Destino Scifosi
Power trio brought together by Yann Gourdon on hurdy gurdy, Jérémie Sauvage on bass and Mathieu Tilly on drums, France take drone and minimalism at their most ecstatic and massive
The Wrong Cage
2008 release ** "Although this collaboration between Italian psych-pop band Jennifer Gentle and mercurial, collabo-prone Acid Mothers Temple guitarist Kawabata Makoto sounds pretty much like you’d expect, the The Wrong Cage can’t quite be reduced to the sum of its parts. It can be a rich, rewarding document for listeners on either side of the pop/free psych divide represented by the two groups. Separating Makoto’s and Marco Fasolo’s guitar (the latter being the sole JG member to carry over into …
Euterpe Sequence
1998 release ** "Second release by Wales based duo. 17th century inspired ambient sound that varies from droning transcendental stillness to guitar and effects noisescapes bordering on the works of Merzbow and Total."
Sum Sum
2009 release ** "Matija Schellander is an Austrian composer and improvising musician currently based in Vienna, mostly using double bass, modular synthesizer, and speakers: processing input, moving air output. In 2012 his solo CD sum šum with 7 electroacoustic composition will be released by the small publishing office The Manual (Seoul).jump rope / data mining / dystopia / science fiction / electroacoustic / stalker / rust / ping-pong / air-raid shelter / industry / toxic wastelands / totalitar…
Whiskey Mute-Down
2005 release ** "The Nether Dawn is the ambient noise project of Anthony Milton. Whiskey Mute-Down first came out as a private CD-R on Milton's own Pseudo Arcana imprint, and here it is given its first official pressing (Last Visible Dog had already reissued two albums of Milton's avant folk songs as a single-CD two-fer a few months before). The music of the Nether Dawn relies mostly on noisy guitar soundscapes, with occasional bits of percussion and other instruments, plus vocals in "If We Left…
Komu Mam To Powiedzieć?
2006 release ** "The Krakow band Bordo, celebrating their tenth anniversary, has given us the album 'Komu mam to pomaga?'. Post-rock, psychedelic, sometimes dark - this is the music of the Bordo group. The term space-rock fits it perfectly. When recording the album 'Komu mam to pomaga?', the artists chose twelve songs from the fifty prepared ones, which gave an hour of material. The crazy music is accompanied by equally psychedelic lyrics, or rather phrases repeated over and over again, such as …
The Haunting Triptych
2010 release ** "Truly intriguing is the fusion of intent between Pietro Riparbelli (K11, Radical Matters) and Philippe Petit (Bip_HOp, Strings of Consciousness) who develop three pieces of menacing and dense dark ambient that bring to mind the best releases by Lustmord and Nurse With Wound. As mentioned, "The Haunting Triptych" is divided into three parts and each of them appears as a work plan interlocked with the others but arranged on a different angle. "Residual Spookiness" has the merit of…
Chroma
2007 release ** "Split over seven tracks 'chroma' is a beautiful swarming forty five-minute suite of pieces. A warm, almost angelic hue of sound radiates from 'chroma' giving it a pure, optimistic feeling that only fades with the last dying notes. Weightless and saturated in it's waves of sound, all you have to do is listen.."
This Piano Thing
1998 release ** "This Piano Thing is, in some ways, an answer to questions and problems raised by my composition Piano Mechanics . These problems deal both with an evolution of piano technique and a redefinition of the piano as a machine for the ‘synthesis’ of ‘new’ sounds. When Piano Mechanics is performed live in concert, the unusual acoustical effects emerging from a solo unamplified and unaltered piano form an impression to the audience that some trickery is taking place. In almost every per…
Music For Stanford
2004 release ** "Dexter George Morrill (1938-2019) was a composer, trumpet player, and professor of music best known for his collaboration with jazz saxophonist, Stan Getz during the premiere of 'Getz Variations for tenor saxophone and tape' (1984); a Morrill composition which merged jazz improvisation with computer-generated sounds. In his early years, he studied trumpet with Dizzy Gillespie at the Lenox School of Jazz, and later composition with Leonard Ratner and orchestration with Leland Smi…
#freakinmeout
2025 stock "Strange music by Clubsoundwitches, but there is something in there that I found very captivating. Maybe this is the new dance music?" – Vital Weekly #1237
The Interstices Of These Epidemics
2025 stock In April 2017, Barnaby Oliver and I started recording with the aim of improvising long-form pieces made up of a restricted palette of gestures and sound sources. Throughout the next two years we came together sporadically as we continued this quest, working through various ideas and changing instrumentation. Our work was gradually refined done to what you hear on this album: a combination of harmonics arising from bowed metal bowls and violin (or piano), coalescing into other-worldly …
A Short Apnea
1999 release - cardboard box ** "Hard to explain the birth of a band like A Short Apnea, ahead in the conception and in the sound, if you don’t browse the curriculum of the musicians, devoted to experimentation with other genres of music since the 80′s. Always in search of a music in which barriers between progressive, post-rock, free jazz, avantgarde, A Short Apnea became soon a cult and a reference for who attends from years to find in a band ahead as well as deeply italian."
Tetra Summer
2005 release ** Hand-made cover with collage mini-poster sleeve.
Composition No. 12.5 (Compilation II For Improvisers, Jazz Ensemble And Electronics)
1999 release ** "An outstanding record that demands a place in any comprehensive collection... some of the most vivid and creative improvisation/composition fusions in recent times... wholly individual mixtures of realtime improvisation and writing that cheerfully filches from all post-bop and compositional areas, yet which depends as much on the colour and intensity of the individual improvisations"
Dō Ya Sa´ Di Dō
1992 release (RARE) ** "Anna Homler (Los Angeles, 1948) is a performance artist, vocalist and composer whose vocal acrobatics fall halfway between Meredith Monk and Laurie Anderson. She started out in 1980 with performance art and around 1985 began to focus on the human voice and invented a language of her own. Her first triumph was the phantasmagoric album Do Ya Sa' Di Do (AMF, 1992), featuring Ethan James, Steve Moshier, David Moss and Bernard Sauser-Hall. She fully revealed her surreal perso…
Colli Di Pedona
2003 release ** ""Based on a series of field recordings taken during a Tuscany stage of the Giro D'Italia 2002, The Colli di Pedona Tapes is probably the most psychedelic release to date from this fascinating Welsh duo. After a series of albums on the Ochre label that established them as one of new rising forces from the UK underground, Colli di Pedona is a slightly different take on their trademark sound: languid, luminous ambient tracks melt into minimal drones (the aptly titled 'Vortex'), whi…
Temps en Terre
2025 stock ** "Temps En Terre is the fifth album release from L'ocelle Mare, and the first to have been recorded in a studio. The preceding releases were characterised by a marked acoustic: the echoey reverberations inherent to Serpentement were thanks to the protestant temple it was recorded in; Engourdissement was entirely recorded in forest expanses, upon ponds and enclosed within remote wood cabins; Porte d'Octobre was recorded entirely in urban spaces; and his first, unnamed album was entir…
Serpentement
2025 stock ** "The solitary project of Thomas Bonvalet initially focused on the nylon string guitar, taking short, dynamic and abrupt forms and limiting itself exclusively to the acoustic possibilities of the instrument. A radical posture, it constantly threatened to put itself at an impasse, seeing itself forced into metamorphosis and movement. The instrument thus became less and less identifiable. At the periphery it absorbed the sound of objects (metronome, tuning forks...) deviating from the…
Introduction Of "Blue Of Noon"
2010 release ** "The Polish MonotypeRec has become the breeding ground for applied music. Recently, one interesting experimental release after another has been rolling off the press. Some elusive and incomprehensibly intriguing and others within the slightly more common frameworks. The first category includes the new collaboration between Olga Magieres and Tetsuo Furudate. Olga Magieres was born in Russia in 1955, but has lived in Denmark since 1971. Here she became a classically trained pianist…