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Creative Sources

Le Sud
Tip! Le Sud trio works from the concept of lower-case free music, which has been a common European currency since the mid-1970s. Despite Brexit, violist Benedict Taylor asserts himself during this continental concert by sawing, sweeping and stretchin…
Dripping
Tip! When Dirk Serries travelled last May to Portugal for a series of concerts with José Lencastre, he didn't know he was going to be invited to record some amazing sessions with several key players from the Portuguese impro scene.  This is one.  Liv…
Chlopingle
*2022 stock.* Not exactly prolific this band: their first album "And The Missing R" dates from 2008 already, and now, seven years later we get their sophomore album, and that is many years too late, but their music is great. The band still consists o…
The Sage Flower
Limited edition of 100 copies.* Cellist Guilherme Rodrigues (Portugal, residing in Berlin) and guitarist Dirk Serries teamed up for a chamber music-esque session at the Sunny Side Inc. Studio (Anderlecht, Belgium). The Sage Flower is that collection …
Chapel
"Sometimes I wonder why it takes years for something to find its way to a release, but in this case, you could think: wow, that's really fast. The concert that we find on these recordings dates from September 4. I must assume the CD went into product…
White Smoke
Unusual instrumentation and interaction from the trio of percussionist Mike Goyvaerts (Canaries on the Pole), saxophonist Jeffey Morgan (releases on Headlight, Konnex) and EMS synthesist Willy Van Buggenhout. Buggenhout and Goyvaerts are known for th…
Monday Sessions
Mia Zabelka, acoustic violin, voice. Recorded in 2015.
Zwirn
Peter Frey & Daniel Studer, double bass.
Agape
Martin Küchen: prepared and non prepared alto saxophone. David Stackens: guitar, low-budget electronics. Recorded at Fylkingen, Stockholm by Andreas Berthling, 16th of May 2004. Mastered by Andreas Berthling, David Stackens and Martin Küchen.
Etwa
Early alto & soprano saxophone solo Recorded in 2004 inside two french chapels. "There are no tricks here, first and foremost ; Bertrand Gauguet has simply developed a weird array of techniques for his alto and soprano, which he exploits via close-mi…
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