The Drain
For the last decade, Belgian guitarist Bram Devens has been releasing solo recordings under the name Ignatz. A couple of cassettes have come out in the States, but most of his releases have been elusive imports. Thus, we have taken it upon ourselves to do a public service and release a domestic version of an LP that will appear on the (K-RAAK-K) label in Belgium. This must be something like the sixth or seventh studio album Ignatz has cut, and it's a remarkably solid slab of mysto-folk/blues inv…
Stitched Phenomena
Leif Brush (b. 1932) is a pioneering sound artist who for over five decades has built something of a vast labyrinth of an artistic presence, in a certain sense having existed on the fringes of the more esoteric strands of early sound practices. During his time as a student at the School of the Art Institute of Chicago in the late 60’s, Brush explored large scale installations that would often utilize the city’s landscape as a platform for steel-strand based sounding constructs. After going on to…
Fragments of High Sensitivity
Grykë Pyje is a child of a collaboration between Jani Hirvonen (Uton) and Johannes Schebler (Baldruin). This Finnish-German creature is a strange and wonderful one, constantly flickering and blinking with disorienting lights and patterns, creating a strange soundworld closer to the pulsing trippertronics of Astral Social Club than the strange folk sensitivity of both Uton and Baldruin.
Fragments of High Sensitivity is an utterly weird electronic affair, briging together the elements of drone, …
Drunk with insignificance
Edition of 300. This album has been a long time coming. Dredd and Ben first talked about collaborating back in the late '90s and it's now 2014 and the goddamn thing has only just arrived. Was the wait worth it? You bet your teeth it was. While this album would have been pretty great if they'd done it back in the day, the fact it has been allowed to age and grow of its own accord lends the project a richness and beauty beyond easy comparison. This specific album grew out of some shows Dredd and B…
Resting in a Fold of the Fog
Resting in a Fold of the Fog includes two Michael Pisaro's pieces for percussion, guitar and laptop. They are performed by two Dedalus Ensemble members Stéphane Garin and Didier Aschour, and by Michael Pisaro himself. Pieces titles are inspired by a poem (Fog) written by Mei-mei Berssenbrugge, a chinese poet living in New Mexico (USA). Michael Pisaro comments his own pieces: '"First piece, Grounded Cloud, depicts the very gradual gathering of fragments of noise and tone into a more or less conti…
Concert public
Released in 1989. A few copies founded in the basement of the label. Michel Doneda (soprano saxophone), Daunik Lazro (alto saxophone), Lê Quan Ninh (percussion). “Here’s an exuberant early Session by three Artists who have become stalwarts of the European Free scene. Michel Doneda is by now almost a household name as a free improvisor considered by some one of the greatest living saxophonists. Lazro and Ninh le Quan , seem almost unjustly neglected by comparison. Le Quan in particular is one of …
Défragmentation Des Pierres Qui Chauffent
The latest installment from the legendary trio active since the late 70s “When stones get warm, they go into fragmentation. When world goes warm things go into War. So that DDAA decides to develop a plan of defragmentation.” Déficit Des Années Antérieures (DDAA) – the legendary French artists who helped pave the way for the modern Avant-garde movement, have teamed up with Psychofon Records for their latest release! Defragmentation Des Pierres Qui Chauffent breaks down the walls between tense atm…
Bite of the Orange
Robin Hayward, Microtonal F-tuba. Peder Simonsen, Microtonal C-tuba. Martin Taxt, microtonal C-tuba. Bite of the Orange is Microtub’s third album on SOFA. On ‘Bite of the Orange’ the three tuba players dig deeper into the sphere of just intonation. Robin Hayward has composed two new pieces for the group focusing on the 11th and 13th harmonics, resulting in a strong microtonal character. The canadian music critic Stuart Broomer picked Microtub as one of the highlights of the FIMAV festival inVict…
Harpoon
Håvard Skaset / Jacob Felix Heule / Guro Skumsnes Moe / Lasse Marhaug. Recorded at Tunnelen, Oslo, May 2014. Mixed at the best studio in Oslo, 2015–2016. A collaborative LP of acoustic improvisors SULT (Håvard Skaset: guitar / Jacob Felix Heule: percussion / Guro Skumsnes Moe: double bass) and Norwegian sound artist Lasse Marhaug. The source material is performed by SULT, while the album was constructed and produced by Lasse Marhaug. In the hands of Marhaug the already dense and visceral express…
Autoportrait
Reissue of a cassette released in 1991 by La Légende des voix. A sound self-portrait harsh and tortured also using some texts.Brume (Christian Renou) is a prolific French musique concrete composer/sound sculptor who has won himself a place of his own with his crossover between sound collages, electro-acoustics and noise. His compositions rely on dense, rapid-fire montage and wed cacophony and dynamics, emphasizing both the elements of discontinuity and continuity. Why the nickname « Brume »?: he…
Îles
Véronique Vilhet and Dominique Grimaud are part, as indicated in the English Wire magazine, of the 'veterans of French underground' who begun their musical activities in the counter-culture movement launched after May-68. Their adventures and misadventures drove them from the Festival of Avignon to Caracas, from Baalbek festival to the Music Building of New York, as well as in charts of the New Musical Expr…
Split
Andy Bolus (UK) is a special case of a multidisciplinary artist, the aural part of which presents an extensive discography and hundreds of live concerts under the Evil Moisture moniker. Superficialy, there is always this specific harsh essence that he creates either as Evil Moisture or Olympic Shit Man (along with Mark Durgan), but deeper inside "Abnormal loves in School Of Meat Cutting", a psychedelic concrete cave noise takes hold. An amazing atmosphere of sound in the vein of a small basement…
Crease
As listeners, we often fantasize about music collaborations between artists, yet not solely driven by the parameter of "artists we like". Before jumping ahead to any interpretations, we don't just like Danae and Michalis, we like them a lot. But that's not the reason their cooperation is so unique, which is evident on how well they complement each other and communicate in a level of musical language. A simple listening to both solo LPs, [herewith] and Nylon (both on Michali's Holotype Editions) …
Wondrous Intermission
The problem with artists like Icelandic Sigtryggur Berg Sigmarsson is that you don't know what's the best point from which to start the narration. If you start chronologically it's going to look like a Wikipedia entry. If you focus only on the latest release it would look like a review. And if you just deal with several random points it's going to look vague and non-descriptive. We will attempt an approach through all three ways. Sigtryggur Berg Sigmarsson is a visual artist who exhibits his pai…
Fustian Cutting
Phil Julian lives in London, and has been active in the experimental music underground since the late 90's under the alias Cheapmachines and lately under his own name. He is dedicated to analogue electronics as well as computer noise. Contact microphones, feedback and modular synthesizers are basic tools to what, after much work, could lead to the perfection of 2014's Trace LP or the excellent Quiet Trade tape. A wide spectrum from harsh noise to academic minimalism. An "anything can turn into a…
Convicted Felon Adjusted For Inflation
If you know Glands of External Secretion, you now also know that they have a new release out in Coherent States to which you may be interested in listening. If you are unfamiliar with them, there are quite a few things to be said, beginning when Seymour Glass, inspired by J.D. Salinger's short story A Perfect Day for Bananafish, starts publishing the legendary Bananafish Zine in 1987, which for eighteen issues and up until 2004, constitutes a huge and ambitious attempt of presenting underground …
On Germaine Dulac
Music & instruments by Mathieu Serruys. Recorded at The Holiday Island between December 2013 and July 2014. Produced by Mathieu Serruys & Joris Verdoodt. Mastered by Jürgen De Blonde. Album design by Mathieu Serruys & Joris Verdoodt.
On Germaine Dulac is the debut LP by Belgian musician Mathieu Serruys. B.A.A.D.M. commissioned Serruys to revisit Germaine Dulac, female pioneer of the early experimental film. Loosely inspired by moods, scenes and sceneries of La Coquille et le Clergyman (1…
Maar
Maar is recorded in Gent, Malmö and Göteborg during 2015. Organ, field recordings, electronics, guitar, voice and tape works by Dan Johansson and Sofie Herner. Mastered by Linus Andersson at Elementstudion. Original front cover photograph by Giorgio Sommer, ‘pompei impronte’, ca. 1888, courtesy Rijksmuseum Amsterdam. Album design by Mathieu Serruys & Joris Verdoodt.
"79 BC: the eruption of Mount Vesuvius covers the ancient Roman city of Pompei with tons of ash. All of its inhabitants die an…
Springer
Sonorous found objects, self made instruments & natural feedback are the sound elements & the anatomy of this recording. All sounds have been performed live by Giorgos Axiotis & Efthimis Theodossis, no overdubs or any kind of mechanical equipment, except for a mixing desk & two directional microphones.
Fassbinder Wunderkammer
From the words of Alessandra Novaga: "This record is about R.W. Fassbinder and his Cinema. Fassbinder has been an extremely prolific auteur creating close to forty films in the course of 36 year of a dramatically intense life characterized by nearly superhuman activity and a desperate search for affirmation and acceptance. In his films, he took on different genres, from the gangster movie, to a brave examination of the Nazi period still too recent for the Germans, to a more bourgeois cine…