Folk /
An Acoustic Confusion
An instantly captivating, all-original acoustic album of great depth and incredible maturity, the debut album (1971) by acoustic guitarist and songwriter, Steve Tilston. As for the making of the album: 'It was Ralph McTell who very kindly contacted Ian Anderson of Village Thing on my behalf,' Tilston explained. 'I followed it up and secured a meeting with Ian and a gig at the Troubadour Folk Club. I'd met Ralph through Wizz Jones at Les Cousins in Soho, and he'd been very complimentary abo…
This Forest and the Sea
Excellent 1976 private press acoustic album, self-recorded at various places in Colorado, and filled with beautiful fingerstyle acoustic guitar, plus some atonal bottleneck slide, string scrapes and drones (at times, very Ry Cooder/Paris, Texas about six years before that soundtrack existed). Although almost completely instrumental, what lyrics there are tend towards the dark and the satiric. The obvious points of comparison are John Fahey and Leo Kottke, although Scott Key certainly has …
Rontheo
Rontheo is one of the rarest folk rock LPs to come out of the kraut scene of the seventies. Formed by Canadian RON di Tomaso and German THEO Busch it has become one of the most coveted pieces among collectors and afficionados. Wah Wah records is proud to announce at least an official vinyl reissue, made from the original master tapes and with the help & cooperation from both Ron & Theo themselves!When Theo Busch and Ronnie di Tomaso first met in 1975 it was immediately clear that Theo's violin p…
The Union | A Hem of Evening
Named one of the ten best solo acoustic guitar albums of the year by The Out Door and a top ten album of the year by The Liminal, Tom Lecky’s debut album as Hallock Hill elicited a powerful response when it was first released on CD by Hundred Acre Recordings last May. The album’s unique assembly of stacked and layered acoustic, electric and lap steel guitars delivered a new kind of studio improvisation: pieces that were spontaneously made, yet feel composed, pieces that glide from harmonio…
Leaving The Commonwealth
D. Charles Speer & the Helix came together through a shared love of musical interplay that moves the mind and body. Born from the obsessions and predilections of David Charles Shuford, strains of glassine cruelty, broken glasses and ruptured knees mixed with memories of Chet Atkins lullabies and ZZ Top vids to generate a songcraft steeped in tradition but themed for the burned. A practicing multi-instrumentalist in various New York City improvisational ensembles for the last 15 plus yea…
Ascent
Six Organs mainstay Ben Chasny has become one of the high shamen of the US psychedelic underground, disseminating his hairy vision between at least three bands and a couple of genres over the past decade. His umpteenth album begins with a sonic white-out called Waswasa – a thrilling myocardial infarction of guitar more in keeping with another of his bands, Comets on Fire, who are, in fact, on board here. How Chasny tells his sprawling, incandescent guitar solos apart, we may never know; this is …
VDSQ - Solo Acoustic Volume Six
VDSQ (Vin Du Select Qualitite) is an acoustic guitar LP series curated by Steve Lowenthal of Swingset Magazine and Plastic Records. The series is released on high quality LP with letterpress sleeves, each with a picture of the guitar used to record the record. Track-by-track notes included on the back cover. 'The idea behind VDSQ was really to do a label that was a nod to the great guitar-oriented labels like Takoma and Transatlantic but focusing on contemporary artists rather than reissues…
Folk Roots, New Routes
Reissued on Fledg'ling in 2005, originally released in 1965 by Decca. An experimental recording conceived by Austin John Marshall bringing together Shirley's haunting traditional song with Davy's guitar improvisations. Folk Roots, New Routes opened the door for Fairport Convention's Liege and Lief and Pentangle's debut. For this carefully remastered edition, Fledg'ling have restored the original artwork, added a new sleeve-note essay as well as previously unpublished photographs.
Morning And Sunrise
At some point all great explorers, from Amundsen to Kishan Singh Rawat, come to an opening up and cast their minds across a big space. A clearing, a promontory, a look out from a place no one's been before. Jakob Olausson ventured deep on Moonlight Farm, his debut for De Stijl in the winter of 2005. His singular expression returns on Morning and Sunrise, an explorer's codex, a gaze through to what's more important and less seen. The path yet traveled and the sun arcing over it. Morning and Sunri…
Guitars From Agadez Vol. 3 (Music Of Niger)
CD reissue of the instantly sold-out Volume 3 of the now-legendary Guitars From Agadez series. Group Inerane's sophomore LP is the latest missive from the now-sound of Niger's Tuareg guitar scene. Led by guitar hero Bibi Ahmed, this new incarnation introduces another legend on second guitar, one Koudede Maman. Koudede is considered to be a cornerstone of the second wave of the Tuareg guitar lineage, while Tinariwen and Abdulla Oumbadougo are the godfathers of the scene and Group Inerane and Bo…
Not For Nobody
Not For Nobody is the third solo album from Chicago's Scott Tuma. Originally released on CD in 2008 by the Digitalis label, Immune is happy to present a first time vinyl edition of this essential work featuring new artwork by Chris Koelle. Not For Nobody was greeted with critical acclaim upon it's release in 2008 and was the much needed follow up to Tuma's solo albums Hard Again (2001, Truckstop) and The River 1 2 3 4 (2003, Truckstop). Since the release of Not For Nobody, Tuma has released t…
Your Past Comes Back to Haunt You
Subtitled: The Fonotone Years 1958-1965. More than 10 years in the making, this box set features the earliest recordings and the first book ever written about one of the most influential guitarists from the 1960s and '70s, John Fahey. The five CDs feature 115 tracks, most of which are available on CD for the first time. The audio was remastered from Joe Bussard's reel-to-reel tapes to achieve pristine sound quality. As for the accompanying book, the list of scholars who contributed essays includ…
Sixty strings
Sixty Strings is an album of two epic duets by Eric Carbonara (22-string upright Chaturangui guitar) and Jesse Sparhawk (38-string lever harp). While Carbonara has studied Chaturangui extensively with Pandit Debashish Bhattacharya in Kolkata, and Sparhawk was classically trained by major figures of the harp world in his formative years, the music here is their own—not a mashup of quasi-orientalism and conservatory bloodlessness. Both side-long tracks lay out a spacious framework, with the two pl…
A Dream A While Back
Come pre-Hashing with Gary! The in-between years, echoing from far out, seeking love and peace and happiness but disturbed by what all's around the treasure. It seems that '70–'71 wasn't all smiles and sunshine — paranoia struck deep, and it hit a chord: a pretty, eerie acoustic one. With archival material like this, it is always tempting to examine the songs for hints of foreshadowing, and it's easy to have a little shiver when Higgins sings such fatalistic lines as "Ragged edges will cut your …
Split
Debut vinyl release for both of these great artists who collectively have had releases on a host of excellent underground labels such as Stunned Records, Housecraft, Sturmundrugs Records and Digitalis. Black Eagle Child is the musical project of Michael Jantz, and this release is his second outing for Blackest Rainbow following his excellent Kite Excursions CDR a while back. Here he presents us with 4 tracks of skillful guitar finger picking layered with glockenspeil, accordian and some perfectl…
Seamstress In A Suitcase
Tan or Boil – a pun on the name of bratty short stop from those 1970s Bad News Bears films that stuck – is the alias of the Pittsburgh-born Jason Bacasa. After growing up in Pittsburgh and studying graphic design, Jason took flight from his home town to work freelance in a variety of cities, though his latest and current stint in New York seems more permanent than those in San Francisco, Los Angeles and Chicago. On the songwriting side, Jason’s continual travels kept him to just an acoustic guit…
Grey onion
"For this new Latitudes release All Tomorrow's Parties mainstay Alexander Tucker joins forces with Dean Garwood, resulting in three terrific stretched out jams. Perhaps it's got something to do with the fusion of prog influences with jazz and psychedelia, but stretches of this bring to mind the Canterbury scene of the '60s and '70s from which Robert Wyatt and Soft Machine came to prominence. 'Golden Dome' slips into a bluesy cello riff (if that's not too much of a contradiction in terms) that lo…
White Room With Disintegrating Walls
"Ton Vlasman recorded this amazing piece of acid Euro folk back in 1970, making it sound like an outer space freaked out Bob Dylan with the help of Frans Schoonen (organ, flute and harmonica) and Leo van Vugt (chincha tumba and tambourine). The seven original compositions are stunning, drug inspired psychedelic pieces of acid folk that mix acid folk with Indian ragas and even add some Pink Floyd overtones, yet from an acoustic rather than electric point of view. And the album contains als…
New Egypt
"This latest in the ever-popular Latitudes series comes from Drag City avant-folkists White Magic, who have turned in a single ten-minute piece based on Eastern harmonies, delay loops and a tranced out approach to jamming that verges on Sunburned Hand Of The Man territory. For the vast majority of its duration 'New Egypt' relies upon a central three-note piano riff, which soon accumulates layer after layer of various other instrumental sources while seemingly improvised lyrics haunt the song thr…
Remember
restocked: Israel isn't exactly konwn as a hotbed for acoustic steel-string guitar music, but Yair Yona's reissue of "Remember" is simply some of the most genre-bending music for solo steel-string guitar since Sandy Bull first opened the doors in the 60s. It's a celebration of the Takoma school, filtered by alternate tunings & yncopations, a John Fahey -esque compositional instint across landscapes of banjo, electronics, resonators, bass guitar & strings.