Punctum
What does a venue sound like? One might approach this question by assessing the technicalities of how it handles sound: the room acoustics, the quality of the PA etc. Instead, this trio seek answers by enlivening those loose inanimates strewn silently around the venue’s edges – whatever the players could find throughout the backrooms and corners. Pots, pans, dud domestic appliances and old bicycles are hauled up from the groundfloor basement of Punctum in Prague, along with a few stones and tree…
Stratigraphy
*2026 stock* A churn of electronic noise is flung into dialogue with the smeared and manipulated bleats of a seagull horn, the former like the grind of agricultural machinery, the latter like prolonged saxophone missives or doppler-arced racetrack noise. We encounter many moments like this throughout Stratigraphy: gushes of clashing colour, sudden illuminations of jagged edges. This is how Kate Carr and Cath Roberts resist the absolute fusion of their respective sound worlds, rekindling our awar…
Magneto Mori: Brussels
*2026 stock* "One way to interpret Vernon’s evocation of Brussels is as a patchwork of interdependent absences. We hear numerous spoken stories, yet none of them in full; details are lost to magnetic erasure, to the truncations of compositional editing, to the recollective limits of fallible minds. A voice hesitates as it recounts an early memory of falling. Another falters into damaged tape as it describes a trip into the forest, words sunken irretrievably under disruptive plosives. Into these …
A Storm And It's Aftermath
*2026 stock* Carr and Donohoe eschew the typical depiction of a storm as a linear escalation. Instead they illuminate the multitude of comings-and-goings that occur throughout its lifecycle: the quietening of birdsong, the thickening and dispersal of the wind, the ever-changing texture of the rain. The title itself is an act of misdirection. Most of the runtime concerns the storm’s prelude (it’s a full half-hour before we hear the first rumble of thunder), and we’re ushered into a fadeout before…
little feats
*2026 stock* "Little Feats is a quiet abandonment of answers and exactitudes. A slow luxuriation in the riddle, the failure, the irredeemably off-kilter. Despite these four compositions pulling from different thematic sources, all are bound by a spaciousness that continually strands us between the conclusion of the last gesture and the commencement of the next. Great swathes of the record are compositionally “silent”, with the instruments falling away to reveal the album’s irreducible base: a fi…
Cassette Album
*2026 stock* "Magnetic Tape is able to record, store and playback audio recordings. It enables repetition and the capturing of time in a sonic shape. It frees listening from the confines of chronology and thus of history and creates a sonic pluriverse where everything can be played at once, again and again sounding between the familiar and the unfamiliar the particular darkness of the human heart and the peculiar density which surrounds everything that is real. Thus giving access to time’s plast…
Colonial Vipers
On Colonial Vipers, various artists from the Dutch Trumpett orbit condense the 1982 home‑taping surge into 13 rare tracks of minimal synth, DIY cold wave and concrete industrial atmospherics, finally transferred from cassette obscurity to heavyweight vinyl.
Inner Storm
On Inner Storm, Seth Price channels a deeply personal rupture into four raw, single‑take synthesizer improvisations, turning real‑time manual control, LFO pulses and live pedal work into a stark study of emotion, process and duration.
Phonoverse (3LP)
Fantastic and complete documentation of the electroacoustic music realized by the Serbian composer and founder of the Elektronski Studio Radio Beograda between 1960 and 1993, released as a massive 3LP set by God Records in 2016.
Пришельцы (LP)
The Russian composer's eclectic and otherworldly "Aliens" composition for piano and electronics. released by Melodiya in 1990.
Electronic Music By Young Hungarian Composers (LP)
Five electro-acoustic compositions realized at the Electronic Music Studio of the Hungarian Radio between 1975 and 1981 by five Hungarian composers and released by Hungaroton in 1983.
Computer Music (LP)
Five classic computer music works realized at the Elektronisches Studio der Technischen Universität Berlin in 1983/84 by two Hungarian and one Argentinian composers, released by Hungaroton in 1985. With insert.
Rustlings
'rustlings' is an album of two pieces written by Stockholm-based violinist and composer Maya Bennardo. One of the pieces, 'dormant gardens i' (2022), was written for and performed by andPlay, a duo of Bennardo on violin and Hannah Levinson on viola. The other, 'summer rustlings' (2024), is a solo violin piece performed by Bennardo.
Both pieces were inspired by Bennardo's move to Sweden from New York City, where she developed a new relationship with nature through walking. Her solo and compositio…
Kuun Sininen Rinki
Flourishing minimal composer Juho Toivonen returns with Kuun Sininen Rinki (‘Blue Circle of the Moon’), a four-track LP assembling recordings from two distinct moments in his recent work. Issued by Infinite Expanse, the release gathers previously unreleased material alongside pieces that first appeared in extremely limited CDr form, offering a glimpse into an early phase of Toivonen’s developing piano practice. If you’ve spent time with Toivonen’s 2023 LP Kasveille ja eläimille, the A-side will …
Métaphysique Du Hit-Parade
I first encountered Pascal Comelade’s music thirty years ago—and nothing has sounded quite the same since. I was immediately captivated: he is an artist like no other, whose sincere and selfless love of music is always evident, especially in his tender reworkings of other people’s songs. Comelade seems to work like a watchmaker: meticulous, precise, and obsessive—yet always drifting into something dreamlike. His music opens hidden doors, telling strange and beguiling stories filled with obscurit…
Truly, Slightly, Overflowing, Whereabout of Good Will
On Truly, Slightly, Overflowing, Whereabout of Good Will, Keiji Haino and Reinhold Friedl strip everything down to voice and piano interior: incantatory howls, whispered fractures and scraped strings tracing a stark ritual of tension, silence and imploding song.
The Next From Field Commander
Recorded in a bedroom with classical guitar and 4-track tape, The Next From Field Commander is Australian folk of rare emotional density. Layered vocals, inhabited silences, a voice that lingers.
Lagoon
New album by FLOCKS, the duo of drone specialist Werner Durand and percussionist Uli Hohmann. Musical landscapes that move between traditional as well as experimental sounds with influences from Krautrock and Jon Hassell's "fourth world" aesthetics.
Wa Wave: New Wave Sounds from the Land of the Rising Sun vol. 2
The journey continues with "Wa Wave: New Wave Sounds from the Land of the Rising Sun, Vol. 2," a captivating exploration into the bamboo forests, sounds, and visions of some of the most eccentric artists who have remained in the shadow of Japanese new wave. This latest compilation invites listeners to delve deeper into a world where innovation meets tradition, capturing the essence of a vibrant yet often overlooked musical heritage. Emphasizing a unique fusion of Krautrock and electronic impulse…
Wa Wave: New Wave Sounds from the Land of the Rising Sun vol. 1
From the depths of the most independent and revolutionary underground, "Wa Wave: New Wave Sounds from the Land of the Rising Sun Vol. 1" emerges as a groundbreaking collection that showcases a unique musical journey through the enigmatic landscape of Japanese avant-garde sounds. This album features a carefully curated selection of tracks from the repertoires of influential artists, some of whom have released only limited editions—often confined to a single flexi disc.
These pioneers of sound hav…