Jazz /
Thirty Years In Between
The title to be taken literally, these two solo concerts recorded in Canada by French-based US bassist Barre Phillips, the first recorded at Vancouver Western Front in 1989, the 2nd from the 35th International Festival Music Festival of Victoriaville in 2019, both exemplary concerts showing his masterful skills and ability to captivate then and now.
In Transverse Time
*2022 stock* "Saxophone quartets can be an acquired taste, especially if their members are content playing supper-time jazz. However, Rova’s commitment to pushing forward, and challenging themselves and their audiences accounts for much of their perseverance. That, and talent. Their latest recording, In Transverse Time (Les Disques Victo), finds the quartet in meticulous harmony, with each player taking a measured approach to their solos. The Quartet’s members play multiple horns, but each settl…
Solo (Victoriaville) 2017
On the 30th anniversary of the Victo Festival Anthony Braxton took to the stage for a magnificent solo performance on the alto sax, performing 8 spontaneous compositions and an 8+ minute version of "Body and Soul", seamlessly crossing lyrical and complex approaches to the horn using his unique intervallic, trimbral and diagrammatic language, a stunning and embraceable accomplishment.
Hello, I Must Be Going
Two masters who rarely play together--guitarist Fred Frith and saxophonist Evan Parker--performing together as a duo at the 30th Musique Actuelle Festival in Victoriaville, Canada for an amazing exchange of ideas and intensely subtle dialog.
Peachinguinha
**Numbered edition of 200** Silent Water presents Peachinguinha by Peachfuzz, who are João Almeida: trumpet, Norberto Lobo: electric guitar, João Lopes Pereira: drums. recorded by João Almeida at Fonte Santa, Alandroal, march 2021
Terrifying Sunset
Contemporary German artist Albert Oehlen invited Steamboat Switzerland to create music for his solo exhibition Tramonto Spaventoso at the Gagosian Gallery in Los Angeles, 2021. Oehlen and the experimental Swiss ensemble had already collaborated in 2019/2020 at the Serpentine Galleries (London). The recorded instant compositions draw connection with Oehlen’s own visual strategies in which he interprets and transforms John Graham’s painting Tramonto Spaventoso (Terrifying Sunset) (1940–49).
Xylophonen Virtuosen
A collection of improvised duets with guitarist Jim O’Rourke and reedist Mats Gustafsson. All of the material has been newly remastered for release on 2xLP & digital and marks the first ever vinyl pressing with previously unreleased tracks. Tracks A1, B3(excerpt), C1, C2 and D3(excerpt) were in parts or in its complete form released on Incus CD38 (1999) with a different mix and master. All other tracks are unreleased.
Mitochondria
Tip! Spectacular live recording from 1986 of two seminal figures of the Japanese avantgarde - Akira Sakata on saxophone and Takeo Moriyama on drums. Mitochondria captures the reunion of the two free jazz masters, who started playing together in the Yosuke Yamashita Trio in 1972 until 1975. For both, the experience with the trio was an important step in the development of their own career and musicianship. The recordings are a remarkable performance in which each successfully highlights the essen…
3 Points And A Mountain
"A real cause for celebration. A performance distinguished by gleeful energy and audacious dada wit. It possesses a vigor of discovery and invention that makes it sound timeless." - Cadence "A great and enjoyable session from three of the most creative and unique musicians in European avant-garde music." - All Music Guide"Wonderful, intoxicating stuff. Together theses three troubadours tiptoe exaggeratedly through pastiches of bop, cabaret, baroque, and lounge, and work through dozens of mood ch…
Vertical Language
Based in Tokyo, Keiko Higuchi is a vocalist and instrumentalist internationally renowned both for her solo performances and extensive collaborations in the world of underground improvisation, jazz and the avant garde. On Vertical Language, Higuchi has created an evocative and hauntingly beautiful album that unfurls in equal parts light and darkness, form and emptiness. On solo voice and piano as well as in duets with bassist Louis Inage, Higuchi performs a collection of songs and improvisations …
Historic Music Past Tense Future
Black Editions presents “Historic Music Past Tense Future”, the first ever album to feature the meeting of Peter Brötzmann, Milford Graves and William Parker. Three of the towering figures in the history of Free Jazz forge an incredibly vital free music born from lifetimes of uncompromising, ceaseless artistry. “Historic Music Past Tense Future” is the inaugural release by Black Editions Archive and the first in a series of records that will present previously unreleased works featuring Milford …
Hear And Now
Hear and Now's cover depicts a smiling Cherry posing like Buddha, and holding a trumpet with a bent mouthpiece -- an indication of some meditative sounds, but it's really a mishmash of styles with a leaning toward African rhythms. An underlying social message runs through the album of Cherry compositions (except one) produced by Narada Michael Walden. Cherry plays very little trumpet on "Universal Mother"; the African-based excursion is carried by Neil Jason's bass, Sammy Figueroa's congas, and …
Brown Rice
If Eternal Rhythm was Don Cherry's world fusion masterpiece of the '60s, then Brown Rice is its equivalent for the '70s. But where Eternal Rhythm set global influences in a free jazz framework, Brown Rice's core sound is substantially different, wedding Indian, African, and Arabic music to Miles Davis' electrified jazz-rock innovations. And although purists will likely react here the same way they did to post-Bitches Brew Davis, Brown Rice is a stunning success by any other standard. By turns hy…
Eternal Now
Something of a sequel to Eternal Rhythm, his classic meeting of free jazz and world music from five years prior, Eternal Now found Don Cherry entering the studio for the tiny Sonet label, once again with members of the European avant-garde scene (this time from Sweden).
This time around, though, the focus swings decidedly to the world-folk end of things: The only standard Western instrument is the piano, featured on only two of the five pieces (one of which is a non-traditional, African-styled r…
Wamono A To Z Vol.II (Japanese Funk 1970-1977)
Following the highly acclaimed Volume I, dig further into the Wamono sound - the cream of the Japanese jazz, funk, soul, rare groove and disco music developed throughout the years since the end of the sixties in Japan! Active as a professional DJ in Japan since the late eighties, DJ Yoshizawa Dynamite is also a renowned remixer, compiler and producer. An avid record collector and an expert of the Wamono style, Yoshizawa published the Wamono A to Z records guide book in 2015 which instantly sold…
Spanish Flower
“Spanish Flower” by Tee & Company, an all-star band assembled by producer Takeshi “Tee” Fujii, is an extended (nearly 19 minutes) modal workout very much in the mode of Coltrane or McCoy Tyner‘s 1970s solo work, but the tasteful guitar solo that appears at the 11:30 mark, right after the flute fanfare, is by none other than Masayuki Takayanagi!
Dragon Garden
Masayuki Takayanagi, a charismatic artist who relentlessly pursued new jazz. Three albums by Tee & Company, the strongest big combo of the 20th century under Takayanagi. This is their second album. Includes the fast-paced "Dragon Garden". The other three tracks, in which Takayanagi, Mori and others interplay with a unique sense of time, are also must-listen.
My Back Pages
"This is Kunio Ohta's second TBM album, known as a favorite of listeners who love the TBM label. The original "Umi to Taiyo (The Sea and the Sun)" features all the members in lively action, and Takano's melancholy tenor solo on the over 16-minute title track is a must-hear." - Koki Hanawa
The World Of Shuko Mizuno
"This is a live recording of "Shuko Mizuno's World Evening" on the fourth day of "5 Days In Jazz 1976", which made the genius Shuko Mizuno known to the world. The massive, fast-paced jazz-rock piece "Concentration" and "Jazz Orchestra '75 Part II" are breathtaking performances. Katsumi Watanabe's superb solo is also noteworthy!" - Koki Hanawa
Diggin'
"The master of multiphonics (playing more than one note at a time on a horn), Albert Mangelsdorff has been a giant of the European avant-garde for the past 30 years. He originally studied violin and worked as a jazz guitarist before taking up the trombone in 1948. Here he is taped live at a concert in Tokyo with what was then his regular quartet: Heinz Sauer on sax, Günter Lenz on bass, and Ralf Hübner on drums. There's a very nice blend between the leader's agile but smooth horn and the somewha…