★Capitol
Song Of Innocence
*2024 stock* David Axelrod (1931-2017) was a producer, arranger and A&R at Capitol Records in Hollywood in the 1960s, working with artists Cannonball Adderley, Lou Rawls and David McCallum amongst others, alongside the infamous group of L.A. session musicians known as the Wrecking Crew. In 1967, for Reprise Records, Axelrod composed and “ghost-produced” the psychedelic rock album Mass In F Minor under the guise of The Electric Prunes. This surprise hit earned Axelrod a new audience, and the oppo…
The Complete Birth of the Cool
"With the reissue of the Miles Davis' Birth of the Cool sessions, accompanied by recordings of this seminal nonet’s slightly earlier live dates at New York City’s Royal Roost, we now have as complete as possible an account of this still fresh sounding and beautiful music. The array of talent alone is startling: Miles Davis in transition between his earlier bebop stylings, and his later gorgeous tone and sparer choice of notes; Lee Konitz on alto sax playing startling melodic inventions which he …
The Man-Machine
LP edition of Kraftwerk's 7th album, from 1978, and perhaps their most commercially successful album -- a non-offensive synth-pop classic. 'The album has 'classic' stamped all over it... in time it would acquire the same ageless quality as The Beatles' Sgt. Pepper or The Beach Boys' Pet Sounds...' -- Pascal Bussy, Kraftwerk: Man Machine And Music"
Trans-Europe Express
Classic album from 1977, the sixth Kraftwerk album, originally issued by Kling Klang. This is the English-language, U.S.-cover art version. One of the inspired electronically-based pop records of all time. Performed by the quartet of Hütter, Schneider, Flür & Karl Bartos, this is the quintessential Kraftwerk sound recording experience. Tracklist: Side One: A1. Europe Endless; A2. The Hall Of Mirrors; A3. Showroom Dummies. Side Two: B1. Trans-Europe Express; B2. Metal On Metal; B3. Franz …
IV
The fourth and final album to be released during Faust's original lifespan, originally released by Virgin Records in 1973. "As an album, IV matches the band's trajectory: Jumbled, fragmented, with random data integrity issues, but seeming more the brainchild of inspired pop anarchists than calculating avant-gardists. Yes, the record sounds more 'professional' than any of their others, but somehow that doesn't actually equate to slick sounds: Opener 'Krautrock' (which Irmler says wa…