Thin Peaks
"Thin Peaks" is the sixth album by the microtonal tuba trio Microtub, featuring Robin Hayward (UK/DE), Peder Simonsen (NO), and Martin Taxt (NO). Initially developed during an artist residency in Andersabo, Sweden, the two pieces "Thin Peaks" and "Andersabo” underwent several adaptations before being recorded in 2022. The pieces draw on the acoustic phenomena of half-valve combinations, creating distinctive timbres and harmonic spectra based on the unique half-valve signature of each tuba. Whils…
La Munglesa
*70 copies limited edition* In the mid-1960s, Teresa Viarengo, one of the most vivid memories of Piedmontese folk repertoire, confided this song among many others to Franco Coggiola and Roberto Leydi. The ballad is also mentioned under the title “Un'Eroina nei Canti popolari del Piemonte” (A Heroine in the Folk Songs of Piedmont) by Costantino Nigra. It is a bloody story in which a count marries Munglesa, the daughter of a baker, takes her to his castle and, along the way, confesses that he has …
Pájaro de tres piernas
*80 copies limited edition* Music by Zarabatana (Bernardo Álvares, Carlos Godinho, Norberto Lobo and Yaw Tembe), Orca, Chica, P. Feijó, Daniela Rodrigues and Julián Pacomio. Mixed by Mestre André. Mastered by Giuseppe Ielasi.
Fobia
Aylu’s album Fobia marks a pivotal exploration into the spaces between fear and resilience, channeling personal experiences with agoraphobia and claustrophobia into textured, avant-garde electronics. Through a tightly-woven sonic language, Fobia moves from suffocating tension to moments of spiritual release—turning solitary struggle into collective resistance and introspection, with each piece mapping an emotional topography that remains intimately and universally relevant.
Smelter
Smelter by Faith Coloccia and Daniel Menche constructs a temporal architecture that explores water in its myriad states—snow, ice, streams, and storm. Moving between spontaneous, voice-laced vignettes and epic drone formations, the record serves as an aural archive that suspends the listener in crystalline moments, as if each piece is fixed in time yet endlessly malleable.
L'eil au centre de L'oeil
L'oeil au centre de l'oeil by La STPO distills decades of avant-garde experimentation into a collection where tumultuous rhythms, surrealist poetry, and unrestrained instrumentation converge. The album’s elliptical structures mirror the disjointed vividness of dreams, mapping an abstract and ever-changing sonic landscape that refuses conventional boundaries and draws listeners into a whirlwind of meticulously orchestrated chaos.
Live in Rhein Main
Live in Rhein-Main by Gestalt et Jive documents the group’s most audacious mutations through two pivotal live sets, revealing an intricate interplay of improvisation and postmodern eclecticism. The album’s raw edges and unpredictable transitions expose the band’s commitment to redefining avant-rock’s boundaries, blending kinetic jazz idioms, punk dissonance, and European experimental traditions into a deeply engaging experience.
The Portrait You Painted Of Me
2025 stock Orange vinyl (US exclusive). Here we have the third solo LP by London's Alison Cotton, following on previous successes, All Quiet at the Ancient Theatre (FTR 424LP, 2019) and Only Darkness Now (FTR 564LP, 2020). And as with each of Cotton's projects it is a stylistic advance as well as another example of her dark signature sound. Alison's work with bands is well documented by recordings with Saloon, 18th Day of May, Trimdon Grange Explosion, and her current, ecstatic folk/psych duo, T…
As Seen In Your Wildest Dreams
2025 stock If Coley can do anything and, I assure you, he can do a few things, some very well indeed -- cooking, drinking, smoking, chortling, collecting, dissecting, inspecting, sniffing, gassing, pranking -- to name but a few, he can, without a beat gone by, make you wanna listen to the goddamn records he's criteeking whether it be in old ishes of Forced Exposure, Boston Rock, New York Rocker, or the LA Weekly or his nugget column in Wire. For many his obscurant references to what is already a…
Low Effort Social Events
2025 stock Creative Healing is a new Massachusetts combo mixing the folks from Hollow Deck (Andy Allen and Mia Friedman) with three old pals who also passed through the Ran Blake Paddle Tunnel at NE Conservatory (Katie McShane, Jesse Heasly and Nick Neuberg). The results are, as the old men say, a real gas. Although it's not a constant, there are moments throughout this album where the swonky collision of sax, guitar and drums puts me in mind of several classic versions of Beefheart's Magic Band…
Mystery Meet
2025 stock Vinylization of an insane and legendary CDR that Nashville's Cherry Blossoms collective issued when they did a 2007 tour of Upper and Lower Rangoon with Josephine Foster as a special guest member. The Cherry Blossoms are a musical entity not easily described, but I feel as though their essential whatsis was grasped by Michael Hurley. We were talking a few weeks ago and when the Blossoms were mentioned, Mike said, 'Oh Yeah. I remember the last time I played a gig with those guys. Their…
Wake In Fright
2025 stock "Finely thuggish debut LP by a trio led by guitarist Micah Blue Smaldone, a well-known figure in the same South Portland Maine scene that gave us Big Blood and other treats. Indeed, Micah's fourth solo album was a split with Big Blood, but the fingerpicking sound of his solo recordings is a far cry from Wake in Fright. WIF are a trio. Micah plays guitar, Greg Bazinet plays bass, Jonas Eule plays drums, and all of them add vocals. It was Greg who sort of got things going when he convin…
Soul Chateau
2025 stock No shortage of dune buggy up the canyon honey slide action here. The first tinges of sonic solvent action provide a loosened effect, but just as the tongue gets lazy, the swagger is spat gently from the tip as clarity bursts into the room with the urgency a hungry baby. Delicate without feeling soft. Brash without feeling harsh and at times Dimples swing fucking hard, like JJ and Leon without forcing it one bit. But if you don't like 'new music' this might not be your cuppa. Soul Chat…
Hydromancy
Here is the third of our LPs documenting the new work of Vienna-based expatriate guitarist, Eric Arn. The first was the solo Orphic Resonance (FTR 281LP), the second, Paranza Corta (FTR 384LP), documenting duo work with Austrian guitarist Margaret Unknown. And now the third features duet recordings with English avant garde cellist Jasmine Pender, who also performs more noisily using the soubriquet, Rotten Bliss. Pender and Arn first met at a 2018 festival in Krems, Austria. They played a duo sho…
Bloodroot Spitball
Vinylization of a CD-R released by Josh Burkett's Mystra Records by this great cassette manipulator, who was long a central part of the Boston Whitehaus scene. Bloodroot Spitball is a bit different from Arkm Foam's other Feeding Tube releases, since it incorporates a bunch of 'real' instruments into the mix. This hearkens back to Mr. Foam's first solo LP, The Foam Doesn't Fall Far From The Shore (2013), on Hot Releases. As on that one, there's another player heard here, when Andy Allen (who was …
Dreaming The Sun
2025 stock Newest entry in the Jason Meagher's great Drowned Land series is the long-playing vinyl debut by Lexington, KY's Warren Byrom. Recorded back before the Plague, the idea for Dreaming the Sun emerged when Jason caught a show by Warren and Philly-based pianist Hans Chew, who'd already been involved in lots of bands and recordings with Meagher. The sweet depth of Warren's songs and guitar playing resonated with Jason, and Warren soon found himself in Black Dirt Studios with Nashville bass…
Until My Darkness Goes
The second LP by Mark Cunningham's current Spanish outfit, Blood Quartet, marks a directional shift from their 2016 debut LP, Deep Red (FTR 283LP). On Until My Darkness Goes the quartet abandons pure instrumentalism, including a few vocal takes by drummer Cândid Coll strewn amidst the album's various tangles. There is also a much more aggressively rockist focus shown at times. Rumor has always been that this is a firm part of the band's live trip, but recorded evidence of it has thus far been sc…
Band in Boston
2025 stock As the '80s dawned, Phil Milstein was living in Central Square in Cambridge, setting type and working on the machinations of the Velvet Underground Appreciation Society. He was also beginning to explore his musical alter-ego, Pep Lester, with the first evidence of this appearing on an L.A.F.M.S. comp tape. Phil was also a maniacal tape trader in those days, and one of the people he regularly swapped mixes with was a juvenile delinquent from Athol, Massachusetts named Dana Hatch, whom …
Four Fold
Four Fold unites four singular musicians—Iva Bittová, Marilyn Crispell, Benedicte Maurseth, and David Rothenberg—in a chamber where jazz, improvisation, and modern composition intertwine. Voices and instruments curve and spar, yielding an album of subtle poetics and palpable communion whose articulated silences are as charged as its most explosive moments.
Mantra
2014 release ** "Composed in 1970, Mantra, for two pianos and ring modulation, was one of the decisive turning points in Karlheinz Stockhausen’s career. The 70-minute piece not only signalled a break with the text-based intuitive works, relying heavily on improvisation, that had come to dominate his output towards the end of the previous decade and a return to fully notated scores, but also introduced the idea of melodic formulae, the “mantra” of the title, which Stockhausen would eventually dev…