★Feeding Tube Records
Lunchtime for Birdy
First graspable release by Leaf Peepers, a Massachusetts duo comprised of Turner Falls' Omeed Goodzari and Worcester's Nick Bisceglia. Omeed is well-known hereabouts as member of Donkey No No, and also for his solo recordings, which include the superb Zoltar Hid All the Locks / Minnows LP (FTR 349LP, 2018). Nick has recorded with his band Husks, and has also participated on sessions by Wendy Eisenberg and Chris Weisman among others. In fact, the both of them helped out on Chris's last album, Rom…
Make It Fun Again
Here is the first Lazy Magnet LP since 2019's Mahogany. And it's a beautiful instrumental album which has known many iterations since it was first conceived. Lazy Magnet has long been the home recording project of Jeremy Harris. Over the course of its long arc the actual music has taken many forms -- this time he has chosen to dedicate an entire body of work on a single instrument: the acoustic piano. The initial idea for Make It Fun Again dates to 2007, when Harris and his buddy Robert Parker (…
Library Music
Feeding Tube was chuffed to take Professor Steve Hesske's advice and make way for the fifth vinyl LP by Mordecai. I mean, when the Professor speaks even the cows take notice. And we are all descended from cows, right? So why not? Originally based around Butte Montana, formed by two brothers who claim to have been born (or conceived) (or some damn thing) on crappy Dead tours ('89 and '92, meaning the ones that resulted in 'Without a Net' and 'Althea' from 30 Trips Around the Sun), Mordecai took a…
Exhibit A
Dan Melchior is great randomizer of a musician. Born in the UK, based in the US for the last 20 years, his discography ranges from raw garage rock to avant garde tape collages, visiting a whole lots of other points in between. Exhibit A is his first collaboration with P.G. Six (aka Pat Gubler) the wonderful New England based multi-instrumentalist, who has previously appeared with Wet Tuna (FTR 364LP, 2018), Weeping Bong Band (FTR 313LP, 2018), MV & EE (FTR 167LP, 2015) and Joshua Burkett (FTR 19…
In The River
Spiral Joy Band are one of the descendants of Richmond VA's legendary musical juggernaut, Pelt. Active and mutating for nearly 20 years, the iteration of the Spiral Joy Band who recorded this session in Madison Wisconsin in 2011 was a trio. Troy Schafer, Patrick Best and Mikel Dimmick play an array of instruments -- violin, viola, harmonium -- to produce lush tapestries of the multiphonic drones for which they are known. I remember Pelt getting called 'The Hillbilly Theatre of Eternal Music' at …
The Incandescent Switch
First LP, after several fine cassettes & CDRs, by this psych project helmed by Brian Lucas. Lucas is best known these days for his bass work with Dire Wolves Just Exactly Perfect Sisters Band, but he has a hand in many other California psych outfits. The Wolves have been quiet vis-a-vis new recordings lately, but Old Million Eye has been pretty busy. Often the OME moniker represents solo work, but this time Brian has recruited Dena Goldsmith-Stanley (3 Moons) and Steven R Smith (an old band mate…
Pickled Dawn
No stranger to the Berkshire Mountains, Omeed Goodarzi comes at it in full on send it mode, with this yester-Moro-mobile of an album? Loaded to the hilt with hard hitting session folk, Omeed's latest offering is a roiling boiling psychedelic Partch-pop Beatleboro-Freel-Volk masterpiece from the second anyone's flip flop even threatens to drive a rhythm into the rug. Upon arrival to the studio, Chris Weisman, Mia Friedman, Max Goldstein, Nick Bisceglia and Ruth Garbus were presented with the chor…
What Do You See Everyday?
Another fantastic slab by Virginia-based guitarist Jordan Perry, whose style fuses disparate threads from the American Primitive and avant-garde songbooks into a unique alloy. For this album Primitivism has largely been eclipsed by avant urges. Still, there is one track, 'Days Have Gone By Volume' where Jordan is joined by guitarist Ned Oldham for a piece evoking Fahey in more than its title. But that is the exception. Most of What Do You See Every Day? is filled with abstractions for acoustic g…
Mind The Neighbors
Music doesn't have to be self-expression, but for Ryan Power that's the only way it can be. Every note, melody, turn of phrase, and point of view in Power's carefully-crafted songs is intravenously infused with his particular way of moving through the world. It's a curious, probing, never-satisfied mode; he's always searching for the perfect combination of chords, the most precise arrangement of words, the most complete capturing of a mood. As one song on his eighth album Mind the Neighbors puts…
All Summer Long is Gone
Finally, a vinyl edition of this amazing instrumental pandemic album recorded by a somewhat unlikely duo. There was a cassette version released a while back as a stop gap, but here now is the REAL THING! PG Six (aka Pat Gubler) is based in the New England and is known for his mastery of many stringed objects. He has appeared on six earlier Feeding Tube LPs, the most recent of which is the great PG Six Live at the Tavern (FTR 556LP). Louise Bock (aka Taralie Peterson) is a multi-instrumentalist l…
Water & Rock Music Vol. 5 & 6
Edition of 200 copies Another wonderful album by this Swedish-based guitarist/carpenter. This is the fourth (and I believe final, at least for now) addition to Collin’s series of site-based outdoor recordings. The first three were stellar examples of Jon’s finger-thinking, and this one is as well. He seems to have embraced a romantic form of melodicism over the course of these albums, contrasting with some of the harsher blues evocations he’s explored recently. And as much as I enjoy everything …
Fistful of Ivy
Fistful of Ivy is the debut LP by a loosely floating aggregation of individuals, brought together by musician/producer Kevin S. McMahon, at whose New Paltz NY studio it was recorded. The concept for Pelican Movement arose a quarter century ago, but the only previous graspable evidence of its existence is half of an obscure 7" from 2015. Fistful of Ivy will be most listeners' introduction to Pelican Movement's sound/image, and the LP is as fine an intro to anything as could be imagined. The album…
Live at The Tavern
While we wait for Aaron Rosenblum to finish up his album of field recordings, we sometimes ask him about various tapes he has recorded of other artists. These, he tends to provide more quickly. Thus, here is the first of what we hope to be a series of live shows by various artists, documented by Mr. Aaron. The artist in Pat Gubler, aka PG Six. The venue is The Tavern at Hampshire College. The date is March 30, 2001. This was still an early point in Pat's solo journey, but the aesthetic documente…
Live at Epsilon Spires
Feeding Tube Records is excited to present the first North American release by this amazing Japanese sound artist. Yosuke Fujita goes by the name FUJI|||||||||||TA, perhaps so he won't be mistaken for the guitarist of the same name who plays with Better Days, or perhaps because he just likes to hear people try to figure out how to say, 'FUJI|||||||||||TA,' properly. Either way, FUJI|||||||||||TA is a wonderful avant-garde project that has been active for almost two decades. In its current iterat…
Circuits Of Omission - Sonaten Für Synthetisierten Klang (Opus 60)
Herewith is an extraordinary 45 RPM album of solo electronic music by NZ's great contrarian, Bruce Russell. The pieces were all created using machines built by Clinton Williams, whose musical work under the OMIT moniker has long been championed by Bruce. Unlike many of Williams's own recordings, which contain kosmiche extensions recalling the '70s work of Klaus Schulze, the 15 improvised Sonatas presented here mix a few of those sorts of sonorities with a variety of more harshly-edged tones. The…
The Language Shadow
Reissue of the very limited debut LP by this Massachusetts-based musician. We first ran into Kass's Good Cry label when she put out Jordan Perry's eponymous debut, which we promptly reissued (FTR 376LP). And we are well pleased to be able to do the same for The Language Shadow -- a most excellent album by all known metrics. Kass (who works with Meg Remy's U.S. Girls) sings and plays guitar, dulcimer and small instrument-style percussion. Recorded at Montreal's Hotel2Tango, her music has the clea…
Elvehjem
Recorded in Madison Wisconsin a year after In The River, the latest record from this amazing trio (Troy Schafer, Patrick Best, Mikel Dimmick) breaks a bit with Spiral Joy's drone-dominant tradition. There is a crackling, noise energy curtain surrounding much of the playing here that makes me remember the sound of the Richmond VA trio, Pelt, from whom Spiral Joy Band draw specific inspiration (as well as two members). The listed instruments are bowed gong, gong, bowed bowls, electric guitar, bowe…
Kin
Over the years Sharron Kraus's musical career has pulled her in many directions and seen her collaborate with artists, poets, writers, and researchers, creating soundtracks, podcasts, musical accompaniments, and responses. She is an intuitive improviser, a compelling performer and a weaver of musical spells. The spine supporting this body of work is songwriting, though, and it is to this most natural combination of words and music that she always returns. If prose writing is a tool for analysis …
Reflect And Oppose
Albany, New York's Sky Furrows -- guitarist Mike Griffin, bassist Eric Hardiman, drummer Phil Donnelly and poet/vocalist Karen Schoemer -- release their second album, Relect and Oppose. Recorded in 2022 with Justin Pizzoferrato at Sonelab Studios and Pete Donnelly at Katonah Sound, the album's eight songs crush and crunch, agitate and sprawl. All songs were written by Schoemer/Grifin and arranged by Sky Furrows, except for "Koba Grozny," with music by Grifin and words adapted by Schoemer from Ma…
Galactic Ooze
Originally issued as a CDR on Matt's own Child of Microtones label, the stone madness of this session was so overwhelming we begged him to let us do it on vinyl. Luckily for one and all, he agreed. Recorded here and there, with a variety of different ensembles. Galactic Ooze is one of the most fully warped missives from Planet MV, and that is saying something. While there is a certain continuity between the layered threads of MV's deeply processed vocals and amazing stunned-noodle guitar figurin…