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1994 release ** "This is the logical companion to Tout Court. The lineup has been hardly changed. The only newcomer is Alfred Spirli, who alternates percussion duties with Xavier Desandre. Yves Robert also sticks to the same formula with an emphasis on musical vignettes. The relationship with Tout Court is also underlined by the deliberate choice of opening with the composition that concluded its predecessor, "Epilogue" -- several other pieces are also revisited. It would be a mistake, however, …
1998 release ** "A cosmopolitan synthesis of visionary music and outstanding poetry" is the concept and program of "Honey and Ashes," according to the press release. This claim naturally raises many questions about the work of German saxophonist Michael Riessler: Is it jazz—what constitutes "jazz"? There is little improvisation, as "Honey and Ashes" is largely through-composed. Is it contemporary classical music? Can you find pounding bass drums in classical music? "Honey and Ashes" is a speech …
What happens when you bring together familiar faces at London experimental music venue Café OTO, Charles Hayward (drummer Abstract Concrete, This Heat) and John Edwards (double bass), and the Total Refreshment Centre (hub of new london jazz scene recording studio ) like Alabaster DePlume (singer and saxophonist) and Danalogue (synths from Soccer96, The Comet is Coming), and the learning disability autism art scene like singers/spoken word artists Sebastian Golgiri and Dean Rodney Jnr (Fish Polic…
Recorded at the 1970 Montreux Jazz Festival in Switzerland and produced by Helen Keane, Montreux II (originally issued on the CTI label) was the second of Bill Evans’ Montreux concert recordings to be released, following the Grammy Award-winning Bill Evans at the Montreux Jazz Festival (1968). It features the leader accompanied by Eddie Gomez on bass, and Marty Morell on drums. According to AllMusic writer Ken Dryden, the concert finds “the pianist in peak form” presenting “a terrific live perfo…
Further Conversations with Myself, released on the Verve label in 1967, was Bill Evans’ sequel to his 1963 Grammy Award LP Conversations with Myself. As on that initial album, here all the pieces are unaccompanied solos with piano overdubs. On Further, however, he plays just two pianos instead of the three he had previously employed. According to AllMusic reviewer Scott Yanow, “The program is brief, but Evans plays quite well throughout. In particular, his versions of Johnny Mandel's ‘Emily’ an…
Lonnie Liston Smith was one of the most important musicians to emerge in jazz in the 1970s. His 1975 album ‘Expansions’ is one of the foundation stones of modern dance music and his recordings have been sampled by many of the biggest artists in the world. His music was a cosmically inspired spiritual interpretation of the music he had been making during his time with Pharoah Sanders, Gato Barbieri and Miles Davis.
Released in 1976,“Reflections On A Golden Dream”, the follow-up to “Expansions”, w…
Jaki Byard was a visionary multi-instrumentalist, composer, arranger, teacher, and pianist. His early experiences with classical music fused seamlessly with a deep passion for jazz, shaping his unique style. While he mastered numerous instruments including trumpet, trombone, saxophone, and drums the piano became his main voice. By the early 1960s, he had established himself as a dynamic and forward-thinking player, joining Charles Mingus's ensemble and contributing to seminal works like Mingus, …
*2025 much needed repress!* Reissue of Don Cherry's 'Relativity Suite', recorded with the Jazz Composer's Orchestra in 1973. At this time, Cherry was becoming increasingly interested in Middle Eastern and traditional African and Indian music, having traveled extensively and studied with Indian musician Vasant Rai. This suite of songs was particularly influenced by the Indian karnatic singing tradition, as can be heard from the very opening moments of the album. Featuring Carla Bley on piano, Cha…
1994 release ** "Everything about this album, from the artist's name and album title to the rather cheesy cover photo of a smiling tuxedo-clad man on a beach surrounded by congas, suggests to a cynical eye that Arriba! Con Montego Joe is kitschy exotica on par with Martin Denny or Les Baxter. And while that style of music has its fizzy charms, it turns out that Arriba! Con Montego Joe is something much meatier. Collecting the entirety of the two albums Montego Joe (born Joseph Sanders) made for …
*2025 stock* A beautifully recorded session at Germany's Club Lila Eule for Radio Bremen from 1969 by the Marion Brown Quartet, his touring band at the time with AACM legendary drummer Steve McCall and German double bassist Siggi Busch and trombonist Ed Kröger, performing eight solid free jazz pieces including "Ode to Coltrane" and "Juba Lee"; a spectacular addition to Brown's discography.
1991 release ** "Combining rhythic rock strength with the unrestrainable consequence of free improvisation. In the course of playing, amazingly sharp contours arise. There is no expression for style that can describe this audacious mixture of precision and imagination. Music as a celebration of the moment with the undertone of euphoria, reflection, pure desire and wild anger. Mobile architecture, movable sounds, moving and hair-raisingly beautiful. Jon Rose: Cello, Violin, Keyboards - Peter Holl…
2010 release ** "Here, after Schindler+Richter and Schindler/Holzbauer/Lillmeyer, multi-reed player and flautist Udo Schindler meets an old companion from the 90s. Hubert Bergmann, a Fernando Pessoa-adoring and Tai Chi & Qi Gong-inspired jack-of-all-trades from Überlingen on Lake Constance, has already played piano in Schindler Interferenz.3 and with Trio BGS. Now a master craftsman in his own workshop for improvised and new music and, as such, also a duo partner with guitarist Mary Halvorson, B…
2012 release ** "Dutch duo’s one and only release, from 2012. And quite a good album too! Henk Bakker (bass clarinet and electronic treatments) and Jelmer Cnossen (percussion, Ableton Live) somehow created a subterrestrial sonorous organism with a logic of its own. "
The heart sits and takes in all wakes of the universe. A blessing to discover sound and how it enters the body and is shared to all. I feel the sound wraps in and out of my heart and pours through the saxophone. Searching, discovering the Creator. I pray this music reaches into your heart, goes all the way to the deepest place and blossoms up the most beautiful gardens of joy and love, curiosity. I am forever grateful to meet souls such as Lex, Miguel, and Caroline. Through these recordings I po…