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Unreleased recordings by Danish tenor saxophonist Carsten Meinert, with the Danish Radio Jazz Group on side A and his C.M. MusicTrain on side B, Coltrane-rooted fire with Ole Matthiessen and Pierre Dørge. Liner notes by Mats Gustafsson.
Miguel Atwood-Ferguson marks John Coltrane's centennial on Impulse! with a 21-piece collective (Brandee Younger, Shabaka Hutchings, Flying Lotus, Jeff Parker, Azar Lawrence), recasting Naima, Giant Steps and A Love Supreme as cosmic, spiritual music.
Tres Hongos, Jacob Wick on trumpet, Marc Riordan on piano and Frank Rosaly on drums, recorded live in Amsterdam in 2024: a trio of sharp turns, quick contrasts and restless momentum.
Believe, four Australian improvisers, Peter Farrar, Novak Manojlovic, Clayton Thomas and Laurence Pike, who also produced: free jazz momentum and creative sound making recorded in Sydney in 2023.
Pianist Irene Aranda's trio with saxophonist Don Malfon and vocalist Ami Yamasaki, whose echolocation vocal practice meets Malfon's extended saxophone techniques in an absorbing improvised language.
Weston Olencki's compositions for the Quebec percussion trio Bascaille: tuned fiddles, homemade zithers, watershed debris, speaker cones and an upright piano in two long pieces of friction, resonance and lopsided pulse.
Score to The Runner, the short horror film written and directed by Boy Harsher: eerie instrumentals, drones and piano sketches born in lockdown, with dark pop in fragments and two guest songs (Mariana Saldaña of BOAN, Lucy).
Recorded in one comfortably-seated take at Studio Ferber, Paris, France in 2015 - h hunt’s ‘playing piano for dad’ was initially conceived as a Christmas gift to the composer’s father. Intimately recorded, ‘playing piano for dad’ is a heartbreakingly…
Satoko Fujii's Min-Yoh Ensemble with Natsuki Tamura, Curtis Hasselbring and Andrea Parkins: trumpet, trombone, accordion and piano on Japanese folk songs and new pieces in the same spirit, recorded in New York in 2006.
Satoko Fujii on piano and Tatsuya Yoshida of Ruins on drums, live at Victoriaville on 18 May 2002: a fast, loud and funny duo with voices, jumping from free improvisation to metal, boogie-woogie and tango.
Vancouver's Hard Rubber Orchestra led by trumpeter John Korsrud, with guests Lori Freedman, Marilyn Lerner and Brad Turner: new big band music by Korsrud, Turner, Jean Derome, René Lussier and Ron Samworth, recorded in 2000 and 2001.
Urs Leimgruber, Jacques Demierre and Barre Phillips recorded at Radio DRS in Zurich in January 2001: saxophones, piano and double bass in quiet, closely controlled improvisations where dynamics become the material.
Urs Leimgruber, Marilyn Crispell, Joëlle Léandre and Fritz Hauser in their first concert as a quartet, Victoriaville, 15 May 1998: eight improvisations growing from small details into heated four-way exchanges.
CCMC in its trio line-up of Michael Snow, John Oswald and Paul Dutton: piano and synthesizer, alto saxophone and sound poetry, recorded live in Toronto, Jonquière and Victoriaville in 1996 and 1997.
Boris Kovač and the Ritual Nova Ensemble from Novi Sad: saxophones, clarinets, violin, piano, bass and soprano voice in a chamber music that joins Pannonian folk memory, minimalist repetition and jazz.
René Lussier conducts Vancouver's NOW Orchestra, recorded in February 1995: guitar and daxophone with Paul Plimley, Peggy Lee, Dylan van der Schyff and a full reed and brass section, in a suite of quick-changing vignettes.
Pino Minafra's Sud Ensemble in the studio in Milan, January 1995: trumpet, didgeridoo and ocarina with Carlo Actis Dato, Lauro Rossi and Giorgio Occhipinti, mixing southern Italian band music, free jazz and theatre.
Zeena Parkins' 1992 album recorded in New York: electric harp, keyboards and tape with Ikue Mori on drums, Chris Cochrane on guitar, David Shea, and her sisters Margaret and Sara on cello, violin and voice.
Lindsay Cooper's song cycle on texts by Sally Potter, about the divided Europe of the Cold War, live at Victoriaville in October 1989 with Phil Minton, Hugh Hopper, Marilyn Mazur, Alfred Harth and Elvira Plenar.