Noise /
Non-Linear
Sissy Spacek’s Non-Linear detonates the idea of narrative from within, stitching decades of raw sessions and volatile improvisations into a panoramic fever-dream. Restlessly shape-shifting, the album spirals through states of collapse and acceleration, refusing to settle - a radical archive of noise at its most ungovernable.
Robin Diamond's Lungs
An act of concentration rendered explosive, Debt of Nature’s Robin Diamond’s Lungs lunges at complacency, fusing short-form assaults with caustic wit. The album is a lungful of serrated textures, stuttering rhythms, and a throughline of existential urgency, driving headlong into the contours of disillusion and revolt.
Endometrio
Originally issued as a private LP edition of 400 copies in 1983. De-composition for synthetic sounds and electronically generated noises. Here M.B. distanced himself from the movement of the industrial Bruitists, introducing his "bionic music." Notwithstanding the difficulty of listening, especially upon initial impact, you are facing treated and filtered synthetic sounds that become new organisms -- sound cells analyzed under the microscope. This CD also includes excerpts from private tape edit…
Dust Of This World
Heppakirjat is a fairly new Finnish noise project with a handful of self-released tapes and split cassettes circulating. Satatuhatta is now extremely proud to present the debut LP, Dust Of This World. The album is simply beautiful, poetic in tone and spirit. It’s filled with rural textures, hissing and minimal tape sounds, a hint of spirituality, and an insightful musical touch, all carefully thought out in composition.
II
Tahma is one of the most unique noise acts in Finland at the moment and this second release shows what it’s all about. Wet and dirty-sounding, hands-on cut-up noise frenzy with sharp bursts of feedback twitching like hundreds of electroshocked, bloodsucking leeches.
Pimeä alue
H.Ö.H. returns to Satatuhatta with Pimeä Alue, a 20-minute mini-album of some of the harshest material yet. Over-the-top crude ferro sound, shattered mixer feedback, and recycled tape abuse for the signature H.Ö.H. sound on CD!
Live And Dangerous
The biggest sell-out event in Finnish noise? The great harsh noise swindle? Or just a “stars-aligned” moment nobody ever expected to happen, least of all the boys themselves? Either way, this somewhat odd concert needed to be documented and here we have the first The New Boyfriends live album!
Recorded at Flow Festival 2023, where they shared the lineup with contemporary superstars like Blur, Lorde, Anna Puu, and new wave legends Devo. A slowly building, joyous junk-metal screech storm that erup…
Psychic Mud Wrestling
Psychic Mud Wrestling is the second release of Nick Forte’s Flamingo Base Jumpers project, diving even deeper into textured raw noise, heavy tape mangling, and the use of crude, destroyed samples that shake hands with dreamlike, hazy exotica and warped American nostalgia.
Transmisión Líquida Ceremonial
"Transmission Líquida Ceremonial", a triptych work by bruja Maya Púrpura, traverses with serene force the multiple dimensions of versatile harsh noise.
Torrential undulations with powerful textures glide through the constantly shifting and renewing material of restorative melancholy. The vital pulse that runs through this record floats and buries itself simultaneously in the abyss where remedy and poison coexist, like mistletoe, a druidic plant with aerial roots that never touches the ground, bl…
Nocturnal Rainforest
The first collaboration between Japanese noise titan Masami Akita, aka Merzbow, iconic Brazilian drummer and producer Iggor Cavalera and forward-thinking Italian guitarist and sound designer Eraldo Bernocchi, 'Nocturnal Rainforest' terraforms a sonic landscape that's almost overpoweringly dense and disorienting, but never aggressive or chaotic. It's a fully immersive experience that re-contextualizes the trio's years of work in extreme experimental music by concentrating on texture, atmosphere a…
Gong
Gong, newly reissued on CD with bonus tracks, finds Sissy Spacek at their inventive peak, transforming the noise duo format into a meticulous, sprawling environment. The album’s two extended pieces are collages of violently manipulated junk noise, shattered electronics, and warped musical fragments, merging chaos and structure. Through masterful tape edits and dense, eerie atmospherics—including glass, metal, piano, and field recordings—the band delivers an immersive, unpredictable journey into …
Raiser
Raiser captures a 2013 Bronson session of Sissy Spacek—Phil Blankenship, Charlie Mumma, and John Wiese—in Los Angeles, channeling an intense fusion of harsh noise and noisecore. The album is a relentless, cathartic experience: shriek-laced blasts, searing electronics, and disintegrating metal fragments, all reassembled into monstrous, meticulously pieced sound collages. The result is sonic destruction made compositional, a full-spectrum assault that melts into jittery static and transformed debr…
New York About the Polywave
New York About the Polywave chronicles both recent and archival New York performances by The Haters, the iconic noise and conceptual art collective led by GX Jupitter-Larsen since 1979. The collection includes the ferocious 2025 “Digging Through Time” show at TV Eye, where shovels and a large wooden clock met their entropy-fueled fate, as well as earlier interventions involving calculators against fans and amplified hole-punch devices. These actions expose The Haters’ unique sonic and conceptual…
Los Angeles, Not the Totimorphous
Los Angeles, Not the Totimorphous surveys The Haters’ uncompromising presence in Los Angeles, led by GX Jupitter-Larsen since 1979. This documentation compiles both contemporary and archival performances: the 2024 45th Anniversary Show at Coaxial Arts Center with GX, AMK, John Wiese, and Elden M weaponizing transistor radios, turntables, tape, and rust; a 2011 suitcase-smashing set at LACE; and a 1991 event devoted to tearing paper. Each iteration presents entropy and action as its own aesthetic…
Akashaplexia
Akashaplexia is the culmination of Merzbow and John Wiese’s decades-long partnership, offering over three hours of new music across four CDs. Recorded together in Tokyo, the album balances Merzbow’s psychedelic intensity and Wiese’s meticulous sonic architecture, presenting a vast and intricately detailed landscape of noise, improvisation, and unpredictable dynamic shifts.
Paulownia
Paulownia by Merzbow is a 2025 full-length statement comprising two lengthy compositions that fuse intense electronic manipulation with Merzbow’s enduring fascination for natural phenomena. Across both pieces, the album merges organic inspiration and harsh digital process, producing a hypnotic yet confrontational experience.
1984 Cart PPG Detroit News Grand Prix 200
1984 Cart PPG Detroit News Grand Prix 200 by Spallmaker delivers a concentrated burst of harsh noise, inspired by the mechanized wreckage and traumatic undertones surrounding a legendary motorsport event. Each piece harnesses violence and speed, making the album not just a sonic outburst but a meditation on risk and survival.
Self-titled / Vasovagal Syncope
Self-titled / Vasovagal Syncope by Wince is a dual release reissued to celebrate the project’s fifteenth anniversary. The CD brings together bruising harsh noise, interwoven with relentless hiss and explosive feedback, forming a document of both the genre’s ferocity and its staying power.
Satan’s Imperials
Satan’s Imperials by Pain Appendix & Tantric Death compiles five live-collaboration tracks into a burnt offering of noise extremity. The sound is wrenched from malfunction, with synths, feedback, and howl colliding under the “malevolent gaze of a punctured inflatable Satan.” Here, fun and brutality are inseparable; each track a riot of writhing electronics, live-wire tension, and mischief.
Absolute Earthbound Spirits
Absolute Earthbound Spirits by Death Kneel is a collection of five cassettes originally released on Life of Sensation between 2023 and 2024. Now presented as a unified CD album, it traverses harsh noise domains with a granular attention to texture, rhythm, and atmospheric collapse. Sculpted from aggression and nuanced sonic distortion, the album embodies a vital cross-section of contemporary noise music.