★Another Timbre
Mine but for its sublimation
A 64-minute piano solo composed in 2021, performed by Jack Yarbrough. "'Mine but for its sublimation' is about resonance, register, and touch. It is about where we lead ourselves when we trust ourselves. It is experiencing trust as a chain of clearin…
Homestead
Kory Reeder composed Homestead (2024)—a nearly hour-long string quartet in four movements with an interlude—during his residency as Artist in Residence at Homestead National Historical Park in Beatrice, Nebraska in 2023. As he explains: "As a fifth-g…
Listening Time
A 45-minute piece from 2024 composed by Ferdinand Schwarz in collaboration with AREPO ensemble.
Dust Book
A 50 minute solo for viola d'amore played by Marco Fusi. The piece was composed in 2022-2023, and has six movements.
A Pauper's Guide To John Cage
2011 release ** Packaged in oversize paper sleeve. "A Pauper's Guide to John Cage, on the budget Another Timbre Byways imprint, originally intended to feature lesser-known musicians. Across its 44 minutes, it features two compositions by Anett Németh…
Penumbra
Morgan Evans-Weiler (violin & electronics) and J.P.A. Falzone (prepared piano & celesta) present four beautifully reduced duets—music that is, as the label describes it, "as delicate as a feather, but also as tough as nails." This is the duo's third …
Longing Landscape
Jürg Frey, the Swiss composer, clarinetist, and central figure in the Wandelweiser collective, presents three recent chamber works—all written for and performed by the Prague Quiet Music Collective, with one piece featuring the Norwegian new music gr…
O a | F g
Teodora Stepančić writes "music that doesn't try to draw attention to itself." The Serbian-born, Brooklyn-based composer describes her aesthetic simply: "How much do I need to add to everything that I hear?" These two chamber works for Ordinary Affec…
G o m b e r t
Seven beautiful, melancholic motets and a chanson by Renaissance composer Nicolas Gombert, arranged for instruments by James Weeks, who also composed the interludes. "One of the least expected and most beautiful records we are likely to hear this yea…
Towards a slowing of the past
Bryn Harrison writes music that deliberately disorients. The British composer—obsessed with "time, memory, and cyclic structures"—follows Feldman's lead, creating perceptual labyrinths where past bleeds into present and nothing stays quite where you …
Zamat
Adrián Demoč writes "gentle and soft, non-violent music." The Slovak composer, based in Spain, reduces chamber music down to near-monody—single melodic lines articulated through subtle timbral shifts and microtonal deviations. Zamat, his fourth Anoth…
Flowers of Emptiness
"Maybe I'm like a still life painter," Linda Catlin Smith says, "looking at the same objects again and again over the years." Yet this survey of chamber works—spanning 1986 to 2024—shows a composer whose perspectives continually shift, finding someth…
Dawnings
Anglo-German composer Eden Lonsdale returns to Another Timbre with an ambitious double album that represents his most mature and expansive work to date. Following the critical success of Clear and Hazy Moons, Lonsdale presents five major compositions…
Curva Triangulus
Catherine Lamb works at the boundary between perception and illusion. In Curva Triangulus (2018/21), the American composer takes Bridget Riley's geometric forms as starting point for "warping" Renaissance materials through geometric musical figures. …
Outermost Melodies
Ian Antonio discovered Jürg Frey via algorithm. About 15 years ago, SoundCloud kept leading him to the same piece, maybe Circular Music No. 2. "I wouldn't notice the piece starting but then realize I was in fact listening to it closely," he recalls. …
Holde Träume, kehret wieder!
"Sweet dreams, come back!" The title, the last line of Matthäus von Collin's poem set by Schubert in 1825 as Nacht und Träume, suggests longing for night's return upon waking. Magnus Granberg's 2021 composition takes Schubert's song as departure poin…
Control And Its Opposites
“Eighty minutes of trumpet/electronics and alto sax. Here, the length works in its favor. An advantage, oddly, to listening at home (and reading the back of the sleeve): You know it's 80 minutes long so you "read" it as such, as it's happening, sitti…
Meshes
2009 release ** "Two improvisations-one live, one without audience-by an Anglo-French trio of new voices from trombonist Forge, electronics artists Julian and cellist Papapostolou. The music is quiet and spacious....there is a wonderful sense of slow…
Loiter Volcano
The excellently titled Loiter Volcano was a constant source of somewhat surprising pleasure the first time I listened. "Surprising" because the general attack leans a bit more toward efi (I suppose "post-efi" has been appropriate for a good while) th…
Centre Of Mass (For Cymbal And Resonant Objects)
Solo improvisation for cymbal and rotating objects