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Awesome archival CD covering the entire production by The Free Jazz Group Wiesbaden, a quartet with the odd instrumentation of reeds (Dieter Scherf), trumpet (Michael Sell), guitar (Gerhard König, who also played flute) and percussion (Wolfgang Schlick). They released two appropriately schizoid LPs on Scherf’s LST label in 1969 and 1971 (Frictions and Frictions Now, here collected) before disbanding. This is a stunning copy of their first very rare private press side, 1969 Frictions, a spectacul…
Featuring Martin Kuchen on alto sax, Johan Berthling on bass and Steve Noble on drums. I haven't heard this yet but I must admit that Martin Kuchen is one the best, most creative, diverse and inspired saxists we've heard from Scandinavia in the past decade. Check out any discs from his bands: Angles, Exploding Customer, Trespass Trio or All Included and you will hear some of the best playing around! Bassist Johan Berhling is also a member of Angles, Fire! Orchestra and projects with Ken Va…
**CD version** Eraldo Volonté is a veteran of italian jazz: he is one of those characters that are always seen wherever there is good jazz to play or listen to. With a difference from many pioneers, however, Volonté has never lost even a shred of his enthusiasm, even if he has been playing professionally for more than a quarter of a century and like almost all of is colleagues, in Italy, has had to adapt and be part of an infinite number of bands playing all types of music. His enthusiasm has ke…
One of those records that keeps cropping up on Greatest Albums of All Time lists, and one whose historical significance can’t be denied — the crazy rhythms, the spirit of unconstrained innovation - and it's pure listening pleasure. "Thought by many to be among the most revolutionary albums in jazz history, Miles Davis' Bitches Brew solidified the genre known as jazz-rock fusion. The original double LP included only six cuts and featured up to 12 musicians at any given time, some of whom were alr…
As a sax player, Junji Hirose has been a prominent figure on the free jazz-improvised music scene since the 1970's. But he has another side: he collects everyday odds and ends and puts them together to create instruments which he uses in noise performance. Hirose calls these noise instruments SSI (self-made sound instruments). In 2013, he released the CD SSI-4 (hitorri-997). This is his new release, SSI-5. To make the SSI No. 5 instrument, he put together about 30 vinyl chloride pipes and, using…
The title's a good one – given the complex layers of sound and interaction going on here – as this avant quintet find a way to come together in these varied and compelling ways over the course of the long improvisations in the set! Pianist Alexander Von Schlippenbach may well be the biggest name in the group – but all players contribute equally, and the lineup also includes Frank Paul Schubert on alto and soprano sax, Paul Hubweber on trombone, Clayton Thomas on bass, and Willi Kellers o…
After performing at a night dedicated to Ed Blackwell and Don Cherry, vibraphone legend Karl Berger invited trumpeter Knuffke to Woodstock to teach and perform with him, from which this lovely album of duets was born, 2 CDs of original compositions of free and lyrical playing. "Karl and I met when we shared the bill for an "Arts for Art" night of music dedicated to Ed Blackwell. Karl was a longtime associate of Ed's. There were two duets featured that night. Karl played duo with the gre…
Bomb! 500 copies. After twenty one recordings there may not be too much more to say about the superlative English threesome of saxophonist Evan Parker, bassist Barry Guy and drummer Paul Lytton. Some 30 years on since their debut Tracks (Incus, 1983), they converse in a language entirely of their own making, which relies on a staggering density of ideas, chops to burn and a preternatural responsiveness. Live At Maya Recordings Festival, captured at Winterthur, Switzerland in 2011 forms another t…
A never earlier released duo recording that was played back in 1987 at Kassiopeia, Wuppertal brings these two great musicians and composers together for this unique and unforgettable session. There are times when one fantasises about the possible collaborations that might have been: Hendrix with Miles Davis, Jeffrey Lee Pierce with R.L Burnside, Capt. Beefheart with Sun Ra ― imagination is a wonderful thing. But when a vault somewhere pops open and a collaboration of two of improvised music's ti…
"I was already familiar with Pascal Niggenkemper's work as a result of the release, Klippe by Thomas Heberer, early this summer and a superb trio with Robin Verheyen and Tyshawn Sorey, PN Trio. So this was always going to be an exciting adventure to see what his new trio would put forth. And the new album, Upcoming Hurricane, pretty much says it all. This is a heavy storm of sound that comes on quietly but resonates brightly over 60+ minutes. Clean, open and improvised, Niggenkemper is a brillia…
"It's almost a given that any new release on the Lithuanian No Business label is going to be a bit out of the ordinary. As the catalogue grows, so does its depth and breadth. Turbina Anthem vouchsafes that proposition, comprising an unusual guitar and trumpet duet by two Portuguese improvisers who deserve a wider audience. Trumpeter Sei Miguel boasts a discography stretching back to 1998 in the company of compatriots, but in recent years has made a number of appearances with American free guitar…
This is the first recording of Szilard Mezei released on LP. Synthesis of free jazz with some elements of folk music makes it an intrigue and challenging recording."Februári Fadöntés documents a fairly rare appearance on wax of Serbian-Hungarian violist / composer Szilárd Mezei, who's worked in formats ranging from string trio to orchestra, mostly in situations that allow a commingling of Hungarian folk forms (he also plays traditional music) and free improvisation. He's joined here on three sui…
Joe Morris is primarily known as a guitar player, but he's equally good on bass, with a somewhat different approach. He started playing double bass in the year 2000 only, and this album celebrates his 10th anniversary on the instrument. Other Joe Morris albums on which he plays bass as the leader are "Wildlife", "High Definition", or as co-leader with "The Flow" or "The Story Of Mankind", and playing bass with other artists such as Jim Hobbs, Steve Lantner, Petr Cancura, Rob Brown and Whit Dic…
300 copies. All compositions by Howard Riley (PRS / MCPS), except “Lush Life” by Billy Strayhorn. Recorded live at VDU Jazz Festival Kaunas on the 10th November, 2012 by Areas Zujus. "Brilliant work from pianist Howard Riley – the British modernist who's been making amazing music for decades, but often through very obscure records like this! Riley's got this sense of balance, tone, and timing that sits justly in a legacy that starts with Herbie Nichols and runs up through Alexander Von Schlippen…
Lindha Kallerdahl studied jazz at renowned Swedish schools Skurup and Birka from 1993-1996. Situated in Stockholm, she was exposed to free music at a young age, and has participated in collaborations with Mats Gustavsson, David Stackenäs, Raymond Strid, Mattias Windemo, andFredrik Ljungkvist. In Summer 2000, Kallerdahl made a spectacular project with Jim O'Rourke, Mats Gustavsson, and dancer Lotta Melin. In 2001, she was awarded the prestigious Jazz in Sweden Prize, which resulted in the critica…
Recorded on December 22, 1973 in New York City at the famous Town Hall, this eclectic ESPDisk-sponsored celebration of the Comet Kohoutek featured a fire eater, talking drums, and dancers in platform shoes, in addition to Sun Ra's Arkestra. After taking the stage ninety minutes late, the band expertly navigates its way through cosmic free playing, big-band romps, and didactic vocal numbers. Compared to the original pressing, this re-issue is digitally remastered by Joe Phillips and includes brie…
50th Anniversary Edition on "Esperanto-Green" colored vinyl. In the Spring of 1966, ESP was given a grant by the New York State Council on the Arts, to tour the five colleges in the state with music departments. Artists for this tour included the Sun Ra Arkestra, Burton Greene, Patty Waters, Giuseppi Logan and Ran Blake. Accompanied by an all star backup group from among the participants, Patty's performances resulted in the album, College Tour, her second recording for ESP-Disk'. The album expa…
Live recording of Albert Ayler's large septet configuration, featuring brother Donald, Charles Tyler, Sunny Murray and both Henry Grimesand Gary Peacock on bass. Compared to the bare trio of Spiritual Unity, this nearly big band of two bass players and a strong horn section allows Ayler's expressive vision depth from the joyous to the aggressive in Ayler's five original compositions. The digitally remastered recording was originally made at 30 ips instead of the usual 15 giving it excellent fide…
Lowell Davidson recorded this singular session on July 27th, 1965 with Gary Peacock and the ever amazing Milford Graves. Sadly, the only recording ever released by Davidson, it remains fresh and exciting 40 plus years later. On Ornette Coleman’s recommendation, ESP-Disk’ owner Bernard Stollman signed up pianist Lowell Davidson (then majoring in biochemistry at Harvard) for this album without having heard him play. Davidson came to New York and got to work with the elite rhythm section of drummer…
Noisette is the third in Soft Machine series, recorded January 4th, 1970 at the same concert as "Facelift" on Third, by the short-lived quintet formation of the group: Elton Dean & Lyn Dobson-reeds, Hugh Hopper-bass, Mike Ratledge-keyboards & Robert Wyatt-drums & vocals. Noisette features the rest of the concert, & showcases a band in transition from their earlier psychedelic/ progressive sound towards the jazz rock sound of Third & Fourth. It features the quintet performing versions of material…