★Another Timbre
O a | F g
Teodora Stepančić writes "music that doesn't try to draw attention to itself." The Serbian-born, Brooklyn-based composer describes her aesthetic simply: "How much do I need to add to everything that I hear?" These two chamber works for Ordinary Affec…
G o m b e r t
Seven beautiful, melancholic motets and a chanson by Renaissance composer Nicolas Gombert, arranged for instruments by James Weeks, who also composed the interludes. "One of the least expected and most beautiful records we are likely to hear this yea…
Towards a slowing of the past
Bryn Harrison writes music that deliberately disorients. The British composer—obsessed with "time, memory, and cyclic structures"—follows Feldman's lead, creating perceptual labyrinths where past bleeds into present and nothing stays quite where you …
Zamat
Adrián Demoč writes "gentle and soft, non-violent music." The Slovak composer, based in Spain, reduces chamber music down to near-monody—single melodic lines articulated through subtle timbral shifts and microtonal deviations. Zamat, his fourth Anoth…
Flowers of Emptiness
"Maybe I'm like a still life painter," Linda Catlin Smith says, "looking at the same objects again and again over the years." Yet this survey of chamber works—spanning 1986 to 2024—shows a composer whose perspectives continually shift, finding someth…
Dawnings
Anglo-German composer Eden Lonsdale returns to Another Timbre with an ambitious double album that represents his most mature and expansive work to date. Following the critical success of Clear and Hazy Moons, Lonsdale presents five major compositions…
Curva Triangulus
Catherine Lamb works at the boundary between perception and illusion. In Curva Triangulus (2018/21), the American composer takes Bridget Riley's geometric forms as starting point for "warping" Renaissance materials through geometric musical figures. …
Outermost Melodies
Ian Antonio discovered Jürg Frey via algorithm. About 15 years ago, SoundCloud kept leading him to the same piece, maybe Circular Music No. 2. "I wouldn't notice the piece starting but then realize I was in fact listening to it closely," he recalls. …
Holde Träume, kehret wieder!
"Sweet dreams, come back!" The title, the last line of Matthäus von Collin's poem set by Schubert in 1825 as Nacht und Träume, suggests longing for night's return upon waking. Magnus Granberg's 2021 composition takes Schubert's song as departure poin…
Control And Its Opposites
“Eighty minutes of trumpet/electronics and alto sax. Here, the length works in its favor. An advantage, oddly, to listening at home (and reading the back of the sleeve): You know it's 80 minutes long so you "read" it as such, as it's happening, sitti…
Meshes
2009 release ** "Two improvisations-one live, one without audience-by an Anglo-French trio of new voices from trombonist Forge, electronics artists Julian and cellist Papapostolou. The music is quiet and spacious....there is a wonderful sense of slow…
Loiter Volcano
The excellently titled Loiter Volcano was a constant source of somewhat surprising pleasure the first time I listened. "Surprising" because the general attack leans a bit more toward efi (I suppose "post-efi" has been appropriate for a good while) th…
Centre Of Mass (For Cymbal And Resonant Objects)
Solo improvisation for cymbal and rotating objects
Scrub
A duo improvisation recorded in an exhibition space with several of Max Eastley's sound sculptures, and next door to a park where a firework display was taking place...
A Life Saved By A Spider And Two Doves
Three extended improvisations recorded at the church of St. James the Great, North London, September 2007 - the first convocation of this unexpected quartet crossing different generations and playing styles. Max Eastley (arc - electro-acoustic monoch…
Endspace
Duo improvisations recorded at Goldsmiths College, London, July 2007. Angharad Davies (violin) and Tisha Mukarji (inside piano) - two of the most distinctive young improvisers on the UK scene - unite for their first recording as a duo. An entirely ac…
Hum
Quartet improvisations recorded at London's Red Rose in June 2007. Rhodri Davies (harp & objects), Matt Davis (trumpet & electronics), Samantha Rebello (flute) and Bechir Saadé (bass clarinet) unite for intimately detailed collective sound exploratio…
Tasting
Recorded live at the June 2006 Jazz à Poitiers festival, this gem pairs two extraordinary musicians in an unusual and very welcome configuration. Phil Minton - the legendary British vocalist with decades of experience exploring the outer possibilitie…
Wanderer
Wanderer assembles eight sophisticated chamber pieces from Linda Catlin Smith, rendered by the ever-inventive Apartment House ensemble. Across this collection, Smith’s distinct voice emerges through piano, strings, winds, percussion, and brass, revea…
Mouth To Mouth
Four compositions by the US-Chinese composer:
'Of Monsters' - Ingrid Lee, piano Merima Kljuko, accordion'Cells' - Ingrid Lee & Rowan Smith, amplified snare drums'Bead Spit' - Ingrid Lee, piano, Max Kutner, electric guitar, Tony Gennaro, percussion'An…