★Feeding Tube Records

*2022 stock* Splendid, expanded reissue of this monster album, which most people know from its placement on the NWW List. Stapleton even went so far as to name a track of his ("Fashioned to a Device Behind a Tree") after a mis-hearing of one of Flee Past's' many memorable lines. The music has its roots in Hampshire College's Electronic Music Studio in the early 1970s. While taking a class on electronic composition, Robert Carey was smitten by the potentialities lurking inside piles of reel-to-re…

2025 stock When Don Fleming was doing the initial transfers of the tapes we’d gotten retrieved from Randy Cohen’s barn, every evening seemed to bring a new surprise. But nothing was a bigger jawdropper than the material which makes up the second LP of our Jack Ruby archival series. The central core of the album is the sixteen-and-a-half minute track, “Destroy/Lost”, recorded at the band’s rehearsal space in January ’74. Robin Hall vocalizes and Boris plays electric viola, but the bulk of the pie…

Back when I was about six months older than I am now, I used to see these bumper stickers around town that said, "There is Nothing Like a Grateful Dead Concert." My first reaction was to say, "Thank fuck," since the last Dead show I saw (Jersey City 8/6/74) pretty much blew. Then I remembered that last goddamn Dead show anyone saw was almost 20 years ago (Chicago 7/9/95) and it makes me wonder what kinda stupid pills the cars' occupants have been snorting. 'Cause Jesus, there're all sorts of thi…

Feeding Tube is chuffed to present the first vinyl offering from Moscow's berserk Asian Women On The Telephone. Formed as a duo in 2007, they have since expanded (in all directions) to assume sextet form, with stage names worthy of Smegma -- Oriental Yid (drums, guitar), Good Enough Freundin (guitar, vocal, drums), Brown Polizei (keyboards, voice, bass), Divine Gift (percussion, voice), Mutter Land (drums, percussion, bass), and Lewd Primat (bass, voice). Many of their insane, extremely theatric…

In the spring of 2011, Michael "Powderfinger" Morley was in the U.S. for a short visit. There had been some talk of doing a Gate show or two, but when he visited Western Mass., Feeding Tube Records decided to put use to his collaborative talents. He played one night at the Yod space in Florence with Kim Gordon and Bill Nace, then at Feeding Tube with Spencer Yeh and Meg Clixby. Both sets provided jumbo pleasure, and Michael managed to record the Yod set for our presentation to you. Kim and …

This album has been a long time coming. Dredd and Ben first talked about collaborating back in the late '90s and it's now 2014 and the goddamn thing has only just arrived. Was the wait worth it? You bet your teeth it was. While this album would have been pretty great if they'd done it back in the day, the fact it has been allowed to age and grow of its own accord lends the project a richness and beauty beyond easy comparison. This specific album grew out of some shows Dredd and Ben have done tog…

The second volume of live Mars recordings from Feeding Tube. This one was recorded at the band's penultimate show, August 4, 1978, with spectral help from Rudolph Grey on the side-long take of "NN End." The quartet is at the full height of their power here, manipulating the language of tongue explosions both instrumentally and vocally. Recorded by Brian Eno, the sound is an advance from the galacto-fidelity of the Artists Space LP, and the performance is a staggering example of Mars in their…

2025 stock Vinylization of the superb oddball cassette originally issued by the Potlatch, I Gather tape label in 2008. Ambergris is more or less the solo project of visual artist Matthew Thurber (1-800 MICE, etc.), although he is aided in this instance by Rebecca Bird. The suite of songs presented here is something like a theatrical recreation of one of Thurber's bizarre-world comics. Using voices, Casio, various Garage Band inventions and his own surreal imagination, Thurber takes us to a 10,00…

2025 stock New music from Paul Flaherty, with Sam Gas Can and White Limo. Pressing of 500 copies, cover art by Joshua Burkett. Like all of the greatest live "festival" records -- Woodstock II (Cotillion '71), Mar y Sol (Atco '72) & 1968 Memphis Country Blues Festival (Blue Horizon '69) -- Mystery Triangle is an especially exceptional souvenir for those people who were there when it happened. But unlike dud compilations, Mystery Triangle provides a truly fine sonic gush for even those of us who w…

Superstar live drone fiesta time here. Recorded in Oslo, during an Aurora Borealic night of January, 2010, this beauty thrums with a majesty-vibe arising deep from within the earth. Each of the participants has been horn-blown around the globe for mastery of individual string/machine attack. C. Spencer Yeh's violin arcs have powered a million strange improv scenes. Jon Wesseltoft is clearly the king of Norwegian harmonium dudes. Okkyung Lee is a Korean polymath re: formal cello innovations, …