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Tip! *LP ltd to 415, black vinyl, 2 color (blue and black) silkscreened jacket with obi (black or light grey), 2 inserts and a postcard. Printed by Alan Sherry* Chita, the third album proper by Japanese guitar pop trio Usurabi, is their most elegant, stylish confection yet. Over the past four years, Toshimitsu Akiko (vocals, guitar), Kawaguchi Masami (bass) and Morohashi Shigeki (drums) have been recording, playing live, and releasing songs of rare melodic warmth, centring Toshimitsu’s unique mu…
John Cale was never very kind to his solo debut, Vintage Violence. When it was released in early 1970, Cale had been out of The Velvet Underground for less than two years. He wanted to prove he could be the songwriter, the person penning the words and melodies behind which a band could work. “I was masked on Vintage Violence,” he wrote much later. “You’re not really seeing the personality.” Indeed, Cale’s personality as a polyglot seemingly interested in everything emerged more and more on his n…
** Remastered from the Original Tapes. Deluxe Edition Reissue Sanctioned by John Cale Himself. Includes Previously Unreleased Outtakes & a Brand-New Recording** John Cale was never very kind to his solo debut, Vintage Violence. When it was released in early 1970, Cale had been out of The Velvet Underground for less than two years. He wanted to prove he could be the songwriter, the person penning the words and melodies behind which a band could work. “I was masked on Vintage Violence,” he wrote m…
The ultimate improbient that pursues the original human way of dealing with sound, imagining the very sounds that emerged from people's activities long ago. This is the first vinyl release of a 2007 masterpiece by Ken Ikeda, known for his collaborations with computer music pioneer Carl Stone, David Toop, a leading figure in the British experimental music scene, and Japanese jazz saxophonist Akira Sakata.
Tip! "It seems that this morning the moon has swapped its pale coldness for an acid yellow: the journey begins as the night draws to a close. Bodies writhe, given over to some mystical revelation: would have we forgotten that the day was going to rise? Chaos stands there in rare purity, like a farewell to all hesitation. Black celebration. After the introduction, the title track ‘les orvets’ sets the tone: powerful and synthetic waves, like a trip, the rhythm is tenuous and the sounds so thick …
There are cult bands and then there's Souled American. In 1988, the Illinois group arguably invented "alternative country" with the album Fe. While the alt-country sound is widely recognized as Southern roots rock with an indie-punk sensibility largely defined by Uncle Tupelo's No Depression released two years later — Souled American's early music feels as if it was formed in a vacuum, inspired by the timestretching space of reggae. But over the course of the following decade, Souled American's …
There are cult bands and then there's Souled American. In 1988, the Illinois group arguably invented "alternative country" with the album Fe. While the alt-country sound is widely recognized as Southern roots rock with an indie-punk sensibility largely defined by Uncle Tupelo's No Depression released two years later — Souled American's early music feels as if it was formed in a vacuum, inspired by the timestretching space of reggae. But over the course of the following decade, Souled American's …
Whitney Johnson, alter-ego of psychoacoustic voyager Matchess, debuts with a new composition that meditates on the duality of the human body. An instrument that collates awesome sensory pleasures, allows us to feel, and, best of all, to hear music, it’s also forever wearing on its slow death march. Using sine waves, marimba, viola, Arp Odyssey and Halldorophone, Whitney radiates healing waves to soothe and heal our flawed, but inspiring system.
Whitney Johnson, alter-ego of pyschoacoustic voyager Matchess, crafts an encompassing work of psychoacoustic music with two separate releases. On Hav, an LP under her own name, Whitney compassionately radiates healing frequencies to inspire inspired response with an extended composition for sine waves, marimba, viola, Arp Odyssey and Halldorophone. As Matchess, she presents the cassette Stena, reanimating fading waves with a collage of found sounds, frequency experiments and new music compositio…
Lee Ranaldo and Rob Menard have been friends and collaborators for years and this split cassette release on Important Records' Cassauna label amplifies their unique musical personalities and sonic compatibility. Both artists contributed over 30 minutes of music making this a pair of mini-albums on one tape. Ranaldo plays Farfisa, electric guitar, tres, marimba, bass and bells, taking the listener on a lyrical, hazy, ride full of life, time and echoing riff shimmer. Massive vibes from author, art…
Led by his childhood experience, Jorge Queijo prints memories of travels and paths on the album themes with no limits in the discovery of new spaces and sound possibilities of the instruments used.
*2024 stock. 150 copies limited edition*
Susana Santos Silva: Trompete, Flauta Irlandesa, Caixa De MúsicaJorge Queijo: Bateria, PercussãoCarlos Guedes: Electrónicas
Convidado Especial: João Menezes – Electrónica on “Desert Rush”
Gravado na NYU, Abu Dhabi, 2017, por Sami NacachMasterização: Miguel CarvalhaisCapa: SupercobraDesign: Jettoki DB
*2024 stock* Inland Empire (Império Interior), or the last brushstroke in a triptych that gazed at the stars, sowed winds and, finally, sought the geographical limits of a country.
Going over the obvious lynchian reference, the last of Wasser Bassin‘s compendiums dedicated to experimental music produced in Portugal brings to light the electronic abstractions of Caranguejos; the irreverent drones of Ehxispê, creative alter-ego of Rodrigo Vieira; and from the banks of the Côa, instead of rock engr…
Tip! *111 copies limited edition in special packaging* "Last year, Martijn Hohmann bumped into Roel Meelkop (Thu20, Kappotte Muziek) at a concert, and as two like-minded musicians would do, let’s work together on music. Hohmann mailed drones and field recordings to Meelkop, who did his magic (as in processing and adding sounds of his doing). Upon completion, a second round of new sounds and new reworkings resulted in four pieces of music, each around 15 minutes, so a solid hour of music. I have …
*Limited edition in tin can with attached razor blade* "For reasons not of general interest, I re-discovered Vivenza’s music last year or so when I got some of the old vinyl and a CD again, and I played these with much enjoyment. I don’t know why Jean-Marc Vivenza never released any new music beyond 1994, but I am sure he has his reasons (a study in esoteric and philosophic movements may be the answer). The exciting aspect of his music was his recordings of machines, which he didn’t link to the …
De Fabriek Teams up with the great Ausland (Roberto Auser) for this wonderful journey. It's an album that travels the globe in search for a common language, only to find a Babylonian Confusion of Tongues
The soundtrack to Murnau's Nosferatu composed / improvised / played by the trioof Emmanuelle Parrenin, Quentin Rollet and Jérôme Lorichon. The book accompanying the CD contains four versions of the Nosferatu story by four French artists: Marie-Pierre Brunel, Foolz, Caroline Sury and Alexios Tjoyas.
*200 copies limited edition* Roughly three years after the release of Balts, Schreel Van De Velde’s debut album on Blickwinkel, the guitar and drums improv-centered duo is happy to present their sophomore album A One And A Two. The Brussels-based musicians sound more decisive than ever: the loud became louder, the quiet became quieter, the weird became weirder and the nostalgic became more nostalgic. The fruit peeled off one of its own shells, getting closer to its heart.
The album came about as…
Sam Gendel is known for his work with saxophones and wind controllers. Benny Bock is a keyboardist, composer, producer and sound designer from Oakland, California. Hans Kjorstad is a musician and composer in the field of contemporary microtonal music, informed by Norwegian traditional music and experimental improvised music.
Fourth volume of Library Music miniatures by Daniel O’Sullivan (Ulver, Æthenor, This is Not This Heat, etc) for VHF, this time commissioned by the legendary German Music Library, Sonoton. Another sampling of Dan’s versatility and brilliance as a composer, performer, and sound designer, the focus on The Pastoral Machine is more “electronic” compared to the three previous albums Dan recorded for KPM (also issued on LP by VHF), with simpler arrangements and a focus on gentle and emotive synthesised…