustical compositions, recorded during the first thirty years of the Berlin festival “Inventionen”. Box set with two audio CDs and a multichannel (surroundsound) DVD * Mindblowing two re-releases of Edition RZ LPs that are now available in this double CD box with additional tracks, as well as a mainly acousmatic DVD that features electronic tracks by a variety of electroacoustic composers. The present DVD contains mainly acousmatic music. This is when a pure "tape piece"…
Einstein on the Beach
Widely credited as one of the greatest artistic achievements of the 20th century, this rarely performed work launched its director Robert Wilson and composer Philip Glass to international success when it was first produced in Avignon, France in 1976, with subsequent performances in Europe and in New York at the Metropolitan Opera. It is still recognized as one of their greatest masterpieces. Now, nearly four decades after it was first performed and twenty years since its last production, Einstei…
The Kermes Infestation
** 6LPs with individual silkscreened sleeves in a hand-coloured and silks-creened heavy box, in a numbered edition of 145 copies only. ** PLANAM proudly presents K-Salvatore “The Kermes Infestation” 6LP box masterpiece. This is the first ever available edition as the elusive self published triple tape on Sound@One was originally released in 1996 in an invisible edition of just 10 copies. Pre-dating the glorious “Four Impossible Puns” double LP on Siwa these recordings represent one of the most s…
We Who Had Left
Necks pianist Chris Abrahams teams up with electronic artist and sound artist Alessandro Bosetti for six introspective and mysterious tracks that mix Necks like progress with ambient electronics and curious monologs, and one waltz.The piano recital format number one: a pompous italian tenor, his round belly almost exploding inside his tuxedo, stands beside the gigantic grand piano, holding a hand on it while protruding forwards. Outside the stage, an imaginary oceanic audience is seated on hundr…
Gestalt & Death
2012 release ** Limited hand-numbered edition of 500 copies in cardboard sleeve. "Dead Country (Sevket Akinci, electric guitar. Umut Çaglar, electric guitar, monophonic synth, tape delay. Murat Çopur, electric bass. Kerem Öktem, drums, percussion) + Alfred 23 Harth, alto sax, clarinet, vocal, electronics. Recorded at Deneyevi, Maslak by Ergin Ozler on the 21st of november 2011, artwork and design by Mazen Kerbaj.
Son Of A Bitches Brew
Son Of A Bitches Brew is a true electric jazz record from the Acid Mothers Temple & The Melting Paraiso UFO. Rooted in the sound of Miles Davis' electric era this record melds jazz, funk and psych with AMT's synth swoops, space whispers and cosmic acid vibe. Tsuyama Atsushi replaces Wayne Shorter on soprano saxophone. Cotton Casino rejoins & AMT goes all in. The only joke here are the titles. Recorded at the Acid Mothers Temple between December 2011 through 2012.
Portrait
The works of Clemens Gadenstätter are a wonderful example to evidence how an analytical approach to the phenomenon of hearing may result in music that sincerely moves its listeners. This production, entitled “Portrait,” represents a kind of screen capture of Gadenstätter’s oeuvre. Portraits are sometimes given away as presents in order to convey something of the essence of whom or which they portray. Clemens Gadenstätter’s music is perfectly suited as such a gift. …
Tragic Pote B/W Jerusalem Stone
Aviram Cohen is a jerk. Who cares if he was in SIlk Flowers, Soiled Mattress and The Springs, or that he has a new project called Volunteers Park ? You can tell that his parents are immigrants. He’s a suburbanite from New Jersey, and now, another New Yorker with an attitude, who learned how to use a sequencer to program synths and drum machines, so that he can sing about how boring life can be. It’s like he’s creating all this atmosphere because it’s lacking in his life. It sounds like someone i…
Transitions
Having rattled the hinges with last year’s “In the Blink of an Eye†7-inch, C S Yeh (C. Spencer Yeh) flings open the door and steps inside with Transitions, his first full-length album of songs after years of establishing himself as one of Earth’s top humans in experimental music and unbound improvisation, both alone and in collaboration, on record and onstage. The effect Transitions has on you may or may not depend on your familiarity with Yeh’s past work; regard…
Wavelength
First Lady of Winds and Stars Samara Lubelski returns to her once and future label home for her sixth album, Wavelength, and the spheres harmonize at the news. Wavelength comprises a dozen new arrowed whispers, Samara's feathery touch on guitar and microphone now so at balance with the elements that the whole, her music and the air it enters, become inseparable. Don't be fooled by the persistent "psych-folk" labels she gets -- oh, they may be accurate as far as modern usage goes, and that scene …
Cracked Refraction
Cracked Refraction ties its complex knots with infectious vigor and a predilection for playfulness. Wrack’s melodies are slithering and serpentine, and the music is built of smaller segments assembled in what can seem a slapdash manner, with all sorts of jutting ends and unexpected collisions. What Bruckmann’s done, though, is intentional, placing his players on different planes, with straight lines failing to meet, runs of notes ricocheting at impossible angles, and expected avenues folding in …
Los Autodisparadores
A soft immersion, leaving the surface behind,knowing that on the inside, wide horizons are waiting.In the mines of matter: laboring and exploring, searching and will-o‘-wisping, but always with compass and sextant at hand.Ample discoveries are the prize – never boastfully on display,but tended with archeological care: larger molecular aggregates, atoms, elementary particles; interacting or alone.A journey, seemingly documenting itself through close observation. Land surveying through experiencin…
Postcards
Gen Ken Montgomery, a New York-based Visual Artist and Sound Composer is absolutely genuine; he has no training in traditional music or art. He was never a follower of any direction or school. Instead he founded his own school of off-beat DIY-electronics, driven by irresistible curiosity and ingenuous enthusiasm for sound experimentation and process-oriented performance.His music is dense and full of polyrhythms and counter harmonies with singular control over layers of randomly pul…
Moulins
Tomasz Krakowiak's latest work on Bocian Records is a purely sonic affair. Performed on acoustic percussion instruments, it has little to do with percussion music. Each piece is named after a particular location and or a sonic event present there. Krakowiak's monotonous playing a specific instrument seems to achieve an effect of a field recording made at the given location. What makes this effort successful is a broad range of his techniques and sonic intuition. These excellent recordings…
S'approcher s'eloigner s'absenter
In September 2011, Erstwhile producer Jon Abbey was invited to curate two weeks of shows at John Zorn's legendary Manhattan venue The Stone, which he used as an opportunity to invite many of his favorite musicians from Japan, Europe and the US to perform. A second three night festival at Issue Project Room was later appended onto the end, making the AMPLIFY 2011: stones festival a 35 set, 17 night extravaganza in all. Four of those thirty-five sets will now be available in the ErstLive se…
Live
* Edition of 200 * Convergence was formed in 1976 (and disbanded around 1980), with written music for the ensemble scarce, improvisational sessions became more frequent. Their first few concerts at The Music Gallery had a somewhat haphazard and random mix of students, some of whom didn’t quite get the notion of free improv. Recorded live at the Music Gallery in September 1979, their instrumentation includes trumpet, trombone, piano, percussion, home-made instruments and toy instruments, which p…
Copal Flow
Like the strong scent of copal brings ancient memories and visions, each track here depicts a scenery and involves the listener directly, totally. Introduced by the obscure night of "Notturno", like in a wood, crowded with spirits and animals, you're guided through 9 gates, each one opening on a different space and time. As if the purpose was to awake the slumbering ancestral memory of man, this record is fundamentally based on the dualism of elements strictly relating to the human being: "voic…
Body Moving Slowly
The Preservation label presents Body Moving Slowly, the second full-length album from California's Mirror To Mirror. Mirror To Mirror is Los Angeles resident Alex Twomey, who has quietly developed a raft of stunning pieces across several low-key works on his own Jugular Forest label, many approaching a ballad-like form in their beauty. His collaboration with Matthew Sullivan (Earn), 1958-2009, became one of the more highly talked-about projects of the past two years, one outing named as NPR's "B…