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180gr. clear purple vinyl. “Contamination” was released in 1980 as a soundtrack for the eponymous horror/science fiction film, during what probably was the most prolific period in Goblin’s career, even if the band had already been abandoned by guitarist Massimo Morante and keyboardist Claudio Simonetti. Unkonwn by most listeners, it’s a release that deserves more attention, since it shows a wide range of music styles (Jazz, funk, rock, electronic) and once again Goblin’s ability in writing film …
Thanks to the brilliant debut “Night of the Living Dead” (1968), director and screenwriter George Romero is considered the creator of the ‘modern zombie’, a metaphor for the profoundly consumerist and capitalist society we live in, that was perfectly shown years later in “Dawn of the Dead” (1978); this movie was distributed in Italy as “Zombi”, with a different editing made by Dario Argento and a soundtrack once again composed by legendary Goblin.
“Zombi” is a very varied album where the electr…
Big Tip! Originally released in 1968 as part of the "Serie Sonorizzazioni" series on Piero Umiliani's iconic Omicron label, "Preistoria" is the perfect example of a library music collection perfectly tailored to a theme. Through the use of orchestral accompaniment, jazzy arrangements, and tribal experimentation thrown in for good measure, the legendary Italian composer brings you back to the stone age, creating and ominous and primitive landscape, rich of caveman-style drums and deep bass lines.…
Be With Records present a reissue of Dramatic Tempi / Larry Robbins Background Rhythms, originally released in 1975. Classic library breaks and beats set of heavy drums and louche funk. The first side, "Dramatic Tempi", is made up of four tracks each from Sammy Burdson and Klaus Weiss. Sammy Burdson was one of the many, many aliases of the mighty Austrian composer, arranger and conductor, Gerhard Narholz. Klaus Weiss produced essential records on German library labels Coloursound, Selected Sound…
Before I’m gone I’d like to see us turn the corner and give up being spoilers of the land . . . In 1975 Wallace ‘Wally’ Smith Broecker published a paper that popularised the term ‘global warming’ and against a backdrop of change and environmental uncertainty, a musical concept album was commissioned. ‘Wilderness America / A Celebration of the Land’ - is a musical exploration of our place within the cycle of living things. All compositions were specially commissioned for the album and blended wit…
1980, a crossroad full of living icons in a single movie interpreted and directed by Alberto Sordi, Io e Caterina. So, Alberto Sordi, Edwige Fenech, the year of release, 1980, what do we miss to get an absolute masterpiece? The soundtrack composer, Maestro Piero Piccioni. We can say it openly, one of its greatest score for cinema, intense, full of energy, orchestral, funky, melodic, touching, enthralling, passionate. An album that will be the score of your private summer, on your turn-table, in …
*In process of stocking* Compiled and conceived by David Nerattini partnered by Pierpaolo De Sanctis. Between the late 70s and the early 80s, pop music was in a transitional phase. After a return to the roots of punk, rock was morphing into new wave, while disco was rapidly declining and the electronic revolution, already on the rise, was ushering in the transition from analog to digital. This period also saw the emergence and relatively brief flowering of a commercially dominant style that mixe…
London's Death Is Not The End rope in folklorist Derek Piotr to curate another mystical collection of crackly mountain music from North Carolina. Powerful, soul-stirring unaccompanied vocal music.
Album recorded, mixed and mastered in the author's own 'modest but neat studio'. This meant it took three years. A tracklist of great contemporary jazz from legendary Australian guitarist Errol H. Tout. Tout's music is intended to be 'a contribution to the well-being of the world'. He does not fit the term 'avant-garde' or 'confrontational', but would hope for the appropriateness of the term 'innovative'. Along with 'ambient' and 'atmosphere'.
The long-overdue first reissue of two super rare grooves from Armando Trovajoli’s score to Sessomatto, one is a super-sexy afro-funk track featuring legendary vocals by Edda Dell’Orso, the other a wild and fun electronic samba.
CAM Sugar is proud to celebrate the 50th anniversary of this masterpiece of Italian Giallo cinema, La Dama Rossa Uccide Sette Volte (The Red Queen Kills Seven Times), with a special vinyl reissue of the soundtrack by Bruno Nicolai. This 2 LP set has been fully remastered from the original tapes and enriched by two bonus tracks, one of which was previously unreleased.
The film was first released in 1971 and tells the story of two young women who are haunted by a family portrait depicting a Red Q…
Tip! First official reissue ever on clear vinyl. In the field of library music Benito Simoncini a.k.a. Arawak was undoubtedly one of the most important composers. “Background Music N. 4” is a multi-faceted release that includes at least two jazz-tinged symphonic pop gems, together with other more abstract and improvised tracks, in most cases played with a single instrument; it goes from the dramatic sounds of “Secolo XX°”, through the liquid atmospheres of “Aquarium”, to the percussive experimen…
Sandro Brugnolini's soundtrack to “L'Uomo dagli Occhiali a Specchio” is an unbeatable mix of dark psychedelic themes with heavy jazz drums, exotic percussions, obsessive piano bits, creepy harpsichord, free jazz to wah-drenched psychedelia, stiff funk, and abstract avant-gardism with atonal sounds and tonal passages. Originally issued in 1975, it has long remained one of the most coveted and sought after artifacts of the fertile soil surrounding the 1970’s Italian library and soundtracks. For ma…
* 180gr. solid white vinyl edition * “Gamma” is a dramatic Italian TV show from 1975, one of the most important of those made in the same decade: a mini-series that combines mystery and science fiction, in a story that raises interesting ethical questions of a scientific and medical nature.The “Gamma” soundtrack, composed and directed by Enrico Simonetti, is a perfect combination of classical, jazz and pop music, with forays into prog and funk-rock territories. The main theme 7-inch released at …
Midnight In Tokyo is a compilation series that aims to be the perfect companion to nights in Tokyo, collecting tracks by Japanese artists that sound best at night. Vol. 2 (STUDIOMUL 006CD/LP, 2018) focused more on '80s jazz fusion, but the latest installment, Vol. 3, picks up where Vol. 1 (STUDIOMUL 001CD/LP, 2018) left off, bringing together forgotten soul, disco, and new wave gems. The compilation opens with Japanese rare groove classic "More Sexy," a provocative song by Yoko Hatanaka. "Kimi N…
Oops, Four Flies did it again! Like other rare Italian gems, Berto Pisano's La Novizia was long thought lost before the FF team rescued, restored and remastered it from the original tapes. And wow, it's just one of the best things, if not the best thing, about the 1975 film it was written for – an erotic comedy with melodramatic overtones directed by Pisano's long-time collaborator Giuliano Biagetti (they previously worked together on Interrabang and La Svergognata) and starring a young and mesm…
Pieter Verlinden (1934-2002) was an exceptional composer responsible for hundreds of scores and soundtracks for television, ballet, theatre and film. Only some of his soundtracks were released at the time, like De 5 van de 4-daagse (The Five Are Marching In, 1974), Een mens van goede wil (A Man of Good Will, 1974) and De dood van een non (Death of a Nun, 1976). Most of his work was only preserved on the original master tapes in his personal archive, so the majority of Verlinden’s music has never…
Pieter Verlinden (1934-2002) was an exceptional composer responsible for hundreds of scores and soundtracks for television, ballet, theatre and film. Only some of his soundtracks were released at the time, like De 5 van de 4-daagse (The Five Are Marching In, 1974), Een mens van goede wil (A Man of Good Will, 1974) and De dood van een non (Death of a Nun, 1976). Most of his work was only preserved on the original master tapes in his personal archive, so the majority of Verlinden’s music has never…