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Diriaou (“Thursday” in Breton) captures the singular collaboration between Kristen Noguès-pioneering Celtic harpist and explorer of Breton tradition-and legendary British saxophonist John Surman, renowned for his atmospheric jazz on ECM. Recorded live in 1998 at the Dre Ar Wenojenn festival, this album presents the duo weaving together original compositions and traditional melodies into a tapestry of free folk, modal improvisation, and ambient soundscapes.
Noguès, deeply rooted in Breton music y…
Reissue, Remastered, Stereo, 180g. on British Jazz Explosion series. Off Centre, the 1969 debut from The John Cameron Quartet, stands as a vivid and essential snapshot of late 60s British jazz, now reissued on vinyl for the first time in decades by Decca. Led by renowned pianist, arranger, and composer John Cameron, the quartet features an all-star lineup: Harold McNair (flute, tenor sax), Danny Thompson (bass), and Tony Carr (percussion). Originally released on Decca’s progressive Deram imprint…
2007 release ** "Moonflower, by the legendary Finnish pianist Heikki Sarmanto and his quartet, is the first "new" album on Luke Mosling's Porter label; the other two projects that make up his opening salvo are reissues of private-press recordings done by Mait Edey's Seeds imprint in the early '70s. Sarmanto is best known to American audiences for his work with Sonny Rollins and Art Farmer. He's recorded 25 albums as a leader, including New Hope Jazz Mass for jazz ensemble, orchestra, soprano, an…
2008 release ** ""Nicola Cipani's "Ill-Tempered Piano" is a suprising and playful album of solo improvisations played on broken and untuned pianos. Cipani's accomplished melodic and rhythmic approach and his responsiveness to each instrument's raw potential set this project apart. The recordings were made over the span of two years in different New York City warehouses, on several keyboard instruments (among the pianos you hear also a clavichord), some of which are so damaged as to be hardly rec…
2001 release ** "Gravitar were an American band who appear to be influenced by K.K. Null’s work in Zeni Geva, with similar dense walls of oppresive guitar but more expansive in it's approach. Self-proclaimed as the "world's loudest Jazz band" and described by WM. Rage as "Too noise for rock, too rock for noise...". Extreme music inspired by everything from Charlie Parker to John Zorn to the sound of breaking glass. Heavy and harsh walls of psychedelic noise!!!"
1998 release ** "This big band, led by T.S. Heg (alto sax & keyboards) is nominally a 'jazz outfit', but since in addition to lots of reeds, brass, bass and drums, they work with guitars, synths, sampling, etc., it's a fairly safe bet that this isn't 'just' a jazz album. Mostly structured with some very crazed, free parts, I guess you could compare them to Doctor Nerve in that regard, even though they sound nothing like Nerve."
2002 release ** "Drummer Guillermo E. Brown burst onto the progressive jazz circuit via his performances and recordings with forward-thinking saxophonists David S. Ware and Rob Reddy amid various projects and sessions. His first solo release finds the artist carrying the torch for Thirsty Ear's somewhat futuristic "Blue Series." Brown, with assistance from multi-reedmen Daniel Carter and Andre Vidal, among others, delivers a decisively high-tech outing, awash with funk, trip-hop, and more. The d…
2007 release ** "Improvisations between jazz, minimalism, cosmic influences and acid rock; few are the possible comparisons, above all probably Sunburned Hand Of The Man. The music creates a decidedly hypnotic but also tribal effect, all immersed in a spatial atmosphere in which dilated and rarefied sounds are lost around percussions that oscillate between hypnosis and obsession."
Recorded on March 14th, 2024 by Mikko Innanen in Hietsun Paviljonki, Helsinki
Maria Faust- alto saxophone
Mikko Innanen - alto, sopranino and baritone saxophones
Fredrik Ljungkvist - soprano and tenor saxophones
Liudas Mockūnas - sopranino, soprano and bass saxophones
2010 release ** "The duo's music is rarefied, in the sense that it's highly personal and hardly rife with echoes of the familiar. Such is the other worldly aspect of "First Marriage" that it's barely possible to tell which instrument is responsible for what. This has the effect not merely of confounding expectations but also of establishing the territory in which both players are naturally at home. Their dialog, as is so often the case in this highly specialized form of improvisation, is as purg…
2010 release ** "over 2 years in the making, to much togethers is the follow up album to ashley paul’s 2008 ‘d.o.l’ release. patiently crafted and paced to much togethers continues on ashley’s unique path of ‘song’ style. combining clattering strings, (her custom green-box string set up), psycho acoustic sustain and decay, bowed metal, expressive saxophone, subtle and ear grabbing sense of color and distant voice all slowly creating mood and thought provoking miniatures, that succeed in fitting …
2009 release ** "Ruby Ruby Ruby are more or less a vehicle for experimental German singer Margareth Kammerer. She has been involved in The Magic ID, a song-based project with Berlin improviser Christof Kurzmann, and also formed Ruby Ruby Ruby to pay homage to Billie Holiday and other jazz singers. This appears to have been a one-off project, there being no indication that the group (consisting of Derek Shirley and Steve Heather alongside Kammerer) has done anything else or is planning to work t…
In July 1983, the Hebrew Israelite vocalist, songwriter and multi-instrumentalist Margeeah Aharon recorded her debut album Looking For Love with the Kingdom Sounds community band at P.C. Studios in Tel Aviv, Israel. Fittingly - given the meaning of her Hebrew name, soothing, calm and tranquil - it’s a questing melange of devotional jazz, soul, funk and reggae. More than just that, Looking For Love is an album full of yearning and reflective songs of spirit, heart and inner solace. Thirty-six yea…
*100 copies limited edition* The sixth issue in the U Jazz Me catalog is an album by the jazz super group Late Night Poems, which has already appeared on wax with the U Know Me Records logo in 2022. Imagine a jazz club straight out of New York in the 1990s. Imagine a jazz club in one of Poland's medium-sized working-class cities, which has been operating continuously for 45 years, driven and run by one tireless man. The greatest from the country and the world have played there. They stare at you…
Elisabeth Flunger - bass drum Dominic Lash - double bass Kathryn Williams - bass flute "Recording the Dissenting Voices confirmed the extent of their divergence from The Future That Never Was. Music always has something to do with the sonic architecture of instruments, but it is also about the fantasy with which musicians like Dominic, Elisabeth and Kathryn choose to play." - Christopher Fox
Though they may not have recorded together until 1953, when Rollins was 23 years old, Sonny was introduced to Monk while a senior in high school, already part of a cadre of young neighborhood jazz neophytes. Monk became a mentor to them, offering home-based instruction on the new possibilities restructuring bop harmonies and rhythms, or as Rollins later put it, “the geometry of musical time and space.” - Art Lange
This vinyl album by Micheal Mantler is new old stock from Ecm archives. Original first pressing – printed in the USA in 1977. The record has never been played and the vinyl is in mint condition. However, the sleeves are sealed but may have slight marks and ringwear on the cover and signs of aging. In 1977, Michael Mantler and Carla Bley's WATT label unleashed a quietly revolutionary take on Silence that still resonates today. This wasn't just a reissue - it was a complete reinvention, stitched …
This vinyl album by Micheal Mantler is new old stock from Ecm archives. For light relief from his darker, more existential works, Michael Mantler assembled two fine ensembles at the end of the 1970s to play music that might be described as the Thinking Man’s Answer to Fusion. Imagine walking into an art house cinema where the projector runs without film - the stories unfolding purely through Michael Mantler's haunting trumpet and the alchemy of his stellar ensemble. That's the experience of Movi…
2025 stock Keith Jarrett and conductor-pianist Dennis Russell Davies have been friends and musicalcomrades for forty years. In the mid-70s the St Paul Chamber Orchestra, under Davies’ directionpresented Jarrett’s chamber music. In the 90s Jarrett recorded the Mozart piano concertos with Davies and the Stuttgarter Kammerorchester. Near the beginning of their association, Jarrett invited Davies to play a composition he had written for solo piano. To listen to Ritual is akin toexperiencing the core…