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Arawak's 1979 Squirrel Records LP, a library holy grail: twelve jazz-funk cues moving from acoustic guitar arpeggios and dreamy grooves to flute-led drum breaks straight out of Italian 70s detective films.
Kraftwerk 2 is the second studio album by German electronic band Kraftwerk, entirely written and performed by founding Kraftwerk members Ralf Hütter and Florian Schneider in late 1971 and released in January 1972. Perhaps the least characteristic alb…
September 1961. Eric Dolphy - already a legend in the making, having revolutionized the alto saxophone, bass clarinet, and flute with his radical approach to tone, interval, and phrasing - arrives in Sweden for his first tour as leader. What happened…
2024 stock. Employing tape overdubs, shifting tape speeds, reverberation, and echoes, flautist Charles Campo performs seven improvisational compositions. The musical settings range from pastoral and contemplative to urban and ethereal.
"It is one of the finest documents of how improvisation is made that this listener has heard, on par with the two astounding The Life of a Trio albums (by Paul Bley, Jimmy Giuffre and Steve Swallow)" - George Grella, New York City Jazz Records
A 1977 Wild Cat rarity by a real studio supergroup led by Paolo Casa: funk, jazz-rock and blues opened up by Gabriele Ducros' pastoral flute, recorded at Piero Umiliani's Sound Work-Shop.
Big Tip! Joel Vandroogenbroeck was an arranger, conductor, producer and, above all, a unique multi-instrumentalist in the world of music. The Belgian artist was also famous for being the only permanent member of the group Brainticket and the main pro…
Three works from Horatiu Radulescu's Sound Plasma period, played by Sam Dunscombe and Rebecca Lane: Capricorn's Nostalgic Crickets, Small Infinities' Togetherness and Opus 42, Inner Time / Outer Time. Volume 4 of Mode's Radulescu Edition.
Originally released in 1991 this was Henry Threadgil's new band's debut release. That's where Threadgill introduced the unique concept of dual tubas and dual electric guitars. In Very Very Circus's ultra-layered sound world all roles melt equally int…
"Some albums show you right away what kind of spirit backs them. Ronald Snijders solo debut from 1977, Natural Sources, is one of these. It begins with a free improvised, sometimes scatting flute and while the flute goes more and more crazy some scat…
Three first recordings of orchestral works by Roger Reynolds: Symphony[Myths] with the Tokyo Philharmonic and Kotaro Sato, Whispers Out of Time with the Cleveland Chamber Symphony and Edwin London, and Symphony[Vertigo] with the La Jolla Symphony and…
First CD recording of Songbirdsongs by John Luther Adams, a cycle for piccolos, ocarinas, flutes and percussion based on real bird songs, with Callithumpian Consort, plus Strange Birds Passing.
Jason Eckardt's Undersong cycle, built around Laura Mullen's text, with A way [tracing], 16, Aperture and The Distance (This), played by Fred Sherry, Claire Chase, Tony Arnold and the International Contemporary Ensemble under Steven Schick.
Chamber works by Earle Brown from 1952 to 1999, from Folio and Four Systems to Tracer, with Christian Wolff and Joan La Barbara among the performers and the tape piece Octet in a new transfer.
In 2013, Claire Chase instigated a project designed to cultivate an entirely new body of work for flute. A MacArthur Fellow, Harvard professor, and indomitable musical force who co-founded the International Contemporary Ensemble, Chase began commissi…
This is the third and final chapter of a project/research on "minimalisms" that the Italian flutist Manuel Zurria, acclaimed instrumentalist and passionate lover of the more adventurous contemporary music, began in 2007. The double CD include near tw…
Four chamber works by Gerald Eckert from 2006 to 2015, for piccolos and percussion, voices, flute and cello, and violin and contrabass clarinet with electronics, played by Ensemble L'art pour l'art, Auditivvokal and Ensemble Reflexion K.
Roberto Fabbriciani plays the complete flute works of Henri Pousseur, including Flexions I, Éclipticare and Zeus joueur de flûtes with live electronics by Alvise Vidolin, plus the 1957 tape piece Scambi.
Giacinto Scelsi's music for high winds, solo and duo pieces for clarinet, flute, piccolo and oboe written between 1953 and 1970, played by Carol Robinson, Clara Novakova and Cathy Milliken. Volume 3 of Mode's Scelsi Edition.
John Cage's Five³ (1991), one of the late number pieces, for trombone and string quartet, played by Monique Buzzarté and the Arditti String Quartet. Cover etching by Cage, liner notes by James Pritchett.