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Radiation Reissues proudly announces the first-time cassette release of DMZ – Relics, a cornerstone of garage-punk history, timed to celebrate the 50th anniversary of iconic label Bomp! Records. This explosive collection captures the raw, unfiltered fury of DMZ, the legendary late-'70s Detroit trash outfit that channeled the primal energy of The Stooges and the sleazy swagger of the New York Dolls.
Formed in the gritty heart of Detroit's rock underbelly, DMZ delivered a sound that was equal part…
The mantra repeats for thirteen minutes, hypnotic as a highway journey, ecstatic as a stadium anthem. It's 1976 and Klaus Dinger - the drummer who invented the motorik beat, the man who alongside Michael Rother created Neu! and redefined the very concept of rhythm in rock - has a new machine to drive. He's christened it with the name of his hometown on the Rhine. And the first record he makes with this new formation is called, of course, La Düsseldorf. The first two tracks? Düsseldorf and La Düs…
Captain Beefheart and His Magic Band are showcased over 12 tracks recorded live for radio and TV. The material is sourced from two 1968 sessions for John Peel plus a 1972 appearance on Beat Club and features tracks from four different Beefheart LPs. Beat Club tracks are excellent sound quality. BBC tracks are recorded off air but are still thoroughly listenable. Comes with full credits and comprehensive sleeve notes.
The self‑titled Epsilon introduces Epsilon as one of those early‑70s outfits that understood rock not as a fixed style but as a volatile intersection of impulses: hard rock muscle, blues phrasing, progressive ambition, and a lingering psychedelic afterglow. The album moves with the confidence of a band that has internalised late‑60s British rock grammar - heavy guitar, insistent Hammond, a rhythm section that can punch and pivot - yet refuses to collapse into pure riff worship. Instead, the grou…
Recorded live at Detroit’s Grande Ballroom in 1968 and released in 1969, MC5’s Kick Out The Jams turns a single night into an explosive proto‑punk manifesto, fusing free‑jazz chaos, garage rock riffing, and revolutionary rhetoric into one compressed blast of electricity.
On Felona E/And Sorona 2016, Le Orme revisit their classic sci‑fi concept with a contemporary studio language, stretching the tale of twin planets into a more spacious, synth-forward sound that drifts between nostalgia and quiet reinvention.
*50 copies limited edition* 40 page magazine printed as first edition of 50 copies. Absolutely full with articles and reviews. See image 2 for full contents. A great collector's item. Buying via Bandcamp you also get the option to download the multimedia content.Audion 85 contents... The interstellar cementmixers - 20 questions with Japanese oddities and curiosities, Norway - scandinavian fusion legends 12, Panzerpappa - unclassifiable music from Norway; choice french label classics: Gratte-Ciel…
*50 copies limited edition* 44 page magazine first printed as an edition of 50 copies, and now (12/12/2025) on its second 50-copy run. Absolutely full with articles and reviews. See image 2 for contents. A great collector's item. Buying via Bandcamp you also get the option to download the multimedia content.cover article: Dave Newhouse - Beyond The Muffins. Plus: The untold history of Düsseldorf's Creamcheese, Scandinavian fusion legends 11: Finland, Finnish Oddities and Curiosities, Jim Tetlow …
*50 copies limited edition* 40 page magazine printed as an edition of 50 copies. Absolutely full with articles and reviews. See image 2 for contents. A great collector's item. Buying via Bandcamp you also get the option to download the multimedia content.cover article: Spectrum Orchestrum - French underground today. Plus: Celebrating 5 years since the Audion relaunch as a complete multimedia archive, and with 25 new issues!, Denmark - Scandinavian fusion legends 10, Phog - a French one-man band,…
Rarities and archival treasures spanning the entire Brand X trajectory - from their earliest unreleased sessions to the final contractual obligation album - plus one of the most unjustly obscure progressive rock albums of the late 70s. A goldmine for admirers of Percy Jones, John Goodsall, and the whole Canterbury-adjacent fusion scene.
Brand X needs no introduction to fusion aficionados. Formed in 1974 by Collins, fretless bass virtuoso Percy Jones, keyboardist Robin Lumley and guitarist John G…
Proto-punk MADNESS from Ladbroke Grove! The complete studio works of the most dangerous band in late-60s Britain - three albums of teeth-grinding, psychedelic rock that make the MC5 sound like a boy band. Mick Farren and his merry gang of social deviants laid the blueprint for EVERYTHING that followed: punk, Hawkwind, Motörhead, the whole bloody lot. This is where it started.
The Social Deviants emerged from London's underground in 1967, fueled by the agit-prop satire of the Fugs, the sonic ter…
The complete studio works of one of the most uncompromising groups in the history of European avant-rock. Born from the ashes of Henry Cow in 1978, Art Bears distilled the political fury and musical adventurism of their parent band into three albums of dark, brilliant songs that remain as bracing and relevant today as when they were recorded.
The story begins with a schism. During sessions for what was intended as a Henry Cow album, disagreements arose over content - Fred Frith and Chris Cutler …
One of the most singular and influential groups to emerge from the European avant-garde, finally given the definitive treatment. This box gathers the complete studio works of Slapp Happy - the German/British/American trio whose blend of naïve pop, chanson, bossa nova and experimental textures created a template for intelligent art-pop that resonates to this day.
Formed almost as a joke in Hamburg 1972, when British experimental composer Anthony Moore - frustrated by Polydor's rejection of his av…
There are albums that defy categorization, records that exist in a space entirely their own. Comus' 1971 debut is one such work - an album that, over fifty years later, still sounds like nothing else ever recorded. Formed in Beckenham in the late 1960s, Comus emerged from the same South London arts scene that nurtured a young David Bowie - indeed, they performed at his legendary Beckenham Free Festival in August 1969. But while their contemporaries in the British folk revival looked back to trad…
The complete and essential discography of one of the most uncompromising and intellectually rigorous bands to emerge from the Canterbury scene - finally available again in pristine Japanese mini-LP sleeve editions with remasters on high-quality SHM-CD!
Fred Frith and Tim Hodgkinson formed Henry Cow while students at Cambridge University in 1968, and what followed was a decade of radical, politically charged, absolutely brilliant music that drew equally from free improvisation, contemporary class…
**2025 Stock. 180g One Translucent Red and one Blue Vinyls, Includes picture inner sleeves and a full-size (12") 20-page booklet with lyrics/text. ** Released in 2003 as Tour de France Soundtracks and later remastered simply as Tour de France, this eleventh studio album by Kraftwerk takes their long-standing fascination with movement and technology and applies it to one of their great offstage obsessions: road cycling. Conceived to mark the centenary of the Tour de France, it arrived seventeen y…
**2025 Stock. 180g Translucent Red Vinyl, German version ** Released in 1978, Die Mensch-Maschine (issued internationally as The Man-Machine) is Kraftwerk’s seventh studio album and the moment their cool, mechanised aesthetic snaps into its most iconic form. Built around the idea of humans and machines merging into a single functional organism, the record imagines the band as a kind of in-house design team for a coming cyborg society: four immaculately dressed figures fronting a music that is al…
**2025 Stock. 180g translucent yellow vinyl ** Released in May 1981, Computer World (Computerwelt in the German edition) is the eighth studio album by Kraftwerk and the point where their fascination with technology locks directly onto the coming age of personal computing. Conceived as a concept album about the rise of computers in everyday life, it cycles through themes of data networks, digital communication, electronic banking and social control with an almost childlike lyrical simplicity that…
The room where butterflies live. A place between worlds. Enter at your own risk - you may not find your way back out. Sai Yoshiko's fourth and final album of the 1970s stands as one of the most singular documents in Japanese music - a jazz-inflected fever dream that marked the end of an era. Originally released in 1978 on Columbia (LX-7058-A), Chou no Sumu Heya represented a dramatic departure from her earlier psychedelic folk explorations. Here was something else entirely: a surreal and dynamic…
Sai Yoshiko (佐井好子) - one of Japan's most legendary and enigmatic singers - made her debut in 1975 with Mangekyou, an album of superbly crafted songs and crystal-clear vocals over Yuji Ohno's lush, funky arrangements. Three more masterpieces followed in rapid succession: Mikkou (1976), Taiji no Yume (1977), and Chou no Sumu Heya (1978). Her melancholic, poetic lyrics drew from the gothic imagination of Japanese novelists like Ranpo Edogawa, Mushitaro Oguri, and Yumeno Kyusaku - dark fairy tales s…