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'I'm sure we're gonna make it' is the first time English edition of the 1996 book 'Het gejuich was massaal', detailing punk in the Netherlands from 1976 to 1982 from Jeroen Vedder and Jerry Goossens. It is also the first time, as far as I know, that there is an English language book on the subject. There is a foreword by Richard Forster, and Hubert van Hoof updated his 1996 intro to a 2021 version. This book is 184 pages, with full-colour photos, record covers, a fanzine section, and all of this…
You Can Can is an echoed affirmation, an album which traces song forms around silence, field recordings, and degraded analog memories. This is folk music transmogrified and mutated, as if recorded and reconstructed in Pierre Schaffer’s GRM studio.
*2023 stock* This is a special album, different from the previous Casiotone Compilation series. Frans de Waard is the founder of the legendary noise group Kapotte Muziek, the owner of the Korm Plastics label, involved in the management of Staalplaat, a critic for Vital Weekly, the world's first internet music magazine, and an artist from the Netherlands who has played and released under the name of many units. He is still active in a lot of units, and now aotoao label has completed a special com…
*200 copies cd-only limited edition* ‘BOH’ was a short-lived fanzine from Den Haag. ‘BOH' - short for Binnenlandse Ontwikkelings Hulp. The editors were active in various bands, and the fanzine published one compilation, 'Boh Sampler'. The fanzine is all in Dutch, and 'BOH - de Komplete Uitgaven van de Binnenlandse Ontwikkelingshulp’ reprints all of these, without a translation. Foreword by BOH boss Jos van Vliet and an introduction by Wally van Middendorp, of the Minny Pops. Book design by Studi…
Ephemeralds is the first recording by Finn Loxbo’s new ensemble Kommun and marks a distinct development in the guitarist’s compositional practice. Performing together with pianist Lisa Ullén, kontrabassist Vilhelm Bromander and percussionist Ryan Packard, Loxbo has set up a situation of intense focus, dissolving individual identities into a collective sound world of resolute clarity. Each musician manipulates a collection of tightly stipulated pitch material whilst bringing the shared timbral qu…
Tip! The Well & The Gentle, two of the major works of Pauline Oliveros, are presented here in a first time reissue on double vinyl in a gatefold sleeve with extensive liner notes. If Oliveros had followed a more conventional path she may have, all social obstacles aside, been considered among the major composers of her time. However, Oliveros approached composition in a more egalitarian manner. She wrote music for musicians to interact with or, in the composers words, she wished to create "an in…
Razen's Postcards From Hereafter was recorded using a 17th century organ tuned at 398 Hz (meantone) in a Belgian cathedral erected in 1305. The ensemble explored, with rich results, the organ's strict and limiting tuning with an arrangement that included hurdy gurdy, recorders, chalumeau, violone and nyckelharpa. The pieces on Postcards From Hereafter explore the crossover between this world and the next with improvised spiritual, religious music. Brussels-based ensemble Razen use the unique tim…
Veils Of Transformation 1972 - 1980 is a collection of the earliest works of Gregory Kramer, one of the 20th century masters of textural electronic music. This collection is available on CD and cassette with liner notes from Gregory Kramer and Kaitlyn Aurelia Smith, who first brought this fascinating work to the attention of Important Records. “Greg is one of the pioneers of electronic music and these pieces are unique opportunities to discover how intricate and dynamic early synthesizers are.” …
*100 copies limited edition. In process of stocking* Tsss Tapes presents Troca Iônica by Abby Lee Tee and Philip Sulidae. These two musicians are quite active in the sound art/abstract music circuit, and this is the result of a long-distance collaboration between Austria and Australia, two long pieces of electronic sounds mixed with field recordings, all very calm and dotted here and there with microscopic details.
Tip! *200 copies limited edition* 20 Year Anniversary! Since 2002, Berlin based musicians Tony Buck and Magda Mayas have been developing their duo music as SPILL — recording, touring and occasionally collaborating with international guests. Having spent the last 20 years establishing their unique approach to the piano and percussion combination, SPILL celebrates this milestone with the release of their 5th album mycelium, on Corvo Records as well as a series of concerts across Germany this comin…
"Atmospheres and Disturbances registers the changes in high altitude ecologies caused by increasing global temperatures. The composition is based on field work undertaken at the High-Altitude Research Station at Jungfraujoch, Switzerland where for four weeks I deployed various recording devices around the station, and in the surrounding alpine environment to register natural, anthropogenic and geophysical forces. The project provides new encounters of an endangered alpine environment to enhance …
"Empty, Expanding, Collapsing was recorded in the months after the release of 2021’s No Lasting Form. Whilst No Lasting Form documented a return to the creative process after a long period away, Empty, Expanding, Collapsing comes from a more confident and assured place. At the heart of this record is an upright piano, loaned from a dear friend for safe keeping. Built in the 1898, the piano is heavy, laden with time, a resonant lead sound board and the carefully restored hammers and strings.
Thes…
On June 30, 1986, the same day that Diamanda Galás's The Divine Punishment was released, the Supreme Court upheld the constitutionality of Georgia's so-called sodomy law in Bowers v. Hardwick, criminalizing consensual sex between men. At the time, about 15,000 people were known to have died of AIDS in the U.S. alone, with little government acknowledgement besides suggestions to quarantine homosexuals on island colonies. By the end of 2021, the number of AIDS deaths globally would exceed 36 milli…
No one knows or will ever know who ASTREINTE are and what their story is. If ever told, they’ll be immediately elevated to cult status considering their personal backgrounds and live shows (besides the fact that anything remotely French, sounds wonderful in North America nowadays). ASTREINTE is a five to nine members collective delivering a totally deafening sonic wall assault directly inspired by Japanese legends such as Hijokaidan or CCCC. The group mainly consists of hippies, crust punk…
* Edition of 200 * Valerie Smith (who's in fact a hairy man from Paris) presents "We're Depressed". An album - dedicated to Mark Beyer - of intense, drugged and psychotic noise / techno that honors the emotional bleakness and naive beauty of Beyer's world of depression and degradation.
This new LP by Hendrik Hegray's Valerie Smith project celebrates his visual and auditive practices in a way that remains as vibrant as a cut out Matisse piece which a loud wind blew out of the window into the dust…
*Edition of 300* Exposition of Clove is the new fast electro-acoustic album by the duo of Matteo Castro and Riccardo Mazza. Hailing from the farthest North-East glacial tip of Italy, Lettera 22 utilize elements of musique concrete sound sources, delicately sampled, looped and edited; resulting in 5 very subtle and rich compositions of textured noise and field recordings via analogue tapes and feedback.
Collaboration piece between two major players in the contemporary Italian electro-acoustic music scene. Alberto Boccardi has studied composition and music theory at Milan's Music Civic Academy and has frequently collaborated with Lawrence English, Nicola Ratti, or Maurizio Abate among others while Stefano Pilia is a prolific guitarist and electro-acoustic theorist with a massive body of work and compositions. He has collaborated with Mike Watt, Nico Vascellari, David Tibet or Valerio Tricoli to …
*2023 stock* "I met Joëlle Léandre when she was a visiting professor at Mills college in 2002. This was very exciting, as I had been collecting her albums since I started to play the double bass and she was an important influence on my work. I had a bass lesson scheduled with her the day we lost Maestro Kowald. She was very close to him and it was devastating to her. For me, it meant losing a role model; for her, it was losing a close friend and supporter. We had a long phone conversation and sh…