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What if the blue that I see is different from the blue that you see? This question is an infrastructure for my Afro-Surrealist Anti-Opera, Colla Voce. Often, when we think of Surrealism, we think of subconscious mental states, dreams, nightmares-those unexplored corners of our psyche. But Afro-Surrealism protests: what if that which one calls a ‘dream' is a nightmare to another? What if that which one calls ‘rational' is completely baseless to another? And surely, we must have varying ideas of w…
"‘Greyhound Days’ strikes a shared note of spontaneity and intention. Featuring pieces for tenor saxophone and digital keyboard, and accented by traces of additional instruments, these songs sound a fated exchange mutually effortless and expansive. Shiroishi and Kurek were first brought together to record new music for one of BBC Radio 3’s remote collaborative sessions, the fruits of which aired on Jennifer Lucy Allan’s Late Junction show on Groundhog Day 2024. The easy dialogue that quickly eme…
*2025 stock* A musical visionary, some outstanding instrumentalists, the 10th anniversary of the collective’s founding, a reflection on Polishness, and finally – a 4,000 km-long walking pilgrimage of 100 solo concerts in 100 temples. These events, symbols, experiences and facts have somehow been combined into one coherent whole – the Polska LP, the first release by Piotr Damasiewicz & Power of the Horns Ensemble since 2013.“Power of the Horns have the ability to captivate audiences of any festiv…
Piotr Damasiewicz opens for us the next chapter of his fascinating musical travels. This time, he comes back with his group/project Into The Roots, with whom he has already recorded two very well-received albums: Śpiwle and Watra. The records have not only met with splendid reception on the part of jazz and improvised music fans, but have also brought the artist and his group the grand prix of the Polish Radio Folk Music Festival “New Tradition”.
*2025 stock* Piotr Damasiewicz and Kuba Wójcik are jazz musicians from Poland, both known for their creative musical explorations and artistic independence. The intriguing connection between the trumpet and the guitar opens a space for an amusing and promising endeavor.
Blood is a connective tissue. It nourishes. Cleanses. Regulates. Only a living being can create it. Attempts to engineer synthetic blood have not been successful, to date. Thus, either we "produce" it ourselves, or there wi…
*2025 stock* The band Damasiewicz, Lesiak, Villavecchia, Reviriego, Trilla with SKAWA recording is the result of cooperation and friendship of five exceptional artists. The paths of these musicians have intertwined for many years. Each of them is characterized by a unique sound and the awareness of creating their own language, which is a bridge connecting artistic sensitivity, philosophy, mysticism and reality. Each of them blazes its own trail, often in difficult and untouched terrain. Constant…
*2025 stock* This album has came into life as a result of the meeting trumpeter Piotr Damasiewicz and guitarist Kuba Wójcik in Poschiavo, Swiss Alps during prestigious „Uncool” Artist Residency. Inspired by local legends and magnificent mountains around the musicians worked on connecting their musical individualities to explore transcendental spheres of music. Damasiewicz’s original interaction with sound, often experimenting with acoustics, objects and instruments meets Wójcik’s minimalistic a…
*2025 stock* Heard in the Carpathians, "Watra" is a word of Wallachian origin which refers to a large bonefire with a wooden construction set up. Burned and accompanied by singing and recalling the old times, it symbolizes the return to the roots and serves the purpose of glorifying the ancestors. Watra is also what we ourselves associate with inspiring meetings bustling with stories of tradition, travel and music from around the world, when, by the fire, different musical worlds of jazz and fol…
*2025 stock* "The trumpet and the vibraphone - these are the instruments that resonate throughout the album recorded by Piotr Damasiewicz and Emilio Gordoa. For its creation, sculptures and installations as well as the gallery space in the Old Mine in Wałbrzych were adapted. The sculptures worked as instruments struck to bring out specific frequencies. This is how industrial trance was composed. Help yourselves to the sounds!" - L.A.S.
*2025 stock* Ethnicity, improvisation, jazz, melody, indigenous feeling and groove plus free natural expression are defined by Piotr Damasiewicz Ethno Trio. Recorded live in the old higlander family house.
Named after a Jean-Michel Basquiat painting and inspired by the artists multi-faceted stylistic approach - known for its raw, expressive, and dynamic qualities, blending street art with neo-expressionism to create bold, thought-provoking work. The Exu make layered, intense, creative & beautiful, thought provoking, genre fluid improvised music. The trio brazenly draw their musical influences from the worlds of free jazz, grunge, death metal, hip hop, bebop, & experimental music. Kane says ‘we are…
First released in 1980 via the little-known Pick Up Records, Danish jazz-rockers Ariel's self-titled debut record sees an unlikely reissue via Jazz Room here. A worthy reintroduction of the quintet to the world at large - where before it wasn't well-known at all - it comes after the album was recently helped to by none other than Brownswood aficionado Gilles Peterson, whose encyclopaedic internal memory bank and capacity to chin-wag served the cascading recollection of the album by Jazz Room lab…
Rob Mazurek’s creations, dedicated to these six artists offered to Tomeka Reid, Angelica Sanchez, and Chad Taylor, to interpret freely. A foundation laid for these improvisations in the foursome’s forays into Mazurek’s music with the larger ensemble. Here something becomes distilled. Interaction is direct. The unit is unitary, the dynamics are gently modulated, the sounds are tendered with deliberation love and inter-ensemble generosity.
We are excited to announce the first reissue of Tony Scott's iconic “Manteca” album originally released in 1973. This 180-gram vinyl audiophile edition captures the essence of a true master of contaminated jazz, allowing listeners to experience Tony Scott's vibrant artistry like never before.
Originally described in the album’s liner notes by Sam Charters, "Manteca" embodies the spirit of the jazz musician’s journey—a testament to durability, warmth, and exuberance. Charters notes, “You have to …
“Embryo meets the world” is a new compilation with previously unreleased Embryo's Ethno Jazz from 1979/80, recorded on the German band`s trip to Asia and recently discovered in the archives. It includes seven unknown studio sessions from Kabul, Essaouira, Cairo and Athens, produced with members of the Kabul Radio Orchestra or oud players and singers from Eritrea, Syria and Iraq. Eastern meet Western musicians, improvising with an astonishing deepness over wonderful traditional melodies from Afgh…
Part of Rashied Ali’s artistic strength involved turning improbable sound combinations into unchallenged masterpieces. After the pattern established by John Coltrane’s Interstellar Space, and Duo Exchange with Frank Lowe, the drummer stepped into a rather unlikely duet with violinist Leroy Jenkins for Swift are the Winds of Life. Five years with the Revolutionary Ensemble had established Jenkins as a composer; he designed all the pieces played on these 1975 duets with Ali. That record is issued …
Rashied Ali stood as a magnetic force for the musical environment around him. In his last decades he sponsored rehearsal opportunities for young musicians, tightened up neighborhood street-corner drum circles he happened to pass, and for years would pull promising young talents into his orbit. One unique group that Ali led at the 2002 Vision Festival in NYC, along with with Frank Lowe, he also took into the studio—and the moment you hear on Sidewalks in Motion features Ali and Lowe along with yo…
2024 Stock. On their 3rd album Casper Van De Velde and Hendrik Lasure, the two SpongeBobs of Belgian jazz, enter Cortizona and take you on board of their newly discovered musical spectrum: Rollercoastin’ between extreme emotions Casper and Hendrik slide through 90’s Euro-optimism on synths, frantic drum rolls, lost piano sounds and sample wizardry: blending Spanish guitars, voices of singing ladies, slow mo clarinets and the patterns of a percussion robot.
‘Holiday’ is the result of a residency …
The first time the band that became LuMiSong ever played together was during the Great Lockdown of July 2020. The others wore masks while I stood twenty feet away with the door behind me open to a Gowanus side-street. I hadn’t shared a sound or negotiated an eighth-note with anybody for months and the experience overwhelmed me with emotion. (The most basic facts of collective music-making are the most profound.) We all brought in music to that session and to the many that followed. Matt and Sant…
Bomb! The debut recording by The Ancients, the intergenerational coalition of Isaiah Collier, William Hooker and William Parker formed by Parker to play concerts in conjunction with the Milford Graves' “A Mind-Body Deal” exhibition at the Institute of Contemporary Art, Los Angeles, and now a working group. Across 2LPs of side-length long-form improvised sets recorded at 2220 Arts & Archives in LA and The Chapel in San Francisco, The Ancients bring the free jazz trio languages first explored by t…