Jazz /
Stench
The Gate is Dan Peck, Tom Blancarte and Brian Osborne. Formed in 2008, and originally named Dan Peck Trio, the band has developed an aesthetic that is unique and uncompromising. Dividing time between improvisation and Dan’s compositions, the music ranges from bleak landscapes of near-silence to massive, horrifying sound sculptures. The Gate seeks to break down and confuse the conventional roles of a horn-bass-drums ensemble, revealing the most raw and elemental aspects of organized sound. "Poi…
On the A and on the B
Per-Ake Holmlander is born in 1957 in Skellefteå in the very north of Sweden. Holmlander received his diploma in classical tuba in 1983 at the Royal Academy of Music in Stockholm with Michael Lind as a teacher. Holmlander has always worked simultaneously with improvisation, jazz and rock music as well as classical and contemporary music.As an improviser Holmlander has worked with - Eje Thelin, Marilyn Crispell, Paul Lovens, Folke Rabe, Phil Minton, Sten Sandell, Sven-Åke Johansson, Mats Persson,…
Fragments of parts
Roger Turner, drums. Witold Oleszak, piano. Recorded in 2012.'Both players are equally skilled in anticipating the moment at which exposed, entwined resonances will peak and yield their richest fold of textures. They can also both intuit, superbly, whether a given sound should be enhanced or, favouring momentary silence, they should cancel it out. Their closely-considered duets on this album make for a detailed, absorbing experience, every moment yielding the anticipated unexpected.'
Hidros6
"A significant part of the success is down to the amazing tour de force by Norwegian experimental vocalist Stine Janvind Motland who brings an affecting mix of vulnerability, sexuality and sheer prowess to the party. Gustafsson selected a line from each of 20 favorite Little Richard songs to serve as the basic text for Motland to embroider. Via a graphic score Mats Gustafsson also ensures ample solo space for his illustrious cast, as well as composed sections peppered throughout the performance.…
Over The Title
Roger Turner, studio drumset and cymbals. Witold Oleszak, inner piano. Recorded in 2010.
Moshi
Originally issued by the seminal imprint Saravah in 1972, and among the most uncategorizable and sought after artefacts of the French avant-garde, Barney Wilen’s Moshi is nothing short of a masterpiece - long holding a coveted spot in the hearts of adventurous listeners and record collectors alike. A wild unkept cultural collage. A series of sonic experiments. A spiritual, psychedelic pilgrimage into the unknown - darting from one continent to the next, each of its tangents building toward a mor…
Turiya Sings
CD version. “Divine music is a curative virtue; it is a gift from God that brings healing and comfort to the soul. This music can uplift one’s spirit up to a higher dimension of being that is filled with peace and joy. Divine music is the sound of true life, wisdom, and bliss. This music transcends geographical boundaries, language barriers, age factors; and whether educated or uneducated, it reaches deep into the heart and soul, sacred and holy, like an Infinite sound of glory entering the Lord…
Past Present
"The DKV Trio formed in the summer of 1994. Our early years of work took place in Chicago at The Bop Shop on West Division Avenue, the Lunar Cabaret on North Lincoln Avenue, and at the original Velvet Lounge, when it was still on South Indiana Avenue. The band's first album, a limited edition CD recorded by Malachi Ritscher at the Lunar Cabaret and released by Bruno Johnson on his label, Okka Disk, underscored a transformation that was taking place on the Chicago music scene - new groups, new pl…
A Woman’s Work
A monumental 8xCD box overview on Joëlle Léandre (born 12 September 1951 in Aix-en-Provence, France) a legendary double bassist, vocalist, and composer active in new music and free improvisation. A staggering, foundational body of work from one of the most radical and influencial avantgarde performer of the 20th century. In the field of contemporary music, she has performed with Pierre Boulez's Ensemble Inter Contemporain, and worked with Merce Cunningham and John Cage. Both Cage and Giacinto Sc…
Dull Knife
** very last copies, be fast** a very rare (only two original copies ever sold, both close to $2.000; and mysterious album: nobody knows who plays on it but most probably everybody'll agree that this it's one of the rarest (discovered only now after probably more then 35 years ?!) and koolest spiritual jazz/soul funk/rare groove album ever recorded. available here for the 1st time, check dull knife !" punzmann
Live in Lovere, 1979
"vibrant unissued live set which moves from free passages (side a) to more ethnic influences atmospheres (side b). my fav Kalaparusha (one of the real outsiders) album so far; those new live tracks sounds totally different from the the black saint studio album which was rec. only two days after ?!" punzmann
Kalaparusha Maurice McIntyre, an outstanding saxophonist was a founding member of the AACM, Association for the Advancement of Creative Musicians, a pioneering Chicago avant-garde coaliti…
A Fuoco
* 180 gr. White Vinyl. Digitally remastered at 192 khz and 24 bit. From the original master tapes * Originally released in 1977. "Although Claudio Rocchi is probably better known for his earlier material on other labels, his offering on Cramps from 1977 A Fuoco is a good showcase for his own talents (vocals, synthesizers, songwriting, and production) as well as his knack for surrounding himself with top notch musicians. Ostensibly a pop-singer, his skillful mastery of dynamics and clever arrang…
Sarabanda
The second Venegoni album, Sarabanda, continues onward from the first, perhaps replacing some of the experimentalism with refinement, and some of the subtlety with a willingness to rock. Indeed, the album opener sounds almost like it could be some lost Dixie Dregs tune from around the time of their second album. Other tracks are permeated with high- flying fusion riffs, some tropical, folk and ethnic influences, and despite the fact that this album features less vocals overall than the fi…
Bella Band
first-ever reissue of a 1978 jazz-rock album on Cramps and comes in a nice digi-pack. "These Italian guys were playing a really awesome jazz fusion on their one and only album. Excellent musicianship with lots of (reeds) and a fantastic guitar playing. All tracks on this unfortunately rather short album (well it has still been in the vinyl era!) are just brilliant. This completely unknown Italian band with a name, from which you wouldn't expect anything interesting created with their only …
Vi Ar Alla Guds Slavar
Vi Är Alla Guds Slavar is the latest missive from the long-running duo pairing of Mats Gustafsson (The Thing, Peter Brötzmann Chicago Tentet, etc) and Thurston Moore (Sonic Youth, Chelsea Light Moving, Dream/Aktion Unit, etc). Thurston had first come across Mats' playing on a duo disc with Barry Guy and had assumed he was one of those older beardy European improv guys - Remember this was before the internet and everyone knew everything. Their first actual meeting goes back to the early 90s at Bl…
Lark City
“Skylark” (Mercer/Carmichael) plays under different forms as The Skylark Quartet with Orlando Lewis, clarinet, Franz-Ludwig Austenmeiser, keyboard, Hayden Pennyfeather, bass, Roland Spindler, drums. Producer is Sam Sfirri with the help of Taku Unami.Strange jazz, highly conceptual.
The End
Peter Brötzmann: tenor saxophone; Fred Van Hove: piano; Han Bennink: drums, voice; Albert Mangelsdorff: trombone. Recorded during the Free Music Market, August 27 and 28, 1971, in Berlin. Designed by Peter Brötzmann. Part of the legendary "Berlin Trilogy" originally released by FMP in 1971 (FMP 0050). 180-gram vinyl. One-time pressing of 500. First standalone reissue."The great thing about this trilogy/set is how naturally everything flows. . . . each subdividing of the group, each solo excursio…
Couscouss de la Mauresque
Peter Brötzmann: tenor saxophone; Fred Van Hove: piano; Han Bennink: drums, voice; Albert Mangelsdorff: trombone. Recorded during the Free Music Market, August 27 and 28, 1971, in Berlin. Designed by Peter Brötzmann. Part of the legendary "Berlin Trilogy" originally released by FMP in 1971 (FMP 0040). 180-gram vinyl. One-time pressing of 500. First standalone reissue."Brötzmann's regular trio was joined by the trombonist Albert Mangelsdorff, one of the most respected German jazz musicians,…
Elements
Peter Brötzmann: tenor saxophone; Fred Van Hove: piano; Han Bennink: drums, voice; Albert Mangelsdorff: trombone. Recorded during the Free Music Market, August 27 and 28, 1971, in Berlin. Designed by Peter Brötzmann. Part of the legendary "Berlin Trilogy" originally released by FMP in 1971 (FMP 0030). 180-gram vinyl. One-time pressing of 500. First standalone reissue."What reveals itself in the über energetics on display here is the ability of one quartet to take so much for granted and ye…
Avocado
As listeners to the experimental, improvised, Jazz, Ethiopian and style-free music communities in Sydney will testify, Peter Farrar has been doing astonishing solos the last few years. He’s been honing techniques that use various extensions on his alto sax, (mainly plastic bags and bottles as mutes). Instead of an instrumental line, he produces startling layers of distorted tones and overtones with pervasive, insistent, generative rhythms. This is pioneering research — he has re-imagined the ins…