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The tracks that make up Fragments of Soaring Vessels are conceived as “sensitive vehicles.” Although they seem quite different at first listen, closer listening reveals multiple points of intersection—often overlapping, sometimes paradoxical. The Inexpressible Feeling of Dereliction approaches an attempt at a sonic transposition of a feeling of emptiness and rupture that may arise in an extreme situation, in which a pious person is confronted with a moment of absolute disillusionment regarding t…
*2026 stock* For this album I have assembled a collection of contrasting works from the archives. Some have previously been released, others not. Three pieces: Sculptor, Touche pas, and Bubble chamber are based on the microsound techniques of granular synthesis and micro-montage. By contrast, Modulude, Clang-tint, and Still life were conceived before my microsound period. For any given piece, my compositional practice usually takes years. For example, Modulude was initially conceived in 1998 and…
Microphonies 21 by Marc Billon is a long-form electroacoustic exploration centered on the resonances of a tam-gong. Blurring the line between acoustic gesture and electronic transformation, the work unfolds as a slow, tactile meditation on vibration, decay, and the physical act of listening itself.