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Rev at his most beatless and beatific. 'Clouds of Glory' floats on cheap-keyboard hymns and shimmering repetition: devotional, lo-fi and strangely sublime. The gentlest, most transporting corner of the Suicide man's solo world.
Suicide's synth architect goes solo and lyrical. 'Cheyenne' trades menace for melody: bright, looping keyboard motifs and toy-box rhythm, naïve and radiant. Minimal electronics with an unexpectedly tender heart.
'Electronic music from Berlin, 1985-87.' Lapre's private-press sequencer explorations glide through classic Berlin-school terrain: pulsing arpeggios, cosmic pads and patient build. A cult synth artefact rescued from obscurity.
From the Liaisons Dangereuses nucleus: Krishna Goineau's sleek, sensual electronic body-pop. Taut sequencer grooves and cool vocals blur EBM, synth-pop and dancefloor tension. Düsseldorf's underground at its most seductive.
The ex-Kraftwerk composer opens his notebook. 'Off the Record' reworks decades of unused sketches into pristine electro-pop: hooks honed to a gleam, machine-precise yet warmly melodic. Düsseldorf craftsmanship, quietly personal.
The former Kraftwerk man's sharpest solo statement, turning the man-machine aesthetic on media overload: crisp electro-pop hooks, cool precise synthesis, melodic and ironic. The Düsseldorf pop tradition intact.
A Dutch composer's private synthesizer odyssey, 1977. Andriessen conjures a 'trance symphony' on Minimoog and Rhodes: luminous, minimal and quietly euphoric, drawing on Berlin and Düsseldorf electronics rather than the concert hall.
Finland's cosmic showman in early form. 'Sähkömies' pairs cheap analogue gear with sci-fi imagination: lo-fi electro, wonky disco and space-jazz leanings, all delivered with Jimi Tenor's singular deadpan charm. Homemade futurism.
Before Camouflage: teenage demo tapes, 1984-86, from synth-pop craftsman Heiko Maile. Bedroom sequencers and bright melodic hooks capture a gifted talent forming, a charming, revealing document of German synth-pop in the making.
A cornerstone of German cosmic music. Ashra and Klaus Schulze drummer Harald Grosskopf steps out solo, wedding propulsive live drums to shimmering sequencer bliss. 'Synthesist' is euphoric Berlin-school pop: melodic, driving, timeless.
A quiet meeting of minds. Roedelius and Schneider let delicate electronic and acoustic textures unfold over 'hours' of patient, meditative music: serene, spacious and gently kosmische throughout.
'Open doors'. Roedelius invites the listener into gentle, exploratory keyboard pieces, half-composed and half-dreamed. Warm, unhurried and melodically generous, the Cluster co-founder in intimate, searching mood.
'Happy moments', and it sounds it. Roedelius spins fragile, looping keyboard miniatures of great warmth and melodic grace, the gentler, sunlit side of the Cluster and Harmonia mastermind. Quietly radiant kosmische ambience.
The master of the echo-guitar, alone in the wilderness. Schickert layers cascading, delay-drenched guitar into trance-inducing krautrock ritual: hypnotic, psychedelic and deeply cosmic. Solitary genius from the Berlin underground.
French minimal-wave shadows from the cassette years, 1980-83. Fondation's cold drum machines, brittle synths and noir atmosphere distil an entire underground era: austere, romantic and hypnotic. A coldwave excavation.
Felix Kubin and percussionist Hubert Zemler as CEL: analogue synths meet live drums in taut, kinetic instrumentals. Playful and precise, kosmische energy channelled through a restless modern sensibility. Hamburg futurism, dancing.
Faust reactivated. 'Something Dirty' pairs founding members with new collaborators for grinding, groove-driven experiments: raw guitars, motorik pulse and studio mischief, the old subversive spirit alive and unbowed.
The lost album. Recorded in 1974 and shelved for decades, 'Punkt' captures Faust between anarchy and melody: brooding, expansive and strange. A missing chapter of krautrock history, finally heard.
The fourth trove of Faust rarities. Studio sketches, false starts and sudden brilliance from rock's great disruptors, proof that even the offcuts of this collective crackle with fearless, unrepeatable invention.
Volume three of Faust's archival 'snapshots'. More unheard fragments from the krautrock legends' vaults: collage, groove and glorious chaos, the sound of a band that treated the studio as both demolition site and playground.