Folk /
Brandstichters & Oplichters
May this raw and vivid poem by ‘Manfred Tragil’ sketch the absurd picture of our European tour with Liam Grant. As Liam went further down the road, we were invited for a two-day residency with Tashi Dorji at ‘Dropa House’ - the new project of Koen Vandenhoudt & Christel Kumpen. This record contains our opening duo-set for the first night of that residency and was recorded live by Koen Vandenhoudt & Yves Demey. All the sounds contained in this record are 100% improvised - with a little help from …
The Voice of the Eagle
“I don’t call a lot of my stuff far out,” Basho explained. “I just call it a different level of feeling. It’s far in, as far as I’m concerned...I spent years on the road singing folk songs that had no meaning. It dawned on me music is supposed to say something. Music is supposed to do something.” This is a Basho vocal album – his singing, which John Fahey described as “strangely compelling”, came straight from the heart and soul with no regard for restraint, phrasing or timing. Thankfully, he wa…
The Gods Laugh
"Cotton may expand folk’s raw emotions into more avant garde territories, but they still feel possessed by a blood-red muscle memory that goes back centuries." - The Quietus
Alison Cotton’s fifth solo album is a mesmerizing weave of haunted atmospherics and avant-folk songcraft. Built around her viola, harmonium, and transportive vocals, the album moves between stark drone passages and more layered arrangements with piano, percussion, and synths. The Gods Laugh is a work of quiet, sublime intens…
New Old Medicine
Tip! Hot on the heals of their spectacular self-titled debut album, The Handover is back with their second long form composition, New Old Medicine. Aly Eissa (oud), Ayman Asfour (violin), and Jonas Cambien (vintage organ/synth) have been cutting their teeth on the international touring circuit for the past two years, landing from town to town in their seductive spaceship to blow people's minds and then dematerialize into the void. An outline for a new piece began to emerge along the route and la…
Hillbilly Erotica
Sir Richard Bishop returns for a new spontaneous six-string meshing of people’s music, recollections and psychic intentions. Are y’all ready for some Hillbilly Erotica?
Himba Hymn - Ghosts Of Namibia's Skeleton Coast
For more than two decades, Sublime Frequencies has stood among the most singular voices in the documentation of music from communities and geographies underserved by the global record industry. Their latest, Himba Hymn: Ghosts Of Namibia's Skeleton Coast, presents recordings made on location with Himba musicians in the Namib desert of northwest Namibia, produced and recorded by Ian Brennan, with photography by Marilena Umuhoza Delli. Issued in a limited edition LP of 500 copies, it joins the imp…
Aman Aman (Greek-Anatolian Laments)
Intensely expressive free-verse vocal laments over sliding violins, hammered santouri, guitar, and oud - the hybrid sounds of the Mediterranean in the early 20th century. “Aman Aman” cry the singers on these recordings, their voices preserved on 78rpm discs cut between 1911-1935. The phrase roughly translates to “mercy,” a call of despair, but also one of joy and admiration. On many of these sides, that full range of emotion is transmitted at once. Some of these artists are legends, others lost …
Bulayo (Guitar Songs From Tanzania, Kenya, Zambia, And DR Congo)
African acoustic guitar masterpieces, expanding on Mississippi’s beloved “African Guitar Box.” In 1979 and 1980, a young British-Kenyan musician named John Low hit the road to learn finger-style guitar from his heroes. He traveled across Kenya, Tanzania, Congo, and Zambia, visiting, and sometimes staying in the homes of, stars like Jean-Bosco Mwenda, Losta Abelo, and Emmanuel Mulemena. He also documented brilliant but previously under-recorded artists like Tanzania’s Francis Kitime and Kenya’s M…
Inzovu Y'Imirindi
In the late 1980s, singer Bizimungu Dieudonne, his wife Agnes Uwimbabazi, and a backing band of family and friends self-released a visionary cassette, featuring stuttering electric guitars, loping bass lines, and call and response vocals. Their combo of 80s studio wizardry rooted in traditional Rwandan praise songs resulted in hypnotic, extended jams unlike anything else released in East Africa at the time. The lyrics praised the beauty of the countryside and the exploits of the ancient gods. On…
Soogie
“Soogie” (1969) was Willie Rodríguez’s first album for Mary Lou Records. Mary Lou Records, at that time, was also one of the labels in the right place at the right time, just before Fania smashed almost all the competition. The album is mostly comprised of guaguancós, boleros, and improvised-space-filling descargas (jam sessions). This is remarkable, as it hardly includes boogaloo, which was still prevalent during those years, yet already on the way out.
According to Bobby Marín, its musical dir…
Los Orientales de Paramonga 1972-1976
In the late 1960s, the coastal city of Paramonga, just a three-hour drive north of Lima, gave rise to a vibrant music scene shaped by surf, rockabilly, and tropical sounds. Among its protagonists were two musicians, Víctor Ramírez and Maximiliano Chávez, who, with their psychedelic guitars, Fender amplifiers, and wah-wah pedals, would define not only their own sound but also shape the musical identity of the region. Under the mentorship of their manager, Néstor “Romanito” Robles, the two guitari…
Fanjiry
After decades spent shaping the sound of southern Madagascar, Damily returns with Fanjiry, his most intimate and focused record to date. A key figure in tsapiky as a guitarist and composer, and a driving force behind a genre he helped define, Damily has long expressed himself through the voices of the singers accompanying his bands. With Fanjiry, he takes a singular step forward: for the first time, he carries his compositions himself through singing — not by claiming the role of a singer, but a…
Dålågjel
Dålågjel is Hans P. Kjorstad's third album as a leader for Motvind Records. The music premiered in concert form in 2022, when he joined by the all-star ensemble of Rasmus Kjorstad, Helga Myhr, Kenneth Lien and Astrid Garmo enchanted audiences at Motvind and Jørn Hilme-stemnet, with timelessly transcendental renderings of old Norwegian folk music material. Dålågjel is based on archival footage of traditional tunes from the Gudbrandsdal, Østerdalen, Halligdal, Valdres, Setesdal and Telemark region…
Exuma II
Exuma returns with Exuma II, the hypnotic follow-up that deepens the spellbinding fusion of Bahamian folk traditions, mystical storytelling, and raw, soulful performance. First released in 1970 on Mercury Records, Exuma II expands the singular vision that introduced the world to Exuma’s otherworldly sound earlier that year.
On Exuma II, the artist refines the eccentric, ritualistic atmosphere of his debut while offering moments of greater restraint and melodic clarity. Where the first album dazz…
Jackson C. Frank
60 years since its release, celebrating the one album Jackson recorded in his lifetime, and produced by Paul Simon, which stands as a testament to one of the great lost talents of the 60s. 2x Double Sided Black LP in Gatefold Sleeve - not previously released by BMG on LP. Original album plus bonus tracks available only digitally and on 2001 CD version.
I Think I’m Alone Now
At the age of 72, "Evil" Graham Lee, the legendary pedal steel pioneer and veteran of the iconic Australian band The Triffids, delivers his first ever album under his own name titled ‘I Think I’m Alone Now’. In addition to his work with The Triffids, Graham’s place in ambient history was cemented in 1990 when his evocative pedal steel became the soulful centerpiece of The KLF’s masterpiece, Chill Out (specifically on the highlight “Baltimore to Fair Play”).
I Think I’m Alone Now is a profound ex…
Scott Seskind
Ebalunga!!! is thrilled to announce the first official reissue of the self-released, self-produced, and self-titled 1985 LP Scott Seskind. The album is a lo-fi singer-songwriter jewel. Don't miss it.
The Manson Family Sings The Songs Of Charles Manson
Recorded at the infamous Spahn Ranch in 1970, while their leader Charles Manson was facing trial for the murder of Leno and Rosemary LaBianca, The Manson Family Sings is a highly disconcerting listen. Beneath the harmonic brilliance and folksy innocence of these campfire-styled recordings are the hallmarks of Manson’s twisted worldview, rendering a dystopian edge to what is otherwise compelling singalongs. Squeaky Frome, Brenda Gold, Gypsy Share and Sandra Blue all feature, with Clem Grogan fron…
Live At San Quentin
A chilling artifact from one of history's most infamous figures emerges from the shadows: Charles Manson – Live At San Quentin, a raw, lo-fi collection of improvised folk songs recorded in 1983 inside the legendary prison. Captured with just an acoustic guitar amid the echoes of flushing toilets and jailhouse chatter, this album delivers Manson's most accessible – and surprisingly poppy – performances ever taped.
Following his 1971 conviction for the brutal murders of seven people, including act…
Malenčyk / Lami
Malenčyk / Lami is a double vinyl pairing unpublished archival recordings of Belarusian fiddler Stanisłaŭ Malenčyk with Italian sound artist Giovanni Lami's response to that archive.