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Available October 30th, 2026, this compilation pulls back the Iron Curtain to bring a bevy of physically unreleased music of Soviet-era Armenia. Songs that were exclusively broadcast on radio and television, stored on reel-to-reel tapes, and shelved in a government-owned vault alongside tens of thousands of various recordings by Armenian artists - all inaccessible to the public. Fully licensed from Public Radio of Armenia, with additional clearance from all composers or their living descendants …
The artist’s name and the title of the work alone would be enough to introduce this release: Ennio Morricone and “Nuovo Cinema Paradiso.” On one hand, the world’s most famous Italian composer and conductor; on the other, one of the most beloved and celebrated Italian films of all time, Giuseppe Tornatore’s masterpiece, which in 1990, two years after its theatrical release, won the Oscar for Best Foreign Language Film.
Love, nostalgia, and melancholy permeate “Nuovo Cinema Paradiso” and come to l…
Reissue of the 1971 DEA Records double album in which Barbara explains black, white and gray witchcraft, tests whether you were born a witch, and performs chants, prosperity rituals and exorcisms. Second pressing of 500 copies.
The complete Jonestown "death tape" (FBI Q 042), recorded on 18 November 1978. Second pressing of 500 copies, dedicated to Christine Miller, the one voice that argued against the poison.
A longtime favorite among Brazilian music collectors, Trio Ternura’s ‘A Gira’ blends mid-tempo grooves with percussive funk and soul in a way that feels effortlessly timeless. Originally released in 1973, the track was written by the group’s father and uncle as a heartfelt homage to the Candomblé deity celebrating nature and spirituality. Trio Ternura was a true family project, made up of three siblings with deep musical roots. According to them ‘A Gira’ captures “the dancing, the expression, th…
Long before streaming services, podcasts, or even the compact disc, there was Tellus - a radically ambitious publication that imagined recorded sound as an exhibition space. Founded in 1983 in downtown New York, Tellus transformed the humble audio cassette into a magazine, commissioning and publishing new works by musicians, composers, visual artists, poets, writers, choreographers, and performers who were reshaping the boundaries of contemporary art. Each issue invited listeners into a world wh…
Obscure 1983 library album on the microscopic Exploit Records of superb car-racing-inspired disco with loads of electronic effects composed by Mario De Martini and Franco Zauli (Clevenson / Raflin). Never re-issued on either LP or CD.
1986 album on Penta Flowers's "Gemini Music Library" series with evocative orchestral music featuring Franco De Gemini's harmonica. Never re-issued on either LP or CD.
Obscure and intriguing 1988 library album on the microscopic Twins Records with diverse synth-pop, disco and atmospheric electronic music. Never re-issued on either LP or CD.
Obscure 1986 library album on the microscopic Exploit Records of pleasant electronic-keyboards-led easy listening music composed by Giovanni Putzolu. Never re-issued on either LP or CD.
Beautiful 1972 library album of evocative romantic music by Simonetti (Sitimo) and Colabianchi (M. Bianchi) on Umiliani's Omicron label. Never re-issued on either LP or CD.
1973 promo-only library album on RCA with cinematic bossa and soul-jazz music by Gianni Dell'Orso (Proluton), Nicoletta Bozzai (larth) and Aristide Bascerano (Baiok). Never re-issued on either LP or CD.
Ultra-rare original edition on CAM of the 1969 cult experimental psychedelic soundtrack to Lucio Fulci's film (a.k.a. "I caldi amori di una minorenne") featuring Alessandro Alessandroni's Cantori Moderni. Amazing soundtrack.
Very rare first ever full book on Morricone, a 1989 biography compiling interviews, international press excerpts, and deep analysis of his massive catalog up to the late 1980s.
1994 first CD re-issue on GDM of one of Morricone's most experimental and psychedelic soundtracks for the 1971 film by Jerzy Kawalerowicz, coupled with the most traditional and evocative soundtrack for Alberto Bevilacqua's 1972 film.
1996 CD on Point with two previously unreleased and essential experimental soundtracks for two 1971 films respectively by da Luigi Bazzoni and Enzo G. Castellari, the latter performed by no less than the Gruppo di Improvvisazione Nuova Consonanza.