Rules For Living
CD3 transform familiar sounds into primordial folk art with Rules For Living. The duo's melted reconfiguration of popular styles creates mysteriously ahistorical music - ancient yet pertinent, stripped to skeletal essence.
An Aesthetic - Experiments In Tape
Lunar Module are thrilled to announce the release of a new Hawksmoor album from Bristolian musician James McKeown, 'An Aesthetic' – Experiments In Tape. 'An Aesthetic' is a testament to McKeown's dedication to exploring the boundaries of sound. By layering the wow, flutter and warble of tape artifacts, he crafts a sonic landscape that echoes the ethereal hiss and mist drenched ‘rural psychedelia’ of Bristol's own Flying Saucer Attack, as well as the early hauntological, experimental landscapes o…
Pro Fake No Reject
An ace technician who studied at the New England Conservatory, Erez Dessel is in no way conservative. Indeed, his bracing approach to the keyboard and deeply intuitive sense of form can be explosive, uncorked energy summoning references to Cecil Taylor and the Don Pullen/Milford Graves duets, and an almost Russian Romantic darkness – imagine an improvised Mussorgsky – offset by keen emotional intelligence, with joyful melodicism and an airborne quality. And nestled within Dessel's playing there'…
The Columbia Recordings
A deluxe 4-CD box set bringing together the seminal Columbia recordings of Terry Riley. A landmark reissue from one of the most pivotal figures in 20th-century music. The Columbia Recordings brings together the four seminal albums that Terry Riley created for Columbia Masterworks between 1968 and 1980—a body of work that redefined the possibilities of minimalism, electronic music, and compositional freedom. The deluxe 4CD box set includes In C (1968), A Rainbow in Curved Air (1969), Church of An…
Papotier
After months of silence, Pancrace returns with Papotier - a mesmerizing acoustic ritual where a baroque organ becomes a speaking entity. Recorded in a 14th-century church, the album conjures a world where sacred airs and absurd gestures merge, collapsing the divide between voice, instrument, and myth.
Baraka 1980
After the groundbreaking Comme à la Radio, energized by the free jazz tumult of the Art Ensemble of Chicago, Brigitte Fontaine and Areski Belkacem produced six albums together or separately between 1972 and 1977. While French pop of the time was marked by lush orchestrations, Fontaine and Belkacem’s songs were often recorded live, typically accompanied only by guitar and percussion, or performed a cappella. This minimalist approach focused attention on the subversive poetry of the lyrics and the…
Tom’s House
In “Tom’s House”, a new audio-drama from artist and writer Jacob Dwyer, we listen to the meanderings of someone who’s returned home for the first time in 15 years. Walking up Haddon Drive he spots the house of an old friend, Tom. The front door is open, so he goes inside. Wandering around the empty Tudor cottage - making cups of tea, rearranging CD collections and zoning in on the minutiae of domestic space - he ruminates on ideas of emotional intimacy, friendship and grief.
"Hello? Hello?" echo…
Idylla
Idylla is the third of part of a trilogy of nature-based recordings that Polish composer Michał Jacaszek has recorded for Touch. The first, Catalogue des Arbres (Touch TO:94), was a collaboration with Kwartludium that celebrated the earlier inspiration of French composer Olivier Messiaen's Catalogue des Oiseaux (1958). Gardenia (Touch TO:117) was a response to a field recording workshop organised by Francisco Lopez in Limpopo province in South Africa, on the border with Botswana, the participant…
Lema
In the Minoan culture of Crete, the sea was seen as a transitional zone to reach the afterlife. The sun reflected on the water took on the features of a path to follow in order to be reborn into a new life. Angeli crosses this place of passage, leaving behind granite for a sweeping lava-like transformation. While Lema passes through the concept of loss, within the space of his guitar-orchestra, the Sardinian musician celebrates an album that embraces both tradition and musical countercultures, c…
Noumena
Second volume of unreleased solo material by Tim Barnes, Noumena explores the thresholds of perception with long-form compositions built from minimal gestures, field recordings, and ambient textures. A durational and meditative counterpart to Lost Words.
Heilun
Following three full-length collections and a transcendent series of individual long form works, Iceland’s Hyldýpi makes his Past Inside The Present debut with Heilun (tr: “Healing”), a set of seven pieces that flow across 90 blissful minutes. Formed only with guitar and a modest selection of hardware, each movement is an improvisation born from a state of meditation. According to the artist, these sonic sculptures are “inspired by the raw nature [of Iceland], both within and without… I feel as …
Katatonic Silentio
Captured in the immersive cocoon of the Hypnose Room during the 2023 edition of La Nature, this debut release on Fleur Sauvage is a raw transmission of Katatonic Silentio’s improvisational live ritual. Split into four parts across two 12” records, this work moves between experimental abstraction, textured noise, and cinematic ambient. Tension runs like a thread through each piece—sometimes humming beneath the surface, sometimes rupturing into visceral sonic peaks that leave you breathless. Deep …
4 x 4
*300 copies limited edition* FEN (Far East Network) is an improvised music ensemble made up of Otomo Yoshihide, who lives in Tokyo; Seoul-based Ryu Hankil; Yuen Chee Wai, who lives in Singapore; and Beijing-based Yan Jun. Since FEN's formation in 2008, the four members have gathered and performed in various countries on an intermittent basis. In 2018 FEN exhibited an eight-channel sound installation at the Gwangju Biennale 2018—an international contemporary art exhibition held in Gwangju, Korea—…
Mechanical Sound Orchestra
1995 release ** "Matt Heckert has been working as a performance and sound artist since 1978. In the 80"s he worked as one of the directors of Survival Research Laboratories building robots and designing soundtracks for the performances and for film. In 1989 he began working on the Mechanical Sound Orchestra, a group of computer controlled mechanical sound instruments. He has presented this in the USA and in Europe since that time, working solo and in collaboration with others."
Nekromantische Musik und Riten
Big tip! We are pleased to announce the release of new live and studio recordings by Rudolf Eb.er, an Austrian/Swiss artist in the vein of Viennese Actionism. The recordings includes a live recording at Hokage, Osaka in December 2024 and studio recordings at Om Kult Osaka. This is a new masterpiece of Rudolf Eb.er, a very conceptual and precise composition of sustained sounds and creaking metal, moans and crows, concrete crushing noises, organs and field recordings. In order to materialize this …
The Years After
*200 copies limited edition* "Our first album we made together, "The Days After", was initially released on Three Poplars in 2003. Then, afterwards in 2007 it was re-issued with a new version of the second track, "Flaxen", on Faraway Press.
After having found the earliest version of 'The Days After' in my archives last autumn, there was an excitement that grows with the beginning of something in the creative process and the sparkle of an idea that can never be recreated. Furthermore, there was …
Encerclements
*2025 stock* "Bertrand Gauguet's "Encerclements" is a profound sonic meditation on the interplay of sound, space, and abstraction. Encircling the listener with a delicate, almost hypnotic web of frequencies, the album merges ambient minimalism with glitch and noise, creating a kind of auditory labyrinth. (…) Perhaps it’s fitting that Gauguet embraces such a stripped-down approach. The album doesn’t demand attention; it slowly captivates, much like a distant memory trying to find its way back int…
Delightfully Deceitful
"A note, a sound, an air, you can write them down and then leave them to be read or played; but you can also write nothing, just sit down, play your note, watch it flow and expand, add another to it and then another, and on and on. There may also be two of you: the second sits down, plays a note, watches it flow, adds another to it, and watches it drift and blend with the others. And then there can be three; the third arrives, sits down, plays a note, adds another, and another, and watches them …
Composition No. 62: Compilation IV (Quasi-Concerto For Clarinet(s), Improvisers, Jazz Ensemble, Chamber Orchestra & Electronics)
2005 release ** "As a composer, Fell applies serialism with an enthusiasm and relish which hasn't been heard since the advent of minimalism, when it was declared a dead dog. In Fell's work this dead dog proceeds to gnaw at accepted practice and compositional cliché with a rabid intensity that many listeners find shocking. The challenge is to get modern compositions played with the emotional commitment and trenchancy of jazz, and in this Fell excels; by going right into the complexitudes of Stock…
Face The Wound
2001 release ** "The birth of Face the Wound was a difficult one and listening to it can be uneasy, too. The follow-up to (or more precisely the second part of) Z'EV's Heads & Tales CD, it was begun in 1995, completed in 1998, and finally released in 2001. The artist's mother was diagnosed with cancer and died during the writing process. The concept underpinning each of the 19 tracks is pain, both individual and collective. The title Face the Wound refers to Z'EV's belief that many of our modern…