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Canadian composer Linda Catlin Smith's extended composition for violin and percussion in 15 parts, performed by percussionist Simon Limbrick and violinist Mira Benjamin, a unique orchestration that reveals a journey of steady pace, tension and beauty.
The second movement of 'Volume' by illogical harmonies (Johnny Chang - violin & Mike Majkowski - contrabass), a 55-minute piece from 2015, released on Another Timbre in June 2016 as part of the 'violin+1' series. A joint composition for violin and double bass, developed over six months in 2015 by violinist and Wandelweiser composer Johnny Chang with bassist Mike Majkowski, a fragile and beautifully revealing work in 5 parts that moves slowly through subtle harmonic changes.
'Ffansi 4', an improvisation by Angharad Davies (violin) and Tisha Mukarji (piano), recorded in St Catherine's Church, Hatcham, South london. From their CD 'Ffansion | Fancies', released on Another Timbre in June 2016 as part of the 'violin+1' series.
An extended group improvisation and compositions by Lely, Sarah Hughes, and Jurg Frey, subtle and beautiful performances by Angharad Davies (violin), Rhodri Davies (electric harp), Michael Duch (bass), Lina Lapelyte (violin), John Lely (objects & electronics) & John Tilbury (piano).
Four recent pieces by Berlin-based instrumentalist, composer and improviser,Lucio Capece, all focusing on the process of listening. One piece performed by Konzert Minimal, the others all solo performances, including Lucio's extraordinary piece at the Halle des Expositions in Evreux, France, using speakers hanging from helium balloons and location recordings through cardboard tubes.
Jurg Frey - guitarist, alone played by Cristian Alvear. A double CD featuring all of Jurg Frey's music for solo guitar, beautifully interpreted by the Chilean guitarist Cristian Alvear, including a new piece written specially for Cristian. “Not one for the impatient listener, this softly entrancing double-disc set contains all the solo guitar music by the Swiss composer Jürg Frey – and that means an awful lot of silence and not a huge number of notes. The first piece, Abendlied, contains exactl…
Two slowly unfolding improvisations from trumpeter Leonel Kaplan using extended and unconventional techniques, and electronic artist Klaus Filip performing on sine waves, in a two part extended piece recorded in Buenos Aires after the two met in live performance.
The leading contemporary music ensemble Apartment House perform a new piece developing out of James Saunders's long-term modular project '#unassigned'. The new piece, 'assigned #15', was recorded in April this year and creates a mesmeric, dense, jungle-like soundworld across its 45 minutes. Beautifully realised by Anton Lukoszevieze (cello), Bridget Carey (viola), Simon Limbrick (percussion), Nancy Ruffer (flutes), James Saunders (dictaphones & radio), Philip Thomas (piano) and Kerry Yong (chamb…
Swedish composer Magnus Granberg (Skogen) places baroque instruments alongside prepared piano, objects and electronics in an exquisite 60-minute piece performed with an excellent set of performers including Cyril Bondi, d'incise, Eric Ruffing, Christoph Schiller, &c.
The Ensemble Grizzana (Ryoko Akama, Mira Benjamin, Richard Craig, Emma Richards, Philip Thomas and Seth Woods) performs a series of delicate and beautiful chamber pieces by Swiss composer and clarinetist Jurg Frey, who also performs on clarinet.
‘Whispers’ was co-produced by Bob Gilmore, who sadly died before the disc was released. The CD is dedicated to Bob’s memory. Bob was a longstanding champion of Frank Denyer’s music, and wrote the notes both for this CD and for the previous Another Timbre release of Denyer’s Music for Shakuhachi.Here is an excerpt from Bob’s sleevenotes for the ‘Whispers’ CD:“The experience of listening to Frank Denyer’s music is extraordinary, quite distinct from other aspects of our contemporary musical lives. …
In some experimental music circles melody is virtually verboten, but you have often embraced it in your work. Do you feel that you are to some extent going against the grain in this?AG: First off, I think melody can be defined separately from harmony. I think of melody as a single voice or layer, and with multiple layers, I like them to overlap in non-structured ways. I am interested in homophony more than polyphony or harmony, where if you take a cross-section through these independent lines y…
A new composition by clarinetist and composer Magnus Granberg, the leader of the highly acclaimed ensemble Skogen, this time with a new, smaller group that includes percussionist Erik Carlsson, performing his beautiful, melancholic music.
Your work with the larger group Skogen is now relatively well-known, and indeed successful. Why the change of group formation for this release? And in particular why the absence of electronics, which was such a feature of your two Another Timbre discs with Skog…
A double CD featuring two extended live performances by the electroacoustic quartet of John Butcher (sax), Angharad Davies (violin), Rhodri Davies (harps) & Lee Patterson (amplifed devices)
A restrained electronic improvisation from the duo of Jamie Drouin on suitcase modular & portable radio, and Lance Austin Olsen on amplified objects and audio cassettes, utlitizing space, isolated and connected events, and the listener's own environment.
Four text scores composed by Ryoko Akama (VCS3 synthesizer), Bruno Duplant (percussion, tone generator) and Dominic Lash (double bass, clarinet & laptop). The pieces are all text scores, carefully and exquisitely realised by three of the most interesting musicians to emerge on the experimental music scene in the last few years. The musicians combine in a fruitful and intimate exchange, producing a delicate and fragile web of sounds. Four beautifully evolving and carefully paced works.."-Another …
Four realisations of John Lely's simple but brilliant composition 'The Harmonics of Real Strings', which is basically a very slow glissando along the full length of one bowed string. Anton Lukoszevieze plays one realisation on each string of the cello, following the harmonic transformations as they occur and producing an extraordinary example of 'the virtuosity of restraint'. John Lely originally composed the piece in 2006, and it was recorded in April 2014. "When I'm composing I'm learning, ask…
A double CD of music for multiple pianos from what is arguably the most experimental and interesting period of Morton Feldman's development as a composer. Some of the pieces have been very rarely performed or recorded, and have probably never been in better hands. The music featured on these two discs testifies to the intensity of Feldman's experimentation with notation and sound during the 1950s and 60s. Considering the works chronologically one senses the composer trying out, teasing and deve…
Roananax 1999 (Axel Dörner, Robin Hayward, Annette Krebs, Andrea Neumann) and Obliq 2014 (Hannes Lingens, Pierre Borel, Derek Shirley). Powerful archive recordings from the legendary group Roananax at the very start of 'Berlin reductionism'. Combined on a split disc with a beautiful example of reductionism 15 years on played by Obliq, a group of younger Berlin-based musicians.
Sabine Vogel 'luv', and Chris Abrahams + Sabine Vogel 'kopfüberwelle'. Another split disc, presenting two aspects of the music of Berlin-based flautist - composer - improviser Sabine Vogel. The first half of the disc contains a solo composition created from recordings made by Sabine with Landscape Quartet, a group committed to improvisation in and with natural environments. The second half of the disc features an extended improvised performance by Sabine on flutes in duo with The Necks' Chris Ab…