On Taillis, Roxane Métayer and Charles Dubois cultivate a sparse, alive thicket of sound where violin, prepared drums and resonant objects trade roles, letting melody, pulse and texture quietly braid into fragile, shifting song‑forms.
On Attacco morbido, ATMO (Leila Hassan and Elia Buletti) let soft drum‑machine grids, quietly glowing keyboards and voice‑led fragments drift together, where programmed pulse and hand‑played percussion blur into intimate, half‑dreamt songs.
On Landlocked, Mo'ong Pribadi and Sholto Dobie build a clattering, breathing machine‑folk from self‑made pipes, horns and percussive junk, where air compressors and human lungs mingle into an uncanny music of phasing clicks, drones and phantom tunes.