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Five works for flute, percussion & electronics, recorded during Covid-19 lockdown in a church in Basel, Switzerland, March 2020. Commissioned by Another Timbre and performed by Mara Winter - flute and Clara de Asís - bowed objects, percussion & electronics.
"There were some pieces that I composed and others that were formed by Mara and I, where the roles of composer / performer dissolved into each other. ‘A passage through’ was composed specifically for Mara’s bass flute, also relating very much…
A new album from the trio who released Tse in 2016, and - along with violinist Angharad Davies - Awire in 2018. Three compositions of quiet and delicate beauty, two by Christoph Schiller, and the title track by Cyril Bondi.Cyril Bondi: Indian harmoniumPierre-Yves Martel: viola da gambaChristoph Schiller: spinet
Following on from the wonderful "Cantilena", four new chamber works by the Paris-based Italian composer Giuliano d'Angiolini. Performers include Apartment House, Manuel Zurria, Mark Knoop and the composer.
Magnus Granberg and Skogen return with another exquisite hour-long piece recorded in Stockholm in November 2019. With Ko Ishikawa, Rhodri Davies, Toshimaru Nakamura, Simon Allen and others.Magnus Granberg - prepared piano & compositionKo Ishikawa - shoAnna Lindal - violinLeo Svensson Sander - celloSimon Allen - vibraphoneErik Carlsson - percussionHenrik Olsson - objectsPetter Wästberg - contact microphone, mixing board, loudspeakerToshimaru Nakamura - no-input mixing board
Four chamber works for strings by the veteran German composer Ernstalbrecht Stiebler, performed by Biliana Voutchkova, with Michael Rauter and Nurit Stark. From a string trio from 1963 to a violin solo from 2018.
A 52-minute piece jointly composed and performed by Angharad Davies (violin), Klaus Lang (harmonium) and Anton Lukoszevieze (cello). Recorded during a residency at Dai Hall in Huddersfield, March 2020. Thanks to Ryoko Akama.
Three fresh and engaging pieces recorded during a meeting in Basel in June 2019 of Argentine guitarist Tomás Cabado and Christoph Schiller on spinet. The first piece is an improvisation, the second a composition by Christoph Schiller, and the final piece is composed by Tomás Cabado.
A double CD of works for violin, piano and vibraphone. One disc is a long piece by J.P.A. Falzone, the other a long piece by Morgan Evans-Weiler. Both are beautiful, delicate chamber works for violin + piano / vibraphone / fortepiano, recorded at Wesleyan College in Connecticut.
**In process of restock** Since early 1990s, the Lyon based composer, sound artist, and writer, Emmanuel Holterbach, has been issuing a slow trickle of beautiful efforts into the landscape of avant-garde and experimental sound. Predominately focused the discipline of musique concrete, his latest LP, Ricercar nell’Ombra, a collaboration with the Florentine ensemble, Blutwurst, takes both into incredible new realms. Issued by Another Timbre - belonging to their expansive dedication to cutting edge…
Five chamber works by the Brazilian/Dutch composer Luiz Henrique Yudo, realised with brilliance by Apartment House. Each piece is the transcription into sound of a visual work of art.Luiz Henrique Yudo is a Brazilian-born composer now living in Amsterdam. He composes by transposing visual works of art into sound. “Music coming from structures, labyrinths, alphabets, codes, patterns, architecture, paintings, drawings, sculptures…” The pieces on the CD are wonderfully realised by Apartment House, …
This CD offers the first recording of Frank Denyer's extraordinary hour-long piece for large ensemble The Fish That Became the Sun (Songs of the Dispossessed), composed between 1991 and 1996. The ensemble includes a huge number of home-made percussion instruments made from discarded materials, as well as obscure instruments such as eunuch flutes, ocarinas and crumhorns. The album comes with a booklet with notes by Frank Denyer and an essay by Michael Turnbull.Musicians include:Octandre Ensemble …
The Boundaries of Intimacy foregrounds works that are very restrained and quiet, but as always with Frank Denyer, there is a sense of tension or danger in the air that occasionally explodes and cuts across the music."Most of the music on this CD is soft, some of it very soft indeed. To achieve the optimal listening level, think of the musicians as being just over the other side of the room in which you are listening, rather than in another grander space. Imagine them performing intimately, witho…
Puma Court is a project initiated by Australian born instrumentalist and composer Jon Heilbron, who now lives in Berlin. The CD consists of two pieces both scored for two double basses and two hardanger fiddles – violins with extra sympahetic strings, which are most frequently used in Norwegian folk music. The performers are Heilbron himself and Hakon Thelin (double basses), and Helga Myhr and Rasmus Kjorstad (hardanger fiddles).
The UK ensemble Apartment House performs two works: Olivier Messiaen's Quatuor pour la fin du Temps in six movements, and Linda Catlin Smith's Among the Tarnished Stars, taking a fresh modern approach to the Messiaen, drawing out its experimental character, and the sense of drama and intricate gradations of sonority in Smith's rich and mysterious work.
The first piece composer Catherine Lamb has written specifically for acoustic guitar was commissioned by Chilean guitarist Christián Alvear. Extending concepts from an installation piece titled Secondary Rainbow with Bryan Eubanks, Lamb employs electronics over an infinite cycle of four "environmental chords" which overlap and resonate with one another.
Three works from Italian composer and pianist Federico Pozzer in his "breathing" series, compositions where the musicians follow the concept of inhaling, exhaling, and pausing, set against certain fixed actions or interactions as they devise their own musical actions."My first 'breathing pieces' were written at the end of 2016... I was looking for a solution that could overcome both the players' freedom in decision-making and the strictness of the score. What I wanted was to lead musicians towar…
James Weeks’ major work for singing violinist, Windfell, has been released on the leading British experimental music label Another Timbre. Written for and performed by Canadian violinist Mira Benjamin, Windfell debuted in October / November 2017 at concerts in London and in Durham University’s Klang series. Lasting almost an hour, Windfell arose from ‘an image of the violin surrounded by space and open air: on top of a hill, high-up and remote, played only by the wind. On this ‘wind fell’ the br…
Another church, another country, and another unique collaboration. Angharad Davies combines with Japanese sound artist Rie Nakajima and the virtuoso cellist from Distractfold ensemble, Alice Purton, in a series of explorations in the small church in the Derbyshire village of Dethick. The trio improvised, then developed and refined ten short pieces across two days, producing music which is as good as improvisation gets.
A collaboration between Austrian composer Klaus Lang and the ensemble Golden Fur (James Rushford, Judith Hamann & Samuel Dunscombe). Together they developed a piece in the abbey at Sankt Lambrecht in Austria, using music by the eighteenth century religious composer Johann Beissel, who developed a compositional system which he claimed to have received from angels, and which has been described as a very early precursor of serialism. The result is an extraordinary piece of music: fragility blown th…
4 compositions from violist/composers Catherine Lamb & Johnny Chang, the 1st focusing on the mysterious compositions of Vedic-era composer Viola Torros, exploring monady, melody and harmony; the second, one composition each from Chang performed with the Suidobashi Chamber Ensemble, and from Lamb using the secondary rainbow synthesizer she developed with Bryan Eubanks..The summer I arrived in Berlin, I began meeting with Johnny around music-related things and he started mentioning a composer he w…