Jazz /
Making a
Graham Lambkin first heard Keith Rowe's sixties work in AMM as a teenager growing up in Folkestone, a small town in Kent, England, and for him it was very influential. That same year, Lambkin formed his now legendary band The Shadow Ring and Lambkin says, For Darren (Harris) and I, AMM was one of the groups that gave us licence to just do what we wanted, regardless of whether it fitted with convention or employed 'accepted' techniques, and did so from a very English standpoint which held g…
The Rest
The first and only recorded meeting between two absolute giants of the soprano saxophone - Steve Lacy and Joe McPhee - finally sees the light of day after 36 years! On June 9, 1977, Lacy and McPhee shared a double bill in Basel, Switzerland. Lacy invited McPhee to join him for a duet to close his set, and McPhee brought out his own soprano saxophone for what would become a historic encounter. The main part of Lacy's performance was issued on the classic Clinkers LP back in the day, but this fina…
Public private
Public Private assembles two improvising groups from divergent scenes: Barcelona’s Atolón and London’s Chip Shop Music. The album opens with “Public,” a 44-minute collective improvisation by Atolón: Ruth Barberán (trumpet/objects), Alfredo Costa Monteiro (accordion/objects), and Ferran Fages (turntables/electronics). Their sound is tactile and elemental, privileging raw timbre - breathing through trumpet bells, scraping on glass, whirring turntable motors, hissing air, and the elemental processe…
Watershed
If the three compositions proposed by Denis Fournier have already been recorded, they merit to be here as resurgences, like scenarios encouraging the freedom of transformation without which free interpretation is nothing. “I often say that I don’t make improvised music, but that I improvise music. In other words, I put together there and then elements of my life, of my history, of my culture…” In other words, no structure commands the action. Every structure opens to the action (to sharing) whic…
Framework 1-4
Murmer (Patrick McGinley) is an american-born sound, performance, and radio artist based in europe since 1996. Since then he has been building a collection of found sounds and found objects that have become the basis of all his work. In 2002 he founded Framework, an organisation that produces a weekly field recording-themed radio show, broad- and podcasting around the world. In 2005, he began working closely with the artist-run organisation MoKS in southeast Estonia, relocating there permanently…
Dead Space
Blip is a duo collaboration between Jim Denley and Mike Majkowski: two of Australia's most prominent improvising musicians. They began playing together in 2002, as members of The Splinter Orchestra, and formed Blip in 2009. They have been developing their own approach to the woodwinds/strings duo arrangement, deconstructing and reconstructing this format. Blip music focuses on duration, the subtleties of sound, the pitch within timbre and texture, as well as pulse. Wi
Unbalanced In (Unbalanced Out)
Unbalanced Out (Unbalanced In)'. A powerful, challenging 50-minute collaborative piece constructed over a year through file-sharing by a sextet of leading musicians across the world, with Barry Chabala (USA, guitar), Bonnie Jones (USA/Korea, electronics), Louisa Martin (UK, laptop), Tisha Mukarji (Germany, piano), Toshi Nakamura (Japan, no-input mixing board) and Gabriel Paiuk (Argentina, piano)
Chantier 1
Chantier 1 documents the first in a series of radical sound investigations by Pascal Battus(rotating surfaces, found objects), Bertrand Gauguet (amplified and acoustic saxophones), and Eric LaCasa (microphones), set directly within buildings under construction. More than conventional performance, their method is intervention: improvising amidst the ongoing labor of construction workers, letting the site dictate form, rhythm, and interruption. Sounds of drilling, hammering, and machinery aren’t f…
Green Just As I Could See
Four extended electroacoustic works from Berlin's inside pianist and mixing board artist Andrea Neumann and Baltimore's Bonnie Jones on electronics, minimal and edgy pieces of unusual and absorbing character."ANDREA NEUMANN (b. 1968, Freiburg) studied piano at the Hochschule der Kunste in Berlin. Since 1996 she has been primarily active as improviser and composer in the areas of experimental and new music. In the process of exploring the piano for new sound possibilities, she has reduced t…
Live at Kerrytown House
Though modern, “avant-garde” jazz is an ensemble music often based on collective improvisation, solo performance is its own extraordinarily fruitful sub-area of investigation for the creative improviser. Without a reactive, interpretive partner (or several), the solo recital blurs the lines between composition and improvisation as the performer enters a world of unfettered development. Greene has been performing and recording solo since the 1970s, and these settings have yielded some of t…
St. Francis Duo
Having played together in Æthenor for the last couple of years, Steve Noble & Stephen O'Malley came together to play as a duo at Cafe Oto in 2011. These recordings are the results of these two hot and sticky nights in East London. Noble is a regular at Bo' Weavil Recordings, having appeared on over nine recordings for the label, and a linch pin in London's improvising community. Steve Noble studied with Nigeria master drummer Elkan Ogunde and in the early 1980s and over the last 20 years has pla…
Archi
Issued for an art event recently presented at the Galleria Milano in the first week of April 2012, the recordings on this LP edition represent a very specific and intimate moment in the creative sound production of Davide Mosconi with NADMA associates Inez Klok and Gustavo Bonora.For Davide Mosconi and for all the artists and musicians involved in the groups he founded (the legendary NADMA, Organic Archestra, Il Quartetto, Alea), improvising sessions were a daily practice that founded their very…
Thread
Thread, realized between Berlin in 2008 and 2009, brings together three like-minded experimentalists - Annette Krebs, Magda Mayas, and Anthea Caddy - with backgrounds in duo collaboration but fresh as a trio. Krebs’ prepared guitar, tapes, and mixing desk act as both generator and disruptor, her playful use of vocal fragments and sampled sounds adding surreal charge. Mayas’ piano - a hybrid of acoustic and prepared techniques - delivers hammered harmonics, inside-string tremors, and pulses of su…
Seasons Two
2012 release ** CD packaged in A5 booklet. "Awesome Solar Ipse label debut recordings! “Season Two” is the second work of the duo Ninni Morgia – Marcello Magliocchi after the acclaimed “Sound Gates” (LP Ultramarine, 2011). The new album consists in 8 tracks of elegant improv-free jazz. It seems like a mix of Jimi Hendrix and Sonny Sharrock with the blinded lightness of Keiji Haino, all fused with the personal texture of the drums and the percussions which sound as an extension of human soul’s vi…
Vilnius Noir
Ran Blake, piano. David 'Knife' Fabris, guitar. Ran Blake solo and duo with David 'Knife' Fabris. Works from Alexander Olshansky, Joel Yennior, Jason Yeager, George Russell, Peter Udell, Tommy Goodman, Michel Legrand, Herman Yablokoff, Abraham Ellstein, Antonio Carlos Jobim, Stevie Wonder, Duke Ellington, Barney Bigard, Irving Mills. Recorded live on 10th December, 2010 at St. Catherine's Church by Arunas Zujus. Limited edition of 500 records
sec:ond sim
The Japanese post-rock trio Sim (Oshima Teruyuki (guitar), Ootani Yoshio (electronics) and Uemura Masahiro (drums)) play a compelling stripped-down and motorik complex music, Ootani's electronic sound and noise hopping up and down, Uemura's groovy drums and Oshima's keen and threading sound by his unique sim-version guitar
Teatro Assente
A minimal theater in sound from Taku Unami and Takahiro Kawaguchi and starring Yoko Chosakabe and Kumio Kurachi, recording at the Ueno Okura Theater Older Building. "Teatro Assente is endearing and provoking, but most of all, endlessly pleasing." Tinymixtapes
Klippe / One
homas Heberer is called “a European master” and “new trumpet genius”. The music in his new double LP brings a fresh approach to blending improvisation and composition, which allows for the highest amount of freedom on the musicians' side while incorporating significant structural tools on the composer's side as well. His solo recording applies a vast variety of conventional and extended techniques, among which the most distinctive component is the exclusive use of circular breathing.
Black Man's Blues
Recorded 29th May 1977 at A Day in Solidarity with Soweto: A Fund Raiser, Harlem Fight-Back, 1 East 125th St., New York Violinist Billy Bang made his recording debut as a leader with the Survival Ensemble, the first working band he ever led, on New York Collage in 1979. Bang, saxophonists Bilal Abdur Rahman and Henry Warner, bassist William Parker, and percussionists Rashid Bakr and Khuwana John Fuller played incendiary free jazz more clearly indebted to the New York avant-garde of the precedin…
Crossing Points
A colossal encounter of drummer William Hooker and the late wind player Thomas Chapin performing at the 9th Street Gallery in NYC in 1992, 3 massive improvisations from the jazz underground. This is a monster duo! One of the greatest duo events of all time. There were a series of weekly duo encounters with William Hooker and different saxists at Jerome Cooper's loft during the summer in the early nineties. I caught two of these with Louie Belogenis and Thomas Chapin and both were incredible.I re…