Separture / Grundordnung-Unterschrank-Scooter
When Vital Weekly was called Vital, and printed on paper (1986-1995) the name Eric Lunde appeared with some regular intervals, simply because he was quite active releasing records and tapes. His performance like approach to noise music, his elaborate packaging which always raised more questions than it would give answers made a big impact. And then he seemed gone and now he has returned. I have no idea what he did in the years in between. His music doesn't seem to have changed very much (I am st…
Mumbai Diary
This is the work of German vocal artist, composer and improviser sound artist Bettina Wenzel which consists in nine pieces created while she was attending as an artist-in-residence in Mumbai, India in 2009. She has studied vocal techniques, contemporary dance and dancetherapy in Europe and has performed her vocal works in Europe, USA and South Asia. On top of the field recordings of street sounds, found objects and religious musical ceremonies Wenzel makes guttural and breathing noises, high ton…
Noise in My Head: The Actionistic Music and Art of Joke Lanz
Joke Lanz was born in Basel, Switzerland in 1965. In 1989 he created the noise music - performance, art - installation project Sudden Infant in connection with the Schimpfluch-Gruppe art collective. For more than 20 years Lanz has been one of the most prolific and profound artists working in the border zones between performance/body art and improvisation/noise. Noise In My Head documents Lanz's myriad activities and features: photos from installations, performances and actions; visual wor…
Seeing Sound: Sound Art, Performance and Music 1978-2011
This is the first comprehensive monograph exploring the unique work of sound artist Gordon Monahan. For over 30 years Gordon Monahan (1956-) has created music, sound sculpture, sound installation, and computer-controlled sound environments that range from avant-garde concert music to multi-media installation and sound art. As a pianist he has premiered and performed work by John Cage, Udo Kasemets and James Tenney. As a composer he has created a substantial body. As a sound artist he has …
Great Bear Pamphlet Series
Complete set, originally published between 1965 and 1967, the Great Bear contributors were a who's who of the sixties avant-garde: George Brecht, John Cage, Al Hansen, Allan Kaprow, Claes Oldenburg, Nam Jun Paik, Diter Rot and Emmett Williams, were just but a few of the artists/authors in the series. All of the pamphlets were staple-bound and 16 pages in length (except for the Manifesto issue, which was 32 pages). While they shared the same format,each title in the series was printed on v…
Meeting of the Spirits
‘Meeting of the Spirits’ is a collaboration by an unexpected pair: Stefan Goldmann, Berlin’s challenging conceptual techno artist meets Sergey Rodionov, one of Russia’s most prolific, yet often overlooked synth pioneers, as well as film score composer and teacher. They met while Goldmann visited Rostov-on-Don, Russia’s southern college town, for a performance and lecture. Exchanging experience and discussing approaches to the creation of electronic music with the students at Don State University…
Site of Sound: Of Architecture and the Ear Vol. 2
Since the publication of the first volume of Site of Sound in 1999 the issues and activities pertaining to sound and architecture have expanded to circulate more dynamically within the fields of sound art, sound design, and spatial practices. From acoustical technologies and urban planning to public art, concerns for auditory structures and the experiences of listening are finding deeper footing within both artistic and environmental contexts. Recent noise mappings across Europe, along with new …
Trimpin: The Sound Of Invention
Trimpin: The Sound of Invention is an amusing exploration of the sonic world of an eccentric creative genius. Artist/inventor/engineer/composer Trimpin shuns the hype and hyperbole of the commercial art world -- yet his freewheeling sculptures and outrageous musical experiments are cherished by museums all over the planet. Filmed over two years, this documentary feature follows the artist/inventor as he designs a 60-foot tower of more than 500 automatic electric guitars; builds an ensembl…
Le son des ténèbres
Art edition including an LP with the recordings at the Istituto della Calcografia Nazionale in Rome of 2 world premiere compositions by Philip Corner and Daniele Lombardi. Issued in 80 signed and numbered copies and including excerpts form the original scores. Philip Corner “Tenebres: Lesson&Light” (Studies in Shadow and Light), learning from the dark the grand lesson of music. The darkest sound in musici s the tone-cluster. Approximation of the even denser aggregates existent already in …
MP3 Deviations #6+7
Yasunao Tone creates music by means of disrupting MP3-files. Sound files that were corrupted in the MP3 generate error messages, which are then utilized to assign various lengths of samples automatically. Feeding also different play back speeds creates a sound which is always different – unpredictable and unknowable. The MP3 Deviation album contains pieces that are results of the collaborative research by a team of the New Aesthetics in Computer Music (NACM) and myself, led by Tony Myatt…
MP3 Deviations #8
The MP3 Deviation album contains pieces that are results of the collaborative research by a team of the New Aesthetics in Computer Music (NACM) and myself, led by Tony Myatt at Music Research Center at the University of York in UK in 2009. My idea was to develop new software based on the disruption of the MP3. Primarily I thought the MP3 as reproducing device could have created very new sound by intervention between its main elements, the compression encoder and decoder. It turned out th…
Ghenesi
Ghenesi is a cosmogony work that describes the birth of the Universe. Conceived as a dynamic object, moving and symbolic, this edition, 150 copies, is a collection of texts, images and music, divided into twenty-two parts. The cover is made of two hexagrams from the Book of Changes or I Ching, gives Zhuang, Great Strength, and Dun, the Retreat. Enclosed by two black pages are nineteen images with the cosmogony poem.The CD that accompanies this book contains the soundtrack of Ghenesi. Only one tr…
Experiences Musicales ou La Musique Chauve
Nine pieces from the 20 recorded in 1961 by Jean Dubuffet. Acoustic instruments, voice and tape. Dubuffet worked in various media in a style now referred to as Art Brut. In the early 60s he and the Danish painter Asger Jorn began to make improvised music, using all kinds of instruments, at home, using a then new tape recorder. This CD collects some of that work, recorded in 1961, an aural equivalent in many ways of his 'naif' visual style: very abstract, formally chaotic, rather homogeneous. Pl…
There’s nothing better than producing sounds
This album is Gianluca Codeghini's return to his origins, and the 14 tracks were recorded after long improvisation sessions which inspired each musician with unpredictable scores, visual stimuli and stories. The starting point is "Coffee-table book" (2011), a collection of quatrains by Alessandro Broggi published by Transeuropa edizioni, and the poet actively collaborated in the composition of a few tracks and in the production phase.The sequence of the tracks lines up the rhythmic structures to…
Caged/Uncaged - A Rock/Experimental Homage To John Cage
2002 release. Issued for the XLV Biennale di Venezia with support from The Institute For Contemporary Art, New York, Mudima Fondazione per l'Arte Contemporanea, Milan, Italy. All John Cage excerpts are from John Cage's "Silence and One Year from Monday," recorded at 222 Bowery in New York City, December 1968 and March 1969, courtesy of Giorno Poetry Systems. Featuring David Byrne, Debbie Harry, Arto Lindsay, Ars Hell and Mutt, John Zorn: Naked City, Chris Stein, Amy Denio, David Weinstein…
Sound
ound is one of a series documenting major themes and ideas in contemporary art. The ‘sonic turn’ in recent art reflects a wider cultural awareness that sight no longer dominates our perception or understanding of contemporary reality. The background buzz of myriad mechanically reproduced sounds increasingly mediates our lives. Tuning in to this incessant auditory stimulus some of our most influential artists have investigated the corporeal, cultural and political resonance. In tandem with r…
Source: Music of the Avant-garde, 1966-1973
Mindblowing reissue! The journal Source: Music of the Avant-garde was and remains a seminal source for materials on the heyday of experimental music and arts. Conceived in 1966 and published to 1973, it included some of the most important composers and artists of the time: John Cage, Harry Partch, David Tudor, Morton Feldman, Robert Ashley, Pauline Oliveros, Dick Higgins, Nam June Paik, Steve Reich, and many others. A pathbreaking publication, Source documented crucial changes in perform…
Toot!
Composer/producer/shaman Charlie Morrow is equal parts Fluxus, Occupy Lincoln Center, Lakota mystic, and tech wizard. Charlie Morrow is a conceptualist whose music and sound work explores many styles and forms, from events for media and public spaces to commercial soundtracks, new media productions, museum installations and programming for broadcast and festivals. Assembling expert project groups, Morrow employs a collaborative style that fuses arts, artists, and environment. Charlie Morro…
Pieces From The Past: By Philip Corner For The Violin of Malcolm
Five works spanning 30 years from composer Philip Corner written for violinst Malcolm Goldstein, early notated works and later graphic works, four of the pieces from live recordings. "It has been a while in the works, but finally Pogus can proudly announce the release of this wonderful disc. Five works spanning 30 plus years by experimental composer Philip Corner, interpreted by his friend and fellow composer and utterly amazing violinist Malcolm Goldstein. These works consist of early pieces w…
Eternal Landscapes
perfect encapsulation of the “music as sculpture” aesthetic ; the two excerpts here arrive fully formed & don’t develop themselves inasmuch as develop you ; the purely natural-sounding environments slowly reveal themselves as partial synthesized affairs, with lieven’s sly midi log-drum improvs & echo-jams resisting center-stage to remain as mere elements of a live-in-able ”real space” ... lovely record ; comes in a deluxe full-color gatefold with a detailed insert .. (Mimaroglu)