Dais Records
Dais was conceived during a series of conversations between two old friends, Ryan Martin and Gibby Miller, on a summer afternoon in 2007. Following in the footsteps of archivists such as Alan Lomax and Harry Smith, label's goal will always be to release unheard “lost” recordings and to re-release out-of-print music that fits our aesthetic, while always bringing new artists to the forefront
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Musick To Play In The Dark
* Ltd. repress on yellow vinyl * Few groups in recent history forged as confounding and alchemical a body of work as Coil, the partnership of Peter 'Sleazy' Christopherson and John Balance. From album to album and phase to phase their recordings spelunk perplexing depths of esoteric industrial, occult electronics, and drugged poetry, both embodying and alienating parallel currents of their peers. The late 1990's in particular were a fertile era for the duo, embracing chance, chaos, and collabora…
Achromatic
** 2021 Stock ** The esoteric noise duo known as HEXA is the sonic union of Xiu Xiu’s focal point Jamie Stewart and sonic provocateur Lawrence English. Forged out of a mutual interest in exotic birds and the decaying charms of the post-industrial age, their collaboration explores the physicality of sound and its abilities to infiltrate and occupy the body. Their collaborative work has been described as being possessed by cascading low frequency pulses and tectonic plates of sound, suspended in c…
Agalma
** Edition of 750 Dark Transparent Green Vinyl ** Veteran NYC based Scottish electronic musician Drew McDowall's latest work is his loftiest, most liturgical, and a least industrial outing to date — and potentially the apex of his recent discography. Named after an ancient Greek word for votive offering, Agalma exudes a hooded, devotional aura, creaking and keeling under vast rafters of stone, stained glass, and shredded wires. It's a music of majesty and mystery but also modernity, McDowall's r…
No Tracks in the Snow
**Grey Marble Vinyl, Edition of 100** "No Tracks in the Snow" is a collection of tracks from the early days of Drekka’s history; the third offering for Dais Records and an appendix between the second and third parts of the 'Tarwestraat' trilogy of LPs for the label. For over twenty years, Mkl Anderson has curated a vast archive of recorded material for his cinematic ritual ambient industrial project, Drekka. He works with memory not only as a subject but also as a healing process, continually de…
Unbeknownst the The Participants at Hand
"Unbeknownst to the Participants at Hand" is Drekka’s second offering in a trilogy of full-length releases on Dais Records. Continuing his work with memory not only as a subject but also as a process, Michael Anderson has culled many of the sounds on this record from the past. But this is not a record of rehashed material or remixes. Rather, Drekka's music is made through continually delving into an archive, digging up and repurposing old recordings, live performances, and forgotten snippets of …
Diasporas
Originally recorded in 1977, following a limited release in 1979, Ghédalia Tazartès debut album, Diasporas, introduced listeners to the surreal, mysterious and truly unclassifiable statement of Tazartès and his out-of-time place in the French avant-garde canon. Born in Paris in 1947 to Judaeo-Spanish parents of Greek descent, Tazartès spent his early career as an autodidact utilizing his knowledge of repetition and collage, coupled with his Ladino linguistic heritage, to create some of the most …
Symphonic Songs
Double LP on black vinyl. Recorded between the release of Sand (1977) and Lost Secrets (1981), Symphonic Songs is a formerly unreleased work that chronicles the dynamic shift and development in experimental Swedish composer Ragnar Grippe’s canon. Following his seminal release Sand in 1977, Swedish experimental composer Ragnar Grippe worked on various art and performance commissions, often returning to Stockholm during the summer months to focus his efforts on his compositional practice. It was t…
The Third Helix
For this third release on Dais, Drew McDowall reaches into concept, ritual, and immersion, in an exercise of unravelling the DNA of hallucination. The Third Helix is McDowall’s product of deconstructive exploration, twisting the fibers of being into new structure, shape, pattern, and pulse, without reconstituting its inscribed template. The result is a true “third act,” in McDowall’s career, that has seen him peregrinate from the late-’70s art-punk of the trio Poems to his work with Psychic TV a…
Elph vs Coil: Worship The Glitch
Coil’s cultishly acclaimed Worship The Glitch features the group in dialogue with the ghost in the machine, an element they named ELpH and considered as much a part of the group as any physical member. Aye, you’d probably be right in assuming they were taking a lot of drugs during the creation of Worship The Glitch, and consequently the results stand out among their trippiest releases, comparable with the rugged space of early Pan Sonic and slightly later Mika Vainio releases as much as Philip J…
Amusers and Puzzlers
After the release of their well-received ninth studio album, Terribly Well, and their successful month long European tour in 2013, Sightings did the unexpected and quietly disbanded without notice or explanation. More than 15 years in the trenches and making a mess throughout New York City, the band made more of a polarizing impact to formalized underground music that most of their peers. Sightings would have been a national treasure if the whole country was laid to waste in Armageddon.
Dur…
The Park
Tor Lundvall’s new album is about a park, an attempt to evoke a park, and involving field recordings of parks too. Much ambience, moving through brighter and darker periods as does a real day in a park. LP on Dais, completing an informal place-based trilogy with the label. "In 2012, ambient composer Tor Lundvall and Dais Records presented his second instrumental masterpiece entitled The Shipyard (2006’s Empty City being the first). After its release and universal praise, Lundvall had confided th…
Amentest
The late 70's rejection of punk and rock-oriented music within select underground subcultures was signified by the works of bands like Throbbing Gristle, Cabaret Voltaire and Whitehouse. Using their network of record labels and propaganda, these like-minded noise makers created a sound and aesthetic that is known far and wide as something quite English. But in Italy, a storm was slowly brewing in the works of a lone composer by the name of Maurizio Bianchi. Starting in 1979, Bianchi formed hi…
Missing Foundation
In the 1980′s, New York City was a dismal wasteland filled with urban decay and creative miracles. It was only a matter of time before the suits saw an investment opportunity, with cash in hand they bought off NYC and started the criminal gentrification of downtown New York, sterilizing any sense of culture and fumigating all residents deemed financially worthless. This kind of invasion brought the perfect storm in the form of Missing Foundation. Founded by Peter Missing in the early 80′s, Mi…
1933 Your house is mine
The cacophonic discord of Missing Foundation and the prophetic vision of Peter Missing culminated into a sophomore album following their legendary self-titled debut which was collected under the banner as 1933 Your House Is Mine. This tumultuous effort was brought about in 1988 as a means to educate the forgotten and venerate their followers using brash performance tactics and industrial rhythm to rally their cause. An industrial soundtrack of urban protest, Missing Foundation found their voice…
Home Aged & The 18 Month Hope
The most recent installment of the rare & unheard archival recordings from the transgressive 70′s performance art group COUM Transmissions. Founded in late 1969 by Genesis P-Orridge, COUM Transmissions’s provocative performances mixed with visual art solidified the group as one of the most forward thinking breakthroughs within the 70′s conceptual art scene. Between 1969 and 1976, with a rotating membership including John Shapiro, Cosey Fanni Tutti, and Spydeee Gasmantell, COUM Transmissions …
Structures and Solitude
Tor Lundvall’s elegant soundtracks have been captured onto nine full length albums and collected within various compilations, raising his stature as one of the most abundant craftsman within the field of ambient music. Lundvall’s second box set for Dais features a 5 disc collection of more recent works including the albums Empty City and Last Light, as well as CD versions of the vinyl-only albums Sleeping & Hiding and The Shipyard. Additionally, the fifth disc in the collection entitled Night …
From End to Beginning Vol. 2: Tempus/Deathwatch
Essential collection from this strange and obscure early 80s electronic noise project."One-man industrial outfit, Deviation Social left a scar on the face of the American 80′s experimental/noise scene that has mysteriously been left to legend and rumor. Dais previously released the first authorized reissue of Deviation Social's compilation tracks dating back from the early '80s. Here within, Volume 2 compiles the two proper 'studio' releases of Deviation Social's checkered past. The destruct…
Terribly Well
"The noise rock parade that defies definition, set out on a mission of pure volume worship that is the post-decade pilgrimage of NY-based Sightings. After eight instinctive albums, the Sightings guys show no mercy with endless annihilation of their newest material on Terribly Well. All parts destruction measured against their abrasive songwriting. Jagged, collapsing rhythm based mayhem, guitars that can be mistaken for a freight train being ripped for scrap metal, only to be held together …
Army Jacket
For the unaware, Seth Price is an conceptual visual artist who lives and works in New York, considered by most to be one of the most interesting and thought-provoking artists to currently be at work. His sculpture, video and painting has been exhibited internationally at venues including the Tate London and the Museum of Modern Art, while gracing the cover of Art Forum last year, as well as countless other publications. Price has been working in sound and music for number of years; though most r…
What's History
Originally released as a cassette on the cryptic Austrian tape label, Nekrophile, in 1981, this simplistic experimental recording was a industrial classic ahead of it’s time. Recorded in 1981 in the Hackney bedroom of Genesis P-Orridge, who at this point was romping through his final months in seminal industrial act Throbbing Gristle. Done as a spur of the ‘improvisational’ moment, Genesis was accompanied by then TG documentarian Stan Bingo (a.k.a. director Dan Landin) to try out some ne…