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Mirror at Night searches the subconscious: Eric Angelo Bessel sculpts a spectral space where ambient resonance, spectral melody, and time-stretched echoes intermingle. The album pulses with memory and hush, summoning nocturnal images that flicker between clarity and dissolution—a twilight walk across the inner landscape.
Four Fold unites four singular musicians—Iva Bittová, Marilyn Crispell, Benedicte Maurseth, and David Rothenberg—in a chamber where jazz, improvisation, and modern composition intertwine. Voices and instruments curve and spar, yielding an album of subtle poetics and palpable communion whose articulated silences are as charged as its most explosive moments.
Live At Fondazione Museo Pino Pascali sees Grischa Lichtenberger transfigure a forty-minute set into a tactile, visual, and kinetic experience. Industrial clangor, mechanical pulses, and fleeting ambience merge, sculpted with rigor. Issued by Hermit Records as a collector’s vinyl, it stands at the edge between noise, rhythm, and abstraction
Matthias Puech’s La Traversée ventures through atmospheric electronic landscapes, offering an evocative journey with immersive soundscapes. Released on Hallow Ground as an LP, this album invites listeners to experience a visionary fusion of music and art from a renowned artist-led label, dedicated to inspiring sonic exploration.
Floris Maniscalco’s double LP Eternal Brink is a genre-fluid, exploratory release grounded in Basel, Switzerland. Spanning meditative textures, fragmented rhythms, and voice contributions from local collaborators, the album unfolds as a sonic diary documenting shifts in mood and meaning over an extended creative period. Presented on Plattfon Records, it invites attentive listening through its tactile soundscapes and subtle narrative arc.
Brindisi Paradiso is a cassette mixtape reuniting Marco Foresta and Enrico Ascoli, two artists who previously collaborated on the 2018 track "Alma" from the Fabio Fabio release Amore Cannibale. Marco Foresta (aka Fabio Fabio) is co-founder of the Ivreatronic collective alongside Cosmo, Enea Pascal, and Splendore. A former percussionist who began working with turntables in the 1990s, Foresta has developed a distinctive sound that combines exotica, tribal psychedelia, and downtempo techno. His mus…
Liz Harris's debut as Grouper returns—the album that established her approach to ambient music as something other than comfort. Songs that refuse to be remembered, fog that won't lift, secrets kept just on the other side of the speakers. Kranky reissues the 2005 original.
Eight years since his last solo electric guitar record. Bill Orcutt returns to what made his playing essential: slashing chords, frenzied double-picking, angular runs that climb and ricochet. Recorded live at Cafe OTO. No computer loops. No gentle melodic glow. Just Orcutt and his four-string Fender through a tattered Twin Reverb.
Big tip! Acclaimed New York-based composer Lea Bertucci offers The Oracle, a striking, vocal-focused collection of music that spans six tracks of adventurous sounds steeped in mysticism and imagination, over three years in the making. Her first purely solo endeavor since 2021’s much lauded A Visible Length of Light (Cibachrome Editions), The Oracle breaks new ground within the scope of Bertucci’s singular voice as an artist.
The Oracle is an alchemy of contemporary political anxieties illuminated…
2018 release ** "Claudio F Baroni returns to Unsounds with Motum, an album featuring three recent compositions for electronic quartet, organ and string quartet. The thread connecting the works on Motum is – nomen est omen – motion and movement. Baroni explores this central theme in concept and sounds, in his inimitable layered, open and dynamic style. Motum takes the listener on a path from the very origin of sound as air in motion to hitherto uncharted territories. The music originates in myria…
2014 release ** "Composed in 1970, Mantra, for two pianos and ring modulation, was one of the decisive turning points in Karlheinz Stockhausen’s career. The 70-minute piece not only signalled a break with the text-based intuitive works, relying heavily on improvisation, that had come to dominate his output towards the end of the previous decade and a return to fully notated scores, but also introduced the idea of melodic formulae, the “mantra” of the title, which Stockhausen would eventually dev…
Lénok’s 'Langue of Tongue' is a descent. An unhinged pinballing down a realm of incomprehension and lunacy, a darkly psychedelic ego-death-spiral into a world of pure, deranged disquiet. It is, and this cannot be emphasised enough, a truly fucked up place. It comes complete with clearly marked borders delineated by its opening and closing tracks '(Entrance' and 'Exit)’. The message is clear: this is less album than zone. There's no comfort to be found here. It’s like the inner monologue of some …
Acclaimed composer, producer, DJ, and founder of Nonclassical, Gabriel Prokofiev, unveils his long-awaited album Dark Lights, marking his first personal release on the label in over a decade. Known for his distinctive fusion of genres, Prokofiev bridges the worlds of orchestral music and electronic production with an intensity that feels uniquely his own.
Dark Lights represents a bold step forward in Prokofiev’s sonic journey. Drawing on his background as a producer of hip-hop, grime, and elec…
*100 copies limited edition* Soundtracks for the edge of day. Visible Light use their instruments to open portals of seasonal consciousness through site-specific recording and real-time composition. Over the past two years, Amy McNally and Matthew Hiram have developed a collaborative practice rooted in earthly attunement, intuitive structure, and place-based sound. Their outdoor listening events have quietly established them as distinct voices in a growing conversation around nature-based music.…
"Recorded whilst I was starring as H.R. Pufnstuf in the titular US documentary of the same name, Earth Covers Earth followed up the apocalyptic Sing Song Sounds of Swastikas For Noddy with another clutch of classic C93 chimes, none of which bothered the Hit Parade In Any Way Ever. Many of the songs on this beautiful album have been tattooed on the inner thighs of the Illuminati. The drugs had stopped working, and I was staring into several voids, as I couldn't focus on anything, whilst Moving Wa…
condition (record/sleeve): VG+ (occasional pops) / VG- (browning on bottom back cover + general wear) A stunning vocal tour-de-force! Cathy Berberian delivers an extraordinary performance of Luciano Berio's Recital I (For Cathy), a groundbreaking work blending theatrical recitation, operatic singing, and avant-garde vocal techniques. Accompanied by The London Sinfonietta, this 1972 recording captures one of the most innovative voice-and-ensemble pieces of the 20th century. Berberian's interpreti…
condition (record/sleeve): VG (record looks near mint but has surface noise throughout) / VG (general yellowing + creases on lamination partly peeling off) Includes 4-page LP-size insert. Essential Berio! This exceptional Wergo release features Cathy Berberian in a virtuosic performance of Circles (1960), Berio's mesmerizing setting of e.e. cummings poetry for female voice, harp, and two percussionists. The album also includes three of Berio's celebrated Sequenze – solo works that pushed instr…
condition (record/cover): EX/EX Spectacular Berio orchestral works! This RCA release presents three major compositions showcasing the Italian master's command of large-scale ensemble writing. Nones (1954), inspired by W.H. Auden's poem, is a powerful meditation for orchestra. Allelujah II (1958) transforms the voices and gestures of its predecessor into pure instrumental drama. The Concerto for Two Pianos and Orchestra (1973) displays Berio's characteristic blend of virtuosity, wit, and structur…
condition (record/cover): EX/VG+ (minimal ring wear on back + sticker on front). Berio conducting Berio – with Cathy Berberian! A definitive recording of two essential vocal works by the composer himself. Epifanie (1961-63) is a complex, multi-layered masterpiece for soprano and orchestra, weaving together texts by Proust, Joyce, Machado, Brecht, and Sanguineti in a kaleidoscopic meditation on memory and meaning. Folk Songs (1964) shows Berio's genius for transformation – eleven traditional song…
condition (record/cover): NM/EX (minimal cover wear). Includes 8-page silk-screened insert. Luciano Berio's Laborintus 2 (1965) is an epic sonic labyrinth created for the 700th anniversary of Dante's birth. This extraordinary composition weaves together Dante's texts, fragments from T.S. Eliot and Ezra Pound, and contemporary poetry by Edoardo Sanguineti into a stunning tapestry for voices, instruments, and tape. Featuring speaker, three female voices, eight actors, and ensemble, Laborintus 2 is…