We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
On Grzyby, Błoto complete their mycelium cycle with a compact blast of medicinal‑and‑toxic club jazz: five mushroom‑named cuts of broken beats, sub‑heavy low end and live improvisation that argue for dialogue and interdependence in a world addicted to walls.
On Dybbuk Tse!, Yoni Mayraz turns Jewish possession lore into a groove‑driven exorcism: live‑wire jazz, 90s NYC hip‑hop grit and Middle Eastern modes colliding in a story where a wandering spirit is forced out beat by beat.
In July 1984, the otherworldly entourage of over fifty musicians of Urban Sax swarmed across the coastal town of Pori, Finland, to perform a historic concert at the Pori Jazz Festival. The masked musicians, veiled in space suits and fencing masks, arrived at the scene of the concert in the Central Pori Church by fire engines, forklifts and water buses from all over the town, followed by an ecstatic and bewildered crowd of festival-goers and amazed locals alike. For those present, the explosively…
On Anthem for Peace, Alan Braufman leads a razor‑sharp quartet through compact, hook‑rich tunes that braid spiritual jazz, buoyant post‑bop and modal, Eastern‑tinged themes into a forward‑moving set that feels both steeped in history and fully present tense.
London - and Berlin - based quartet Let Spin return with I Am Alien, their fifth album and first release with UK label Discus, marking a new chapter in the band’s evolution. Building on the momentum of 2022’s Thick As Thieves, the record is a continuous, shape-shifting work that thrives on tension and risk, collapsing the boundary between composition and improvisation while distilling over a decade of shared history into a fiercely unified listening experience.
Over more than 13 years of playing…
This is my fourth solo piano release on this wonderful label. The studio’s Yamaha piano is an older darling, bless her, with an easy mechanism and unusual bright tone - lovely to play! It was also my first time recording at Sansom Studios in the West Midlands, some distance from Lancashire where we live. The album was recorded in a few hours and is in three sections. Two tea breaks divided the music in effect, no edits, completely improvised. I was curious about recording in a studio again, most…
The first song cycle collaboration by this new partnership is a highly adventurous and ambitious work, and one which explores a journey through dark places expressed in an improvisation-based language of strange sounds and textures, plus some unexpected left turns into electronic and choral music, before emerging from the woodland and into the morning light. I make a lot of records. In fact most years I release more albums than I make live performances. But this one is special to me in many ways…
Released to celebrate the 70th anniversary of these sessions and the 75th anniversary of Prestige Records, "Miles '54" brings together 20 tracks recorded by the trumpet legend in 1954. Including cuts from albums released that year, it features Sonny Rollins, Charles Mingus, Horace Silver, Art Blakey, Thelonious Monk and more. Included are new liner notes by GRAMMY Award-winning music historian Ashley Kahn and session notes by Dan Morgenstern, with mastering by Paul Blakemore. 4 LP set on 180g bl…
*100 copies limited edition* Trombe's fourth album, 'Bête Noire' (2026), is a tribute to all those wild boars that tear up the countryside, slaughter sheep, and are chased and killed by bizarrely clad figures in orange vests, armed with rifles... Beware of the line of cars parked in a herd along country roads, because they're there, prowling. Don't meet their gaze, or you'll be petrified... In fact, I know some people who had to change their mode of transport after a collision with the beast... …
Legendary producer David Axelrod’s solo album Heavy Axe is one of the finest outputs of the jazz-rock wave, which was the preeminent sound of the mid ’70s. With a little help from legendary players like Johnny “Guitar” Watson, Cannonball Adderley, and George Duke, Heavy Axe crisscrosses between lush funk sounds and full, round low end and majestic orchestral flourishes that made Axelrod’s sonic realm a goldmine for sample-hungry hip-hop beatmakers from the ’90s until today.
In between being one of the most recorded studio drummers of all time, the beat-maestro extraordinaire Bernard Purdie squeezed in a few sessions of his own. Purdie Good! was recorded early in 1971 by legendary engineer and audio obsessive Rudy Van Gelder, at his bespoke studio in Englewood Cliffs, New Jersey, and has all the quality hallmarks of that esteemed locale. Three Purdie-penned originals are balanced by three covers of hits-du-jour, utmost among them a blazing romp through James Brown’s…
2026 stock Genie Of The Keys: The Best of Korla Pandit collects 16 choice cuts from this era—all featuring Pandit’s inspired blend of Eastern, Latin, and South Pacific musical traditions. Among the artist’s original compositions is his famous “Magnetic Theme,” which opened Korla Pandit’s Adventures in Music. Genie of the Keys also includes a variety of pop covers, including “Somewhere Over the Rainbow,” “Polka Dots and Moon Beams” and “Speak to Me of Love.” This collection—which not only celebra…
Matt Gold and Dustin Laurenzi present Devotional Fade, a collaborative record of electroacoustic rhythmic improvisations – equal parts meditation and dance, released on We Jazz Records, 24th April. Laurenzi and Gold, key collaborators in the Chicago creative scene and with genre spanning artists such as Bill Callahan and Makaya McCraven, step forward here with a major artistic statement, a product of extended improv sessions capturing the duo's hypnotic interplay. This is the sound of two of Chi…
The charming, thoughtfoul Oracle conveys the familiarity and empathy of partners who have worked together for years – light touch, intricacy and sensitivity pervade the session. Oracle wins you over with its warmth and melodicism.
With Convergence, his second solo album, Swedish-born bassist Björn Meyer further develops music on the blueprint established with his recording Provenance (2017), making use of the technical potential of the bass guitar to establish striking sonorities and grained textures while also being acutely aware of the acoustic space in which his sounds emerge. In its review of Björn’s previous solo statement, London Jazz News found the bassist demonstrating “that melodic high-jinks and emotional intens…
Brooklyn-based pianist and composer Eva Novoa presents Eva Novoa Solo (I), her first solo piano recording and seventh album with 577 Records. Recorded at the legendary Sear Sound Studios in Manhattan, the album captures Novoa alone in the studio, embracing the artistic challenge of vulnerability, introspection, and creative freedom that defines the solo piano format. After several years working primarily within piano trio settings and other ensemble configurations, Novoa turned inward, embarking…
Bayeté Umbra Zindiko’s Seeking Other Beauty is a visionary statement from keyboardist and composer Bayeté, also known as Todd Cochran, newly available in a definitive all‑analog reissue that brings its futuristic spiritual jazz into sharp contemporary focus.
Recorded in 1973 for Prestige, Seeking Other Beauty channels the electricity of early‑70s Miles Davis while drawing on the cosmic funk of Parliament‑Funkadelic and the astral explorations of Lonnie Liston Smith—only with a fuzzed‑out clavine…
*100 copies purple vinyl limited edition* Out Of Your Head Records announces the latest chapter in creative music: 'Half of What You See' by Wrens, a bold new contribution to the label’s tradition of boundary-pushing artistry and limited-run releases. Continuing their dedication to inventive sound and visual originality, Out Of Your Head Records—spanning Richmond and Brooklyn—invites listeners into a world where sonic textures and emotional immediacy collide.
'Half of What You See' showcases Wre…
On John Zorn’s Bagatelles Vol. 5, John Zorn hands eight spiky miniatures to the Kris Davis Quartet, who turn his angular “weirdo tunes” into a fierce, lyrical piano‑guitar quartet set where structure, swing and free combustion constantly collide.
Matata were formed in Kenya in 1963, laying down their grooves in Nairobi's Brilliant Club before going on to record two albums in London in the early 70s. Both Air Fiesta and Independence are perfect nuggets of Afro-funk, but alas Matata were reportedly homesick and they disbanded to return home. Their short-lived legacy lives on though, and now Dynamites Cuts have turned to their second album to present two of the hottest joints on a cool and deadly 7". 'I Feel Funky' is one of the band's bigg…