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Mariachi parodies, experimental jazz, lounge cues for party scenes, and a main theme that returns in five different versions. Composed in 1972 for Duccio Tessari's aviation comedy, the score to Forza "G" is one of the least visited corners of Ennio Morricone's busiest year, and now arrives on vinyl for the first time, as part of Cinevox's new Hidden Gems series.
On 1001 Est Crémazie, the self‑titled orchestra of middle‑schoolers and Cégep staff capture the exuberant birth of modern Quebec: raw jazz‑rock, DIY tape lore and Quiet Revolution aftershocks pressed into one unlikely, fiercely alive school‑band artefact.
Who’s Gonna Buy? by The Lemon Dips is a shadow‑streaked 1969 relic of UK library psych, where fuzz garage, freakbeat hooks and eerie cues for film and TV collide into a strangely compelling, collector‑beloved ghost of the De Wolfe catalog.
Quartet Records presents its fifth newly recorded release of a classic film score, and its third devoted to the music of John Barry, following Séance on a Wet Afternoon and the three television films starring Katharine Hepburn. The unforgettable music of this five-time Oscar-winning composer continues to be celebrated around the world, and the impact of his innovative scores for dozens of films from the 1960s through the ’90s still reverberates today. The Ipcress File, directed by Sidney J. Furi…
On Poco zucchero, Faust'O sharpens Italian songwriting with new‑wave edge, threading synth‑driven melancholy through eight compact tales of absence and longing, anchored by "Oh! Oh! Oh!", the 1979 Festivalbar hit that made his name stick.
La Luce dell’Alba is the new LP by Jolly Mare, conceived as an imaginary meeting with Piero Umiliani (on the centenary of his birth) and made possible by access to the original multitrack tapes provided by the Maestro’s family. Recorded between the legendary Sound Workshop in Rome and Oister Studio in Milan, the album weaves rearrangements and new overdubs, creating a suggestive dialogue between past and present. An ambitious, visionary project that renews Umiliani’s sonic legacy through Jolly M…
In Italy, during the 1970s, the state television (the only one available; no other channels existed yet) used to entertain evening viewers with multi-part fiction that often dealt with dark, esoteric, mysterious, science fiction, or even outright horror themes. At the time, television were only in black and white, and this further enhanced the arcane mood of that tv fiction that over time have become true cult classics.
The most famous series were Gamma (1975), Ritratto di donna velata (Portrait…
'This compilation Pas Un Pas Sans… The Boleros of O.K. Jazz 1957-77 is a selection of songs from what is one of the most unique and passionate music genres on earth, the Congolese bolero. 'Of all Congolese bands venturing into the bolero, the O.K. Jazz orchestra is by far the king of this musical style which originated in the late 19th century in Cuba. In its nearly forty years of existence, the illustrious band released dozens of boleros, with beautiful compositions, mainly by Franco and Vicky,…
Tava Tava Rare is pleased to announce the first release on 7" of Franco Micalizzi's main theme to the film “Delitto Sull'Autostrada”, directed by Bruno Corbucci and starring the Italian-Cuban-American actor Tomas Milian. Eclectic, innovator, full of life and energy, out of the ordinary, the composer is best known for his scores in poliziotteschi films such as “Roma A Mano Armata”, “Napoli Violenta” or “Italia A Mano Armata”, whose theme was used also in Quentin Tarantino's “Death Proof”. The mus…
On Coffy, Roy Ayers turns Pam Grier’s 1973 vigilante flick into a vibraphone‑driven fever dream, fusing slinky funk, string‑soaked soul and jazz finesse into a soundtrack that’s as deadly on its own as any of the film’s set‑pieces.
*2026 repress!* Representing a more intimate and spontaneous side of Miles Davis, this expanded re-release of the soundtrack to Ascenseur pour l'échafaud is a welcome event. Louis Malle was already a jazz fan when Jean-Claude Rappeneau suggested to him that Miles, who was in France for a brief tour, be asked to record the soundtrack; he readily agreed. By creating a relaxed environment in the studio, where the musicians could view main scenes of the film in a loop and then improvise in response …
One of the most iconic Italian library music albums ever, Woman’s Colours by the Giancarlo Barigozzi Group (with Sergio Farina and Oscar Rocchi) emerged from Milan’s vibrant studio scene. Originally released in 1974 under the supervision of Fabio Fabor, it’s a refined concept work blending jazz-funk, jazz-rock, bossa nova and exotica, featuring Wurlitzer, Fender Rhodes, fuzz guitars and expressive flutes, balancing groove and elegance. Over time it has attained cult status, now regarded as a cor…
Five years after their radiant debut Ufo Bar, Italian cinematic funksters Banda Maje are back with Costa Sud to take us deeper into their land of ‘Salifornia’—a Southern province of sun-drenched coastlines and decaying buildings where dreams of exotic escapism sprout and bloom.
Once again, behind the eight tracks in the album—and behind the wheel of the fiery red Alfasud on the cover—is composer and keyboardist Peppe Maiellano. He has meticulously tailored each piece to his virtuoso partners in …
Pearly light blue vinyl edition. 30x30cm insert with extensive liner notes. An origin story, pressed in wax. Before Profondo Rosso. Before Suspiria. Before the name Goblin became synonymous with the sound of Italian horror cinema. There was this.
Amore Libero - Free Love is the first film score ever composed by Fabio Frizzi - written in 1974 when he was just twenty-three, for Pier Ludovico Pavoni's sun-drenched erotic drama of the same name, shot entirely on location in the Seychelles. The film …
Reissue of the OST by Luciano Michelini for the dramatic film Anna, quel particolare piacere (aka Anna: The Pleasure, the Torment and Secrets of a Call Girl), directed in 1973 by Giuliano Carmineo with screenplay by Sauro Scavolini, Francesco Miliazia, and Ernesto Gastaldi, photography by Marcello Masciocchi, editing by Eugenio Alabiso, music by Luciano Michelini, production by Dania CC Champion, distribution by Interfilm, and starring Edwige Fenech, Corrado Pani, Richard Conte, Antonio Casale, …
We’re thrilled to announce the 10th release from our label, Atangana Records! After over eight years since we began, we’ve come a long way. We’ve had numerous music releases whilst focusing on preserving the Caribbean cultural heritage, which doesn’t get talked about enough. With the creation of the association Sa Ka Touné, we’ve collected over 15,000 records and organized Tropical Clubbing events in Guadeloupe, where invited DJs dig through our association's collection before performing. ATGN00…
A pinnacle of City Pop beloved around the world returns in a limited clear yellow vinyl edition. Featuring Makoto Matsushita’s refined arrangements and Mai Yamane’s commanding vocal performance, Tasogare stands as a legendary album that has also shaken the global music scene as a highly influential sampling source. Mai Yamane’s voice—powerful yet tinged with husky melancholy—perfectly captures the atmosphere of “tasogare-doki” (twilight), just as the title suggests. This timeless masterpiece env…
250 copies. A third, extraordinary document. Purge.xxx continues its quiet, singular excavation of the work of Japanese composer Takashi Inagaki with Soundtracks for Toshio Matsumoto - five soundtracks gathered for the first time, newly transferred from the original tapes, mixed and mastered, and accompanied by an original essay by Jennifer Lucy Allan.
Toshio Matsumoto (1932-2017) was a foundational figure in Japanese experimental cinema - a film director, video artist, and theoretician best kno…
Quartet Records, in collaboration with GDM and EMI General Music, presents a reissue of Ennio Morricone’s iconic album Colori, celebrating its 55th anniversary. In the summer of 1971, Morricone entered the legendary Orthophonic Studios in Rome alongside his longtime collaborators Bruno Nicolai, Alessandro Alessandroni and Edda Dell’Orso, and recorded a selection of ten tracks drawn from some of his recent film scores, many of which had not yet been released. He remixed some cues and re-recorded …