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It was a magical Autumn day in Vilnius - Mr. Howard Riley was giving his rare solo performance at St. Catherine’s Church. The outcome is this two CD set of deep musical contemplation, freedom and lyricism. After the concert Howard Riley said that this was his best solo performance in many years.
The Bohman Brothers (Adam and Jonathan) team up with Leonard Aspen and Roger Boulding to form Ischio Romantico Ð the result is this album called From The Hip which is a combination of the Bohmans' amplified objects and raw electronics and the smooth hypnotic loops and turntable inventions of Aspen and Boulding (who have collaborated extensively with Xentos Jones and Lepke B of Die Trip Computer Die). Urbane Deserts vs Sylphides' is a ballet in four parts. Leonard's libretto (undisclosed) describ…
For the recording, Henrik Rylander and Joachim Nordwall of drone operators The Skull Defekts got together with the performance and noise duo The Sons Of God - consisting of conceptual artist and self-proclaimed king of the Kingdoms of Elgaland-Vargaland Leif Elggren and electro-acoustic sound artist Kent Tankred. The place for the meeting was Rylander's Studio Dental and the album was received in one night. the process developed immediately and there was no struggle to find a common idea of soun…
Again, ultralimet release on qbico, the original music was rec. @ the qbico u-nite XIII which took place @ Issue Project Room in NYC back in Feb. 2009. for sure the opening set by Atiba & Dave Nuss was one of the most original live set i had the pleasure to... see i remember talking with Dave, trying to set up this gig... he came out with this duo, saying that Atiba is the best well kept secret in the NYC... he spotted him playing in Harlem Clubs... nobody knows him, Andrew Barker or Steve... no…
Live At The Yippie is part of a performance by tenor saxophonist Lorenzo Sanguedolce and bassist Michael Bisio, with two tracks clocking right under 20 minutes each, the regular time constraint of a vinyl LP. Sanguedolce is possibly best known, if at all, from his Sweetblood Quintet, a name which is the English translation of his Italian family name. The first piece, "'Stract (part 1), brings a lyrical, free boppish improvisation with bluesy inclinations, quite accessible overall, all within th…
* 300 copies * This adventurous new Lithuanian label presents us with what I think is the debut album of trombonist Daniel Blacksberg as a leader, accompanied by Jon Barrios on bass and Mike Szekely on drums. His approach is cautious, free and precise, in the sense that he does go beyond the beaten path, offering new possibilities for the instrument but without going into the wilder areas that George Lewis is known for. The end result is highly listenable avant jazz, with slow and bluesy inflect…
TRANSATLANTIC VISIONS is the live recording of the Vision Festival XIII concert (New-York, June 2008), which has been awarded "Best Performance of the Year" by the monthly magazine All About Jazz NY.
In the album notes to Trespass Trio's "...was there to illuminate the night sky...", saxophonist Martin Kÿchen provides a colorful yet somewhat fragmented essay, regarding the evisceration of society, partly tied into the Iraq war and the everlasting Israel-Palestine conflict. He sets the stage for a life force panorama, iterated through the power of music that casts a dour or ominous state of affairs. Recorded in Norway, the Scandinavian trio exercises some bloodletting here. The injustices of …
2009 release ** "Try to imagine Kevin Drumm and Bhob Rainey playing rock together, with a drummer that deviate their already deviant music playing something coming from the sixties. The aim is to make music “not playing” (barbarous music, quoting Cornelius Cardew), a torn body that spits blood, whose only movement is generated by spastic contractions due to injuries. Agaspastik represents the “step beyond” of A Spirale, that from electroacoustic destructuration of “Porosità” (cd-r) and “Gariga” …
Massimo Pupillo, Terrie Ex & Paal Nilssen-Love recorded this gem live in concert at Kongsberg International Jazzfestival in July 2007. With the two tracks, Slap & Tickle on 32 & 16 minutes, they attack all senses with an exploding riot of free rock. If possible to describe, the music is in the midst of Black Flag, DNA, Pere Ubu, Last Exit, James Blood Ulmer, early Sonic Youth & of course Terrie's very own legendary band The Ex. All free improvised. Total freedom, total rock!
limited to 500 numbered copies, 5th opus of the Phonometak Series featuring this time US Rock band Talibam! (with member of Storm&Stress,...) and italian cband Jealousy Party
Former Henry Cow guitarist Fred Frith pays homage to three giants of contemporary classical music: John Cage, Morton Feldman and Earle Brown. In his own inimitable fashion, Frith has tried to incorporate the chosen composer's own working methods into each of the three pieces that make up The Previous Evening. As he explains in the enclosed booklet regarding his John Cage homage: 'Fragments of text heard in Part 1 were taken at random from Cage's book Silence. Tape editing, the structure of the e…
Few albums have been more accurately titled. Though Kyle Bruckmann (oboe, English horn) and Ernst Karel (trumpet) come from acoustic backgrounds, analogue electronics dominate these five pieces, creating what Gino Robair termed "voltage made audible." The duo manages their modular synthesizers the old-school way—"by twisting knobs, flipping switches, yanking patch cords in and out, and sometimes using their own fingers as conductors between cables and instruments," as Bill Meyer describes in Dus…
Radical collaboration between two of European improvisation's most innovative voices, recorded in Berlin in April 2008. Annette Krebs (guitar, mixing board, tapes) and Rhodri Davies (electric harp & electronics) created hours of raw material during sessions in Krebs's apartment, which she then spent months editing and mastering into this intriguing three-part suite. Krebs - one of contemporary improvisation's most distinctive and selective voices - has built her reputation through carefully chos…
"JJD/Unnecessary Begging" is another gem in the Fela two-albums-on-one-CD reissue series on MCA. As original LPs, "JJD (Johnny Just Drop)," recorded live at Fela's home/club/compound, Kalakuta Republic, was released in 1977, while "Unnecessary Begging" and its b-side "No Buredi (No Bread)" were issued a year earlier in 1976. These albums were part of what was arguably Fela's greatest period as he released more than a dozen albums between 1975-77! While "Zombie" and "Opposite People" are clearly …
"Everything Scatter/Noise for Vendor Mouth" is another gem in the Fela two-albums-on-one-CD reissue series on MCA. It should be noted that unlike some of the other titles in this series, the tracks that make up the "Everything Scatter" LP -- the title cut and "Who No Know Go Know" -- were previously available on CD on the Celluloid label in the late 80s. "Scatter" was part of the original "Zombie" disc, and "Who No Know" was on "Mr. Follow Follow." Both "Everything Scatter" and "Noise for Vendor…
After helping Fela Anikulapo Kuti with Teacher Don't Teach Me Nonsense, Wally Badarou then produced Beasts of No Nation. Another album that has been combined with this one is the 31-minute "ODOO (Overtake Don Overtake Overtake).
The Modern Sound Quintet were formed in Stockholm by Trinidadian steel drum master Rudy Smith. On Otinku, Smith wails out on his set of 'pans' (as I believe the vernacular goes) in an improbably slick bebop mode, accompanied by a rhythm section capable of keeping it free and swinging one moment, and then within an instant locking down a groove. While pieces like the title track and 'Bye Bye Blackbird' flow effortlessly, 'Mercy, Mercy, Mercy' and 'Memphis Underground' lay down a solid bedrock of …
2008 release ** Ferran Fages: electric guitar. Recorded live by Pablo Rega, january 19th 2007 at Almazen, Barcelona. Some tracks are versions or new approaches of pieces released before in the album 'a cavall entre dos cavalls'. 'Al voltant d«un paral.lel ' brings to light a tension, which matches that of the previous two guitar albums of Ferran Fages. It's probably because a parallel could also be thought of as the lanes of a horse race, as a permanent conflict, or as a trait of one's character…
Originally recorded in 1964. Featured artists: Albert Ayler (tenor saxophone); Sunny Murray (percussion); Gary Peacock (bass); Don Cherry (cornet). The legendary recording, digitally remastered with new artwork, and liners by Russ Musto. Includes free 9.5 x 9.5 pullout poster!