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Unrelease befor recordings dated 1972 and 1980. The London Jazz Composers Orchestra began back in 1970. The idea of a composers' orchestra, a large formation equally defined by the concepts of composition or intervention and by the improvised creative genius of the participating musicians, developed an amazing self-impetus. It was this energy, which proved to be greater than the arithmetic sum of the participants, that encouraged Barry Guy and the orchestra to drive idea and practice even furthe…
Subtitled' Tribute to Eric and Chris Stern' by the creative pairings of Natsuki Tamura (trumpet) and Satoko Fujii (piano) creating music distinctive in character and surprising in form, at times emerging from raw sounds and cycling assymetrical events. Their two voices contrast and converge over a wide terrain occupied by unusual elements including unorthodox scales and microtones, extreme timbral contrasts and off-balance dialogue.
Recorded on September 25th 2018. The Krakow Improvisers Orchestra is a creative space for the collaboration of improvising musicians with backgrounds in free jazz, classical, and experimental music. Founded by Paulina Owczarek, the Orchestra was inspired by ensembles like the London Improvisers Orchestra, John Zorn’s Cobra, Phil Minton’s Feral Choir, and the Discordian Community Orchestra. Paulina Owczarek (saxophones) Ernest Ogórek (double bass) Adam Nyk (voice, electronics) Sebastian Mac (el…
Marilyn Lerner (piano), Ken Filiano (bass & effects) and Lou Grassi (drums & percussion) extend their trio work after their previous two NoBusiness releases — "Live At Edgefest" and "Arms Spread Wide" — with this album of profound collective improvisation, recorded live in the studio before an audience. The band blends lyrical and abstract work in energetic but never frenetic conversation, eliciting a range of moods as only such familiarity and history can. Asisted with incredible technical and …
This book is a historical and interpretive study of the movement of jazz experimentalism in West and East Germany between the years 1950 and 1975. It complicates the narratives advanced by previous scholars by arguing that engagement with black musical methods, concepts, and practices remained significant for the emergence of the German jazz experimentalism movement. In a seemingly paradoxical fashion, this engagement with black musical knowledge enabled the formation of more self-reliant musica…
Tip! **50 numbered copies** "Kyle Quass is a composer, trumpet player and sound artist based in Bloomington, Indiana. He holds a MM in Jazz Studies from Indiana University. He has studied, played, and/or collaborated with, among many others, David Baker, Joe Henderson, Greg Osby, Mulgrew Miller, Tyshawn Sorey, Thollem, Tim Berne, Tony Malaby, Ralph Alessi and Cory Smythe. He has performed on numerous and varied recordings from David Baker to Amy Stephens to Murder By Death. He has also released …
Jim O'Rourke (of Gastr del Sol and Sonic Youth fame) plays a lot with Japanese Free jazz legend Akira Sakata in various formations. Together with Italian composer and pianist Giovanni di Domenico and the drummer Tatsuhisa Yamamoto they form this powerful band. Their second release combines contemporary Avantgarde and Free Jazz in a beautiful way.Line-up:Akira Sakata - sax, clarinet, voiceJim O’Rourke - double bassGiovanni di Domenico – piano, hohner pianetTatsuhisa Yamamoto - drumsRecorded Jim O…
A fresh new studio album by powerful Russian Free jazz band BROM, now with a fourth player (guitar and electronics). Press about their last album (Sunstroke, Trost):"It is a reverent and thoughtful performance, with powerhouse electric bass at its core, leading to a fast and furious conclusion." - Jazzandbluesblogspot"Moscow based power jazz trio BROM are a group that push against musical boundaries and allow such diverse genres as rock, noise, free jazz and improvisation to leak into their ever…
Tashi Dorji (electric guitar) and Tyler Damon (drums/percussion) have developed a musical language that is not only shaped by original forms as free jazz, metal, rock and Buddhist monastic music. Their sound merges passion and emotions of literature, art, cultural movements, politics - flashes of ecstatic intensity, blurred timbral lines, fractal repetition, noir-ish, cinematic mystery and inclinations toward free play hint that the two are pleased to follow a winding path to destinations yet un…
Pioneering percussionist Solomon Ilori was one of the first Nigerian artists to record with American jazz musicians, travelling to New York in 1958 to introduce African music to American audiences. After appearing on Art Blakey’s 1962 LP The African Beat for Blue Note; he recorded African High Life with members of Blakey’s ensemble, including guitarist Jay Berliner, bassist Ahmed Abdul Malik, Hosea Taylor on alto sax and flute, and percussionists Montego Joe, Robert Crowder and Garvin Masseaux. …
After playing with Mingus, Coltrane, Lady Day and Abbey Lincoln, inventive jazz pianist Mal Waldron moved to Europe and first reached Japan in 1970, where he met Idaho-born double-bassist Gary Peacock, who had played with Art Pepper, Bud Shank, Bill Evans and free-jazz giant, Albert Ayler before moving to Japan to study zen Buddhism.First Encounter, recorded in Tokyo in 1971 for French producer Herve Bergerat, shows that the intense pairing was quite natural, the harmonic dissonance of Waldron’s…
**300 copies** In its 6th release, Mr. Nakayasi Records treat us with a rich and adventurous recording by The Miracle, a group of musicians with individual and collective links to Belgium’s free-improv music scene. The Miracle is a live capture of the ensemble's epic debut at Studio Grez, Brussels in December 2018. Recalling the spirits of Mirakle, uncompromising Derek Bailey’s album with Jamaaladeen Tacuma and Calvin Weston, this release presents an inspired, innovative and immediate intersecti…
Axis / Another Revolvable Thing is the second installment of Blank Forms’ archival reissues of the music of Japan’s eternal revolutionary Masayuki Takayanagi, following April Is the Cruellest Month, a 1975 studio record by his New Direction Unit.
Axis / Another Revolvable Thing is the second installment of Blank Forms’ archival reissues of the music of Japan’s eternal revolutionary Masayuki Takayanagi, following April Is the Cruellest Month, a 1975 studio record by his New Direction Unit.
Axis / Another Revolvable Thing is the second installment of Blank Forms’ archival reissues of the music of Japan’s eternal revolutionary Masayuki Takayanagi, following April Is the Cruellest Month, a 1975 studio record by his New Direction Unit.
Tip! **350 copies, to be released on 30.05.2020** Second release from Finland’s finest underground jazz collective, four new tracks in the same spiritual-energetic playful bag we dig! Limited edition 10", comes numbered and with download code insert.
**250 copies, to be released on 30.05.2020** Unique duo live recording from 2016 with Finnish drummer Ilmari Heikinheimo and multi-instrumentalist Jimi Tenor, free-floating grooves in an organic / electric mash-up! Limited 250 copy LP with 6 tracks, comes numbered with download code and info on A4 insert."The existence of harmonic resonance will be proved when the minds of these amazing talents speak to each other thru aether."
**300 copies** Cuneo´s band oAxAcA brings us the second 2 Headed Deer reference. From the Italian Piedmont, this 'hard to define' collective delivers a sound that fluctuates between a free and experimental jazz reminiscent of the AACM spirit, to a very personal and reworked vision of the most electric jazz-rock."oAxAcA come back with a new record, they called it Onde di Sabbia (Waves of Sand), and they couldn’t find a more evocative title. As a matter of fact here we feel overwhelmed by a tempes…