Loci of Change
Matchless Recordings presents a live concert by Eddie Prévost recorded at Gateway Studio, Kingston, England on September 10th, 1996. The album includes six tracks performed by Eddie Prévost - Percussion.
"After a life-long study of percussion, Eddie Prévost has discovered ways of making the instruments reveal hidden aspects of thei voices. These, his first solo recordings, comprise and anthology of this long study but at the same time there is a freshness here that suggests the research is far f…
Fire Song
Maybe the words of the author of our 'record of the year 1999' (Dean Roberts) will not be enough for you to try to obtain this cd. Maybe also because it's so difficult to obtain, and also because no other magazine will speak about it here in Italy, because it arrives on a small -- but already extraordinary --label without distribution in our country. What a shame! Earl Howard (he's played with Derek Bailey, Han Bennink, Takehisa Kosugi, George Lewis and Richard Teitelbaum, but has rarely recorde…
Cistern
2005 release ** "Cistern was made in a two million gallon underground reservoir at Fort Worden, a de-commissioned military base overlooking the entrance to the Puget Sound. The space's resonance extended the instruments in a way similar to electronic processing. The acoustic properties of the cistern created new sonic relationships to which the group applied their musical concept. Cistern captures Doublends Vert's first experiences in the sound-world of the cistern. Doublends Vert formed in 2003…
Piano suspenso
Reissue of this 1999 release and out of print since a long time. Some reviews at the time of release : ' After a tentative opening consisting of damp harmonic scrapes, the piece takes off like a single-engined light aircraft when David Maranha kickstarts his four-motored Piano effect and then starts to tease single notes from the bubbling background with his bow. This is a great and physically affecting slab of sound, where the slightest minimal shift causes tectonic plates to groan. It's gravy …
Noe’s Lullaby
“Noe’s Lullaby is a mysterious recording in several senses of the word. Portuguese composer David Maranha has chosen to be obscure regarding instrumentation, listing the performers (a septet) but not what they’re using to produce the sounds. From the aural evidence and what one can discern from past projects of his, it appears that such devices as stroked metal strings, wine glasses, harmoniums, guitars, and percussion (all with perhaps some electronic modulation) are among them. The music itsel…
Earle Brown Chamber Music
Matchless Recordings presents a collection of early works by Brown, written 1952-64.
The album includes eight tracks performed by Dal Niente projects: Simon Allen - vibraphone, marimba, percussion harmonicas, various sound-producing media; Peter Bevan - trombone; Bridget Carey - viola; Tania Chen - piano; Robert Coleridge - piano; Francesca Hanley - flute; Nicolas Hodges - piano; Mieko Kanno - violin; Lore Lixenburg - voice; Zoe Martlew - cello; Mannon Morris - harp; Fiona Ritchie - vibraphonem…
Tears
Sachiko M and Ami Yoshida, both from Tokyo, met in 1997 and formed the duo of Cosmos the following year. Sachiko M has developed a unique style utilizing a memory-free sampler, creating pure, piercing sine waves with the device's built-in test tones and noise. She has also recently begun exploring the use of contact microphones, as documented on the second track of Tears. Sachiko has worked extensively as a solo artist, in groups such as Filament, I.S.O., and Hoahio, and in duo with Toshimaru Na…
In memory ov John Balance and homage to Coil
CD Compact disc album, cardboard cover, limited edition. '17 french bands from the genesis of industrial, experimental, free jazz musics, for the most part unclassable underground musics, and more recent and emergent artists from the same vein, form COILECTIF. These artists explore and express, openly and without limits, what Coil's heritage suggests to them, an opportunity to make an homage to Geff Rushton aka John Balance or Jhon[n] who left us on November 13th 2004. Coilectif is also an homag…
Hex Vex And The Lavender Mink
Edition of 400 copies.
Hex Vex And The Lavender Mink compiles the group's musical obsessions at the turn of the century, droll Brit drone, the magnificent Arthur Doyle, extremely dangerous onstage pyrotechnics, the fabulous Raymond Scott, cheesy electro dub effects and, most of all, competitive and confusing American free improvisation. David Cross and Tim Poland with their friends Arthur Doyle, Nuuj (of Hilkka and Sheet), Neil Campbell (of Vibracathedral Ochestra), Phil Marshall (o…
The glass sponge
Coelacanth is 23five's very own Loren Chasse and Jim Haynes. On their debut 23five release,The Glass Sponge, Coelacanth sets textural flutters, squeaks, and scrabblings in motion. These brittle events punctuate the boundless excursions of minimalism brought to life through elegaic bell tones, ghostly feedback, and tuning fork resonance, all spiralling together into translucent drones.
Percussionist songs
Matchless Recordings presents a live concert by Christian Wolff and Robin Schulkowsky recorded at Poggiolo fram, Pozzuolo, Umbria, Italy on April 22-24 2003.
The album includes fifteen tracks performed by Christian Wolff - composition, melodica, Robin Schulkowsky - percussion.
"Rooms talk to me. I send out a sound, the space answers. The first message I picked up from the old barn in Umbria was 'yes'.Christian Wolff and I had been thinking, speaking about, even planning a CD with his solo percus…
396
Matchless Recordings presents a live concert by Yann Charaoui, John Lely and Seymour Wright recorded at Gateway Studios, Kingston-upon-Thames on 2nd August 2000. The album includes four tracks performed by Yann Charaoui - cymbals and table top samplers, John Lely - piano and prepared bal-bal tarang, Seymour Wright - alto saxophone.
"The new austerity on the first CD from the young exponents of the growing art of improvisation...in the year 2000, this approach in which traditional musical instrum…
Seven reasons for tears
Reissue of classic and long hard to find Purge/Sound League album from 1987 by Borbetomagus. Quartet session with the power-bass addition of Adam Nodelman. 1993 CD release “Seven Reasons for Tears beautifully documents the most simultaneously fierce and accessible periods of the band’s history. Converts and heathens can both bathe luxuriously in the radioactive improv-beauty-stream that lights up a room when the record is played at ‘special’ volume. Tears is the living spirit of Borbetomagus’ nu…
_ Is An Apparition
Nate Wooley: trumpet, voice. Steve Swell: trombone, voice. Tatsuya Nakatani: percussion._________ is an apparition. marks the first release for the New York based blue collar featuring Nate Wooley on trumpet, Steve Swell on trombone, and Tatsuya Nakatani on percussion. The group, informed equally by the free jazz tradition of the 60s in America and Europe and the lowercase reductionist innovations now revolutionizing improvised music, has found a way to deal with silence, sound, tension, and rel…
JazzEx
2004 release ** "This album is a collection of early works from the late 60’s by the french electro-acoustic composer Bernard Parmegiani. Born in Paris (1927) and rich of a “catalogue des oeuvres” of more than 60 pieces, including classics such as “Violistries” 1965, “La Roue Ferris” 1971, “Pour en finir avec le pouvoir d’Orphée” 1971/72, “De Natura Sonorum” 1974/75, the 4 pieces presented in this edition is a perfect exemple for discovering the unusual territories and the eclectism language of …
Misiiki
Burkhard Beins: percussion & string instruments. Dirk Marwedel: extended saxophone. Michael Vorfeld: percussion & string instruments.
Gdansk queen
AVVA is the duo of Toshimaru Nakamura and Billy Roisz, based in Tokyo and Vienna respectively. AVVA stands for "Audio Video/Video Audio", referring to the working method of the duo. Nakamura produces the music using the internal feedback from his no-input mixing board, Roisz uses that as the basis for her optical moving patterns, and Nakamura has a TV monitor showing Roisz' output, so the whole process is circular and created in real time.Since 1998, Nakamura has been exploring the possibilities…
Still Point
Assumed Possibilities comprises of four musicians who understand the meaning and use of understatement and close listening. This quartets non-idiomatic music attains a minutely focused intensity, where the subtlest shifts in pitch, timbre and texture speak volumes. Though sounds sometimes sting and startle,the music carefully colours the aural environment,often hardly modifying the silence... growing out of and merging back into it. The results are detailed, meticulous, precise and responsive. S…
Sinopah
World Rhythms originated as a ten-channel live improvisation in which the audience was surrounded by ten loudspeakers. The recorded sounds include volcanic eruptions, earthquakes, radio waves, geysers and pools, and tree frogs. These sounds are a physical manifestation of energies which shape us and our environment constantly, energies of which we are not always aware, but which powerfully influence and interact with the rhythms of our bodies."What separates her work from musique concreté is tha…
Violin alone
Recorded at Ljushults kyrka on the windy days of 18-19 October and 14 November 1997