We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
On On The Run, Shutaro Noguchi and The Roadhouse Band turn a cross‑continental goodbye into a subtly tripped‑out song cycle, folding Gong‑like cosmic drift, Sakamoto‑esque pop abstraction and Louisville bar‑band warmth into one gently disorienting farewell.
Tip! After two decades in the experimental music scenes of New York and Western Massachusetts, Wednesday Knudsen might be known equally as a sought-after improv collaborator and the vocalist and guitarist for the beloved long-running psych band Pigeons, as a member of the New England folk rock ensemble Stella Kola, or the psych kraut supergroup Weeping Bong Band. Atrium, is Knudsen’s fifth solo album, marking her rich recording history with a stunning masterwork. Channeling the “atmosphere of pr…
It is our honor to present the seventh album by French composer Jean-Baptiste Favory, whose work we first encountered while reissuing a record with the Mexican art collective, Los Lichis. J-B made an annual trip to Mexico to participate in Los Lichis’s musical and visual anarchy (Dog 2LP FTR229, Savage Lichis Religion : El Ultimo Grito LP FTR354), and was considered a full member of this estimable outfit.
We soon discovered he was also the France’s long-running experimental radio show Epsilonia…
Having listened to this disk 20 or so times over the past week, I have been struck time and again by the gently naif quality of Dan Beckman-Moon's songwriting. I keep thinking of Neil Young's earliest solo tunes, particularly 'Sugar Mountain,' as a sort of spiritual touchstone, although truthfully the music doesn't really sound anything like that. Still, the emotional core of the material has a similar sweetness and simplicity, while managing to steer clear of mawkishness with a nimble delicacy …
*2025 stock* 17 songs from back in our (first :) heyday. Re-mastered and fresh-sounding. If you’ve been a longtime Divine Horsemen fan, you will really dig this. Coming out also in limited CD edition on Feeding Tube Records, distributed by Forced Exposure.
*2025 stock* Emerging as a singular voice in contemporary indie music, Tekla Peterson unveils her latest project, Mine to Give, now available on cassette. Crafted with intimate lyricism and evocative production, this release invites listeners into a deeply personal and atmospheric soundscape.
Mine to Give weaves together haunting melodies and raw emotion, showcasing Tekla Peterson’s distinctive songwriting and vocal delivery. Each track flows with a cinematic quality that captures themes of vuln…
"Pretty sure this amazing Chicago trio was first introduced to us when Jim McCardle insisted we buy one of their albums at a record fair in the Windy City. Not sure which one it was, but it blew us away. Surprisingly, over the damn-near-a-decade since they started recording, Mako Sica has managed to keep itself well out of the limelight. Even though their first LP, Mayday At Strobe (2009), was released by one of Chicago's pre-eminent vanguard labels -- Permanent -- it was not easy to locate peop…
Melle-Aan-Zee is the latest lo-fi recorded collection of improvised pieces by Ghent-based occasional psych folk, kraut infused jam collective De Regering Van Treffelijke Zaken, which seems to continue to give birth to compositions that defy convention and exceed expectations. Just as their sporadic meet-ups seemingly cannot be planned, their enigmatic worlds of sound unfold through pure improvisation, sense of experimentation, a confluence of coincidences and reasoned skits. There's a special ki…
A long time in the making but good things always come to astral travelers as transatlantic soul mates Dead Sea Apes and The Band Whose Name Is A Symbol are joined together on black vinyl for the first time. Two artists that for over the last ten years (and longer) have spent their lives creating music that defies easy categorizations -- psych rock/kraut rock/minimal/maximal/avant/free are phrases that only give you fleeting glimpses of what each artist represents. What we do know is that via a s…
Ned Collette's last album, the 2LP set Old Chestnut (FTR 362-2LP), was hailed as a masterpiece by 'most everyone who heard it. Part of this was due to the darkly delicate lyrics and vocals of Ned himself (akin to the work of Graeme Jefferies, ca. This Kind of Punishment), but much was also due to the elegant lyricism of the music, which had a fantastic prog/folk heft as impossible to peg as it was to ignore. With this new LP, Collette (an Australian ex-pat, now based in Berlin) goes all-instrume…
Near the end of his days, John Fahey told me he was sick and tired of solo guitar records. This statement was partly designed to take me aback (as was often his tact), but it was also true. He seemed genuinely bored by most guitar players, especially those who were traveling in the shoes he'd first worn on his own early records. That said, I'm pretty sure he would have loved Eric Arn's Orphic Resonance. The first time I ever saw Eric play was as part of the classic second line-up of Crystalized …
First Nod release from 1992, now on vinyl for the first time. Originally self-released as a CD, a subset of the recordings were perfectly re-mastered by James Plotkin for this slab of black vinyl. During the "year punk broke," this trio (and sometimes four-piece) were holed up in a Western NY enclave, perfecting their craft of imperfections. A combination of studio and home recordings, this self-titled gem perfectly introduces you to the charming shambly rock which Nod has been creating for the …
"We were introduced to the work of Brooklyn polymath Curtis Godino by Gary Panter. We asked Gary to recommend someone with light show expertise, and he said Curtis was the guy. That was true. We also learned that Curtis was an ace musician, which has resulted in two prior FTR releases. The first was The Cave LP (FTR 417LP, 2019) by Worthless. The second was the Corners and Their Places cassette by Nothing To Semble. Both of these releases were form-busting masterworks of outsider/prog crossover …
Remastered reissue of the second brilliant Willie Lane LP released by Cord-Art, originally available (for a few moments, anyway) in 2012. Guitar Army of One is a bit less folk oriented than its predecessor, Known Quantity (FTR 413LP), in as much as there's more electricity and pedals being employed. But Willie's playing at this time was such a weird hybrid -- from quiet country blues passages to blown psychedelic bong-wash in the blink of an eye -- that no technique or approach was ruled out. Ev…
Frank Hurricane's been chugging along at his own personal pace for a good while now, and the further he rambles, the further we roam with him. Here he's joined by Jake Merrick on bass, vocals, and keys and John Spiegel on drums and percussion. And it feels good. The group exquisitely compliments Frank's tales of travel and serenity and the embrace of uncertainty. There's a languid hallucinatory Meat Puppets vibe to 'Creekside Cooler,' 'Spivey,' and 'Wildorado,' a song with a killer Taco Bell sho…
iji (pronounced "ee-hee") is songwriter Zach Burba's tenured, pop coalition. Bred in Phoenix and fully flowered in Seattle, iji has been touring the American underground for 14 years, releasing a countless number of beloved LPs and tapes and pressing pause only for Zach to join the roving swarms of friends like Mega Bog, Dear Nora, and Clyde Peterson, whose Torrey Pines film (2016) featured a live touring soundtrack by Zach and others. iji, their self-titled 11th release, is a crucial wander thr…
Feeding Tube was chuffed to take Professor Steve Hesske's advice and make way for the fifth vinyl LP by Mordecai. I mean, when the Professor speaks even the cows take notice. And we are all descended from cows, right? So why not? Originally based around Butte Montana, formed by two brothers who claim to have been born (or conceived) (or some damn thing) on crappy Dead tours ('89 and '92, meaning the ones that resulted in 'Without a Net' and 'Althea' from 30 Trips Around the Sun), Mordecai took a…
Dan Melchior is great randomizer of a musician. Born in the UK, based in the US for the last 20 years, his discography ranges from raw garage rock to avant garde tape collages, visiting a whole lots of other points in between. Exhibit A is his first collaboration with P.G. Six (aka Pat Gubler) the wonderful New England based multi-instrumentalist, who has previously appeared with Wet Tuna (FTR 364LP, 2018), Weeping Bong Band (FTR 313LP, 2018), MV & EE (FTR 167LP, 2015) and Joshua Burkett (FTR 19…
Fistful of Ivy is the debut LP by a loosely floating aggregation of individuals, brought together by musician/producer Kevin S. McMahon, at whose New Paltz NY studio it was recorded. The concept for Pelican Movement arose a quarter century ago, but the only previous graspable evidence of its existence is half of an obscure 7" from 2015. Fistful of Ivy will be most listeners' introduction to Pelican Movement's sound/image, and the LP is as fine an intro to anything as could be imagined. The album…
Feeding Tube Records is excited to present the first North American release by this amazing Japanese sound artist. Yosuke Fujita goes by the name FUJI|||||||||||TA, perhaps so he won't be mistaken for the guitarist of the same name who plays with Better Days, or perhaps because he just likes to hear people try to figure out how to say, 'FUJI|||||||||||TA,' properly. Either way, FUJI|||||||||||TA is a wonderful avant-garde project that has been active for almost two decades. In its current iterat…