I Thought It Was Colourful, But They Said It Was BLACK
*100 copies limited edition. In process of stocking* "This album was created unintentionally during the past two years. I was mostly at home by myself. At times, energy needed to let out and flow. Making sounds channeled my anxiety, boredom, happiness, and nameless feelings. A lot had happened, yet nothing really happened. A lot of the sounds were created either on my double bed, in the wardrobe, or in my living room, a small part of it was possibly recorded in the bathroom.
The album was record…
Coast
Super Tip! Limited edition of 300 copies. Mike Majkowski is a double bassist / music-maker from Sydney, based in Berlin. Active across a wide range of experimental music since the early 2000s, he has released music with numerous projects. Coast is his twelfth solo recording.
I'm in it. The music on Coast doesn't beckon,it purely compels you closer through sheer insistence on its existence. insistin sistins isti nsistinsist'Spiral' presents full gorgeous tones, timbres and textures.Round throbs l…
Sounding
*In process of stocking* "I wrote the texts in this book as a kind of memorial device to recordings I made in Zürich between February 5 to March 22, 2020. Though not a direct reaction to the Covid pandemic, the transformation of the city due to restrictions of movement in the public space made these recordings only first possible in many ways. Of course, what immediately became noticeable after the first shutdown of the city occurred was how quiet the normally noisy urban environment had becom…
Molecular Gamelan
*2022 stock* Astasie-abasie is a project of Ian Andrews which evolved out of a long running performance collaboration with Garry Bradbury. The project focuses on the amplification of small sounds (following the approach of John Cage, Gordon Mumma and David Tudor) through the capture of sounds generated by small objects by way of contact microphones, home constructed cartridges, miniature piezo microphones and conventional microphones. Various devices are used as constraints in order to distance …
Elliptical Gamelan
Astasie-abasie is a project of Ian Andrews which evolved out of a long running performance collaboration with Garry Bradbury. The project focuses on the amplification of small sounds (following the approach of John Cage, Gordon Mumma and David Tudor) through the capture of sounds generated by small objects by way of contact microphones, home constructed cartridges, miniature piezo microphones and conventional microphones. Various devices are used as constraints in order to distance any performin…
Distance
*100 copies limited edition* Shame File Music and Albert’s Basement present a reissue of Ad Hoc’s 1980 release "Distance". Ad Hoc (James Clayden, Chris Knowles & David Wadelton, and at times David Brown) were an obscure Melbourne outfit of the late 1970s/early 80s who stood curiously apart of from many of their more-storied contemporaries, but whose haunting ambient instrumentals sound remarkably contemporary four decades later.
"Distance", their sole release besides some compilation tracks, has…
Music and Words 3
Coming 8 years after Volume 2 and 23 years after the first installment, Volume 3 of Music And Words is the 4th solo release by Adam Bohman on Paradigm Discs. All 4 releases have focused on his earliest recordings, mostly from the 80s, mostly domestic and all using cassette recorders. There are 4 principle styles that are employed in this early phase of Adam’s work - most unexpectedly there are songs, often constructed with trumpet as the lead instrument, then more typically there are improvised …
Headdress
'I’ll set the scene – we’re all passed out face-down in the lawn of the first Bush term, scratching our heads after 9/11 and wondering how much more dystopian it’s about to get. Ash hangs in the air as we march toward endless war, and the activities of the post-hippie, post-beat, post-punk, post-jazz, post-industrial, post-experimental bohemian underground flail against the avalanche with a mystic fire you can’t get your arms around, let alone bottle up for consumption. Jars of tears, rockets fr…
Distance Between Us
Double LP reissue of this legendary dark psych minimal masterpiece! "The music on this bizarre double album from 1972 is somewhere between gothic horror and psychedelic. Don Bradshaw Leather was apparently some kind of British occult group who self-released this album with no credits. (Also, on the record cover the name is spelled “Bradsham-Leather,” not Bradshaw Leather, as it is referred to in everything from the Nurse With Wound list to the book and web guide on early U.K. psychedelic rock -T…
Débordements
Soundscapes, drones, disruptive aberrations, textures and perplexingly absorbing interactions between French guitarist, graphic and sound artist Xavier Mussat and saxophonist Quentin Rollet, performing live at Instants Chavires, in Montreuil, France, in 2020, for eight diverse and unusual improvisations.
Grande Massa D'Agua
*In process of stocking* Mauricio Takara and Carla Boregas have long been key players in the experimental and underground music scene in São Paulo, Brazil and have recently relocated in Berlin. Grande Massa D'Agua (Great Body of Water) is their second album as a duo and it sees them continue to explore themes related to water as they dive into uncharted musical depths. In discussing the duo's relationship with water, Mauricio said: “...In the beginning of the pandemic we decided to take a turn a…
Scosse Elettriche
*2022 stock* 'He took off his earphones. Around him only fog and no sound. Where had the countryside gone? In his ears the music he had been listening to persisted. The final exploration on the piano tailpiece in search of rhythm and resonance still dilated time and space. In that music the grey that now surrounded him was not there. He had 'heard' and glimpsed yellow, red, sometimes ochre, blue, black (the shiny black of the piano, to be precise). He resumed walking, and with his steps, his tho…
Avec Des Coussins Bleus
*300 copies limited edition* "After Klanggalerie coaxed a sleeping dog out of the hut with "Extra Weapons / Double Dog Dare, Summer '84" by The Lo Yo Yo, ADN throws me the next sweet bone with the re-release of Look de Bouk's avec des coussins bleus (AD9 012, LP). Look De Bouk were even split partners with Alig Pearce, Mick Hobbs, Joey Stack & Caroline Brooks on AYAA's "Double Dog Dare" cassette and were also linked together again on the "Bad Alchemy Nr 17" live @ AKW compilation. Here slinging …
Music for Counterflows
For the 2021 online edition of the Counterflows festival, Glasgow-based Kay Logan (aka Helena Celle) created the hour-long electronic Music for Counterflows, accompanied by an interview with Stewart Smith. For the CD and digital release, the music has been mastered by Stephan Mathieu, and the interview along with visual artwork by Kay are included in a 20 page booklet. The first Helena Celle album, If I Can’t Handle Me At My Best, You Don’t Deserve You At Your Worst, was released on the Night Sc…
Subterminal
*In process of stocking* Since 1995, Cindytalk has continued in both group and solo form, across live performance and recordings. During this period, Cindytalk increasingly embraced improvisation in live settings and electronic work through recordings. A series of solo and predominantly electronic albums on the Editions Mego label, from The Crackle of My Soul (2009) to The Labyrinth of the Straight Line (2016), saw another formidable body of work developed. Most recently, Of Ghosts and Buildings…
Purf
Super Tip! The musical world of Sonorhc is oriented to collective improvisation and the research of tones; they create a sound full of invention, rich technically, made by many differents instruments which incorporated judiciously elements from the rock music, free-jazz, acid-psych, concrete, ethnic and experimental making them as one of the most atypical French Underground group, and seems somewhere more closer to the German “krautrock” bands like Between, Agitation Free, Deuter, Limbus 3, Dzya…
There Is No Silence Left
*Tape reissue of previous CD release* 'There is no silence left' is a collection of remixes and reworkings by Mkl Anderson of Drekka, released under various monikers between 1996 and 2012. Contains 13 previously unreleased or rarely heard tracks, including mixes for Aube, lovesliescrushing, Racebannon, Soul-Junk, and many more.
Recurring
2025 Repress. 1990's Recurring, the fourth and final studio album by Spacemen 3, is often considered the introduction of two brilliant solo projects (Spectrum and Spiritualized) rather than the work of a functioning band. While Spacemen 3's departing statement surely reveals a deep divide within the S3 camp -- each side of the LP was written by Sonic Boom and Jason Pierce separately and, unlike previous releases, the two do not play on each other's songs -- Recurring maintains a cohesive, dream…
Playing With Fire
2025 Repress! Spacemen 3 began assembling their third album, 1988's Playing With Fire, at perhaps the freest, most confident point in their career. Recording began with the band road-tested and rugged, even amidst the functional volatility that famously motivated their course. The sessions' first offering came in the form of 'Revolution,' a single of heroic Stooges-devotion and the most commercially successful release the group had to date. High expectations for the album were soon exceeded, as…
Dreamweapon
2025 Repress. "August 1988, Spacemen 3 embark on one of the strangest events in the band's already strange history. Billed as 'An Evening Of Contemporary Sitar Music' (although consciously omitting the sitar), the group would play in the foyer of Watermans Arts Centre in Brentford, Middlesex to a largely unsuspecting and unsympathetic audience waiting to take their seats for Wim Wenders' film Wings Of Desire. Spacemen 3's proceeding set, forty-five minutes of repetitive drone-like guitar riffs, …