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On Concert A Prades Le Lez, Intercommunal Free Dance Music Orchestra turns Tusques’ radical internationalism into exuberant sound: a border‑smashing live suite where New Orleans, Brittany and North Africa collide in dance‑charged, militant joy.
On Concert A Prades Le Lez, Intercommunal Free Dance Music Orchestra turns Tusques’ radical internationalism into exuberant sound: a border‑smashing live suite where New Orleans, Brittany and North Africa collide in dance‑charged, militant joy.
On Concert A Prades Le Lez, Intercommunal Free Dance Music Orchestra turns Tusques’ radical internationalism into exuberant sound: a border‑smashing live suite where New Orleans, Brittany and North Africa collide in dance‑charged, militant joy.
On Awofofora, Marion Brown folds funk, reggae and Afro‑Caribbean rhythm into his mature structural language, using grooves not as decoration but as architecture for golden‑toned alto lines and quietly radical collective improvisation.
On Live at Hachioji Alone, Shudan Sokai document Tokyo free jazz at the moment it moves to the city’s western margins: exuberant quartet music where loft‑sharpened fire, song forms and nursery‑rhyme mischief collide in a tiny Hachioji club.
"The title Looking for Consonance popped into my head one day as I began thinking about a name for this collection of music. This title immediately felt important, so I kept sitting with it. I thought I knew what consonance meant in music, but I also knew it carried other meanings—ones that extend well beyond sound. Webster’s Dictionary defines consonance as “the harmony or agreement of sounds produced simultaneously, resulting in a pleasing and stable auditory experience.” The word that stands …
Three of downtown’s most dynamic performers join forces to form Mephista—one of the first all women supergroups (Susie Ibarra, Sylvie Courvoisier, and Ikue Mori). Separately these three have worked with some of the most important musicians in new music (Derek Bailey, Wadada Leo Smith, Pauline Oliveros, William Parker, John Zorn, Fred Frith, Mike Patton, Dave Douglas, etc.)—together they have created a whole new kind of music spanning the worlds of rock, classical, jazz and electronica. Sensitive…
Frank London, a major voice in today’s Jewish music renaissance, who has worked with the likes of LLCooI J, LaMonte Young, Jane Siberry and Gal Costa, is a trumpetist, composer, arranger and musical scholar of startling range and creativity. The Debt is the first collection of his work for film and theater, and contains a wide variety of his musical obsessions: Latin grooves, Mingus-style jazz arrangements, classical chamber compositions, moody sound pieces, funky bachelor pad music and a gorgeo…
Haino Keiji is a mysterious psychedelic minstrel who has been performing his peculiar blend of rock, medieval music and improvisation since the early 1970’s. Incredibly prolific, he has headed dozens of bands and released hundreds of CDs on a variety of labels around the globe. His latest project is a wild duo with Ruins mastermind Yoshida Tatsuya, the undisputed master drummer of the Japanese Underground. Featuring Haino’s unique singing and screaming style as well as his best guitar playing to…
Anthony Braxton, Milford Graves and William Parker are quite literally three of the most important virtuoso instrumentalists in new music, each a vivid conceptualist as well an influential composer/perf o rm e r. This intense improvisational outing features them at their best: excited, inspired and in complete communication. Recorded and mixed by musical alchemist Bill Laswell, sparks fly in this important and historic meeting of creative music masters.
In early 2002 Derek Bailey astounded the free music community with his gorgeous album Ballads, a radical and steely interpretation of the standard repertoire. It became an instant classic, hit a dozen best-ten lists and remains his best selling cd of all time. The recordings here were made just weeks after the idea was first born at an intimate Christmas gathering in New York—and two months before the recording of Ballads. Here Derek is working out his personal approach to the standard song repe…
Private recordings of incredible historical importance (practically the holy grail to fans of free improvisation), Pieces for Guitar presents the earliest known solo recordings of guitar innovator Derek Bailey. Dating from 1966 (possibly 1965) these pieces were recorded for personal study during a transitional period and include some of the only instances of him performing his own written compositions!! Under the influence of the music of Anton Webern, Bailey began working through a variety of t…
A rhythm-driven, analog-leaning record built from hypnotic basslines, warm synth textures, and layered percussion, "Simulacra" is the debut LP from Venetian bassist and producer Eric Demuro, a fully realized studio statement that brings his compositional voice into focus. The album moves through hazy jazz-funk, ambient passages, library psychedelia, and Brazilian rhythmic language without settling into revivalism. Fender Rhodes figures, hand percussion, and vintage keyboards drift through spacio…
On Ntsano, Mara & Naná Vasconcelos weave Québécois avant‑garde jazz into Afro‑Brazilian ritual: berimbau, winds and drums circling through slow‑burning themes that feel at once meditative, mysterious and fiercely alive.
On Ola Tunji, Ola Tunji channel a luminous strain of spiritual and free jazz: collective meditations where Ornella Noulet’s fierce, tender saxophone rides a young quintet’s searching interplay toward something like secular devotion.
This 2LP bundle includes the two latest Formalibera albums: John Tchicai "Wigmore Hall 1968", and John Tchicai, Peter Kowald "John Tchicai Quintet, John Tchicai Peter Kowald Duo".John Tchicai "Wigmore Hall 1968" (LP)* Edition of 300 copies. High thickness cardboard with opaque laminated cover. Comes with a printed insert.* John Tchicai (1936-2012) was one of the most visionary free jazz saxophonists of the 20th century - a rare artist whose voice stood apart even among giants. Born in Copenhagen…
In 1970s Jazz Fusion, critic Matthew Reed Baker reassesses a once‑derided hybrid, showing how the electric experiments of Davis, Hancock, Corea, Mahavishnu and others reshaped jazz, rock, soul and hip‑hop from the 1970s to today.
In As Serious As Your Life, photographer and historian Val Wilmer chronicles the free jazz revolution as a Black cultural vanguard, situating Ayler, Coltrane, Coleman, Sun Ra and others within the struggles, hopes and solidarities of 1960s–70s America.
In Cosmic Music, Andy Beta traces Alice Coltrane’s journey from Detroit church pews to avant‑garde bandstands and ashram altars, revealing a visionary composer, bandleader and spiritual teacher whose work radically reshaped the possibilities of Black American music.
*Edition of 300 copies. High thickness cardboard with opaque laminated cover. Comes with a printed insert.* John Tchicai was extraordinarily prolific during the late 1960s and early 1970s, and this second archival release from Formalibera captures two essential, previously undocumented chapters of his story. Side one takes us to Danish Radio House, Copenhagen, October 1969, where Tchicai leads a remarkable hybrid quintet fresh from a European tour: Danish collaborators Hugh Steinmetz and Pierre …