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This double disc set includes some of the most unusual sounds you will have heard from Carl Michael von Hausswolff. The story goes like this. Von Hausswolff was chosen by the 1997 Istanbul Biennal to create a sound installation for Atatürk Airport. His classic sound combining low frequency rumblings, very monotonous oscillations and hissy non-narrative sequences was deemed too confusing for the commutors. It was feared, von Hausswolff’s sound installation might be mistaken for an alarm and would…
As roses bow: Collected Airs 1992-2002 is Loren Connors' Assembly of his most melodically rich and stunning miniature compositions. Inspired by O'Carolan's airs and other Irish airs of the pAst, these works, recorded during a ten year period, are melded with the distinctly personal and iconoclAst adaptation of Connors' blues. These 43 pieces are Connors' complete airs, culled from 10 albums (eight of which are out of print) and one single, including his groundbreaking Hell's Kitchen Park (Black …
Stephen O'malley: guitar & production. Recorded in 230 W 108 #4d, NYC spring 2005. Mastering & bass wave assistance by Mell Dettmer at Aleph, Seattle. Art by Banks Violette. Design by SOMA. 600 copies in oversized cardboard cover. salt is the audion component created for Bleed, the initial collaboration between sculptor Banks Violette and musician Stephen O'malley. First shown at Barbara Gladstone Gallery, NYC summer 2005 Bleed was part of the group show Bridge Freezes Before Road, curated by Ne…
'Behind bowline we find the more and more present musician David Maranha, who was once best known as Osso Exotico, and these days also works as a solo musician and one Francesco Dillon. He is from Italy and studied the cello. These days he is a member of Alter-Ego (see Vital Weekly 602 for their work with Gavin Bryars) as well as playing with people like Matmos, Pan Sonic and Scanner. A man of many talents. Here too Dillon plays cello, whereas Maranha gets credit for 'hammond organ, violin, vox …
Body melt is limited to 500 copies only on LP. This is the companion release to the Glass Forest CD being released on Important simultaneously. Both releases are housed in staggeringly unique artwork by Emily Recorded in the Summer of 2007. Body melt is a molting and simmering display of furious Hammond Organs & Native American Drums. Daniel Menche manages to merge together the powerfully fuzzed out organ drones along with hypnotically crushing and frenzied drums in a manor that is distinctly th…
Futurism with its dynamic force, youthful spirit, attention to innovation and a bit of Italian histrionism; the sixties with their hopeful and playful atmosphere and their crisp and catchy music; Italy with its beautiful sun, beaches, Mediterranean brightness and laxity; minimalism with its focus on the deepness of details; all the things happening in Bologna in the late seventies, among some of the newest and most creative experiences in film, performance, fashion and music. With these elements…
From the Kitchen Archives Vol. 3. Amplified: New Music Meets Rock, 1981-1986 is the third release in a series of CDs compiled from The Kitchen's archive that documents historic concert recordings at The Kitchen from the early 1970s to the mid-1980s. While the first two releases, New Music, New York 1979 and Steve Reich and Musicians, Live 1977 focused on major figures of new and experimental music from The Kitchen's first decade, Amplified moves into the early 1980s, representing a vocabulary th…
Glass Forest is a highly listenable starting point for any newcomers curious about Daniel Menche's vast discography. It is also, according to Menche, the last CD he will release. From now on he'll be releasing his music on LP only or on DVD to accompany films he's been working on. Glass Forest is also the companion release to Body Melt which is being released simultaneously on Important on LP only. Recorded in the winter of 2005, Daniel Menche's Glass Forest displays a glistening sound world tha…
"I leave to several futures (not to all) my garden of forking paths" - Ts'ui Pen
The Garden of Forking Paths was compiled for Important Records by guitarist James Blackshaw. Compositions were recorded especially for this collection by Helena Espeval (Espers), James Blackshaw, Jozef van Wissem and Chieko Mori. Beautifully assembled, The Garden Of Forking Paths serves as a singular and particularly unique musical statement.
"The story of how this compilation came into being is, unlike many other s…
Burning Star Core began in 1993 in Cincinnati, OH where it currently resides with primary member C. Spencer Yeh. It is considered a project and not a pseudonym. While the Burning Star Core project has included much wider ensembles, Challenger is a direct solo composition of C. Spencer Yeh. This recording is perhaps Yeh's most revealing, unguarded work. Challenger is a composed work, not an improvisation, with each piece revolving around a central melodic theme, featuring field recordings, which …
Judy's Dust is the debut full-length LP by Car Commercials of New Brunswick, New Jersey. Here, the duo of David Sutton (Friends and Family, Current Amnesia, Ladderwoe) and Daniel DiMaggio (Home Blitz) expand on the rock/mumble strategies from the self-released Jar 7" (Leaf Leaf, 2007) and a couple cassettes kicked around the New Jersey underpasses. Contains twelve songs of missing spaces, too much Center Ice, drums and wires, varispeed recording techniques, and facing backwards -- all from the o…
Live at the Flux New Music Festival in Edinburgh. "Three weeks of festival, theatre, pantomime, experimental arts and music. In amongst these, Faust: A legend for the connoisseur, with constantly changing sound experiments over the past 25 years. Faust mixes industrial noise with tattered sounds, jazzy harmonies and rock rhythms. Unfettered and minimalist. A concert at a venue resembling a low, hot cave. There is a huge metal sheet in front of the stage beyond the reach of the audience. Guardian…
A series of duets between Ibarra (drummer for David Ware, William Parker's In Order to Survive, etc) and Tsahar (previous recordings on Eremite, Silkheart). Consists of home recordings and material from the Knitting Factory 2/28/98. Ibarra on drums, thumb piano, Balafon, Kulintang, vibes, Djembe, Tympani, Toy Gamelan, clay whistle, etc. Tsahar on saxophone, violin, talking drum, bass clarinet, flute, bells, bamboo recorder.
Son of Earth began life in early 2000 as Son of Earth-Flesh on Bone Trio. Aaron Rosenblum, Matt Krefting and John Shaw, inspired by many spirited late-night experimenting sessions, began to play out using wild arrays of sound-making devices. As the years have gone on, the group has chiseled away at the number of instruments used and brought their once maximalist and varied sound creation down to a whisper, a murmur, a sound that hints at and flirts with texture and atmosphere; a music made from …
A very special, full-color 48-page perfectbound Gallery Edition Book+CD: "FLYSWATTER", commemorating Peter Brötzmann's first-ever exhibition of visual art, featuring his works on paper from 1959-1964 at the Art Institute of Chicago this coming March 7-23, 2003. Includes essays, interviews, unseen photos, and Enhanced-CD includes 2 tracks of music (1965, quartet), an interview (1965) and three films (1963/4). Everything is previously unpublished/unavailable.
This disc is Ad Hoc Records' definitive digital release of the first album by the English underground band, The Work. Originally issued on vinyl in 1982, this music, along with that of compatriots This Heat and Unrest Work & Play, set the stage for a unique type of new British Invasion; one that seemed to absorb the complexity and slickness of progressive rock, whilst throwing its aesthetics to the dogs, in lieu of the energy and power of early punk. The Work were amongst the first few to purpos…
strings is primarily an attempt to reconcile the aesthetics of digital sound with that of the more traditional music instruments and to enrich the respective domains with the qualities of each other. In a larger scale, the album targets the stereotypes in today's perception of music, trying to smooth out the borders between academic and popular, traditional and contemporary, serious and amusing - all in favour of music. The choice of instruments follows coh's own experience in music: from years …
1996 flare-out from mr. T... dedicated to Dave Brubeck's right (left?) hand man & composer of 'suicide is painless.' Pure was started in 1994 by RRRecords as a series of very affordable cds by a wide range of experimental and noise musicians. All releases were packaged in identical black & white slipcases, with a sticker on the front giving the artist and title. Most also included a fold-over insert advertising other releases in the series. The release notes were typically part of the cd artwork…
CD1 : 'Batztoutai with material gadgets'. Re-create version of 'Batztoutai with memorial gadgets' Previously released on RRR-04. CD2 : 'Loop panic limited'.