★Harmonic Ooze
Free Jazz Dell’Inferno (No Self, No Swing, No Jazz)
Úgjü is a sound reflexes. A guttural protosonic babble or screech. The first phase of language acquisition among humans. Úgju, is a powerfull “Name" from something like a deity in that secret universal spoken language in the first months of life by all the newborns of the world; a protolanguage that transfers all the ancestral codes together with our DNA ... like a biologic operating system installation. So “Úgjü” is the beginning, and “Sectas” (in the sense of all religions) that destroyed…
If I'm Not A Woman Why Do I Ache Like One
If I'm Not A Woman Why Do I Ache Like One is performed using a Roland FP-30 digital piano and a pedal board. The title relates to my experience of being on the receiving end of misogyny as a gender fluid, transmasc person. I always feel a level of gender dysphoria whenever I am perceived as a woman, but when that perception is paired with misogyny it adds a whole other layer of anger and ache. Being told I am less than because someone perceives me as female not only makes me feel dysphoric, it a…
Azoth : Music For The Pyramis Harp
The trio Bolt Of Void reveals signals that arrive across warped space-time. Their alchemical soundings glide through ancient forms, pulling the listener in and out of a lucid state of being. It is in this arc of descending and ascending motion that spirit is congealed from the fog of nothingness. Through a hypnogogic portal the ear is met with something intimately close and delicate, and also evading perception along a distant horizon, heard but unconfined. Sound in its ability to be perceived a…
Swerve Of Shore
Composed, Performed, Recorded By Mark E Kaylor. Instrumentation includes : analog drum machine, drums/percussion, piano, vibraphone, c tenor sax, c & Bb soprano sax, trombone, tuba, tenor guitar, electric guitar, analog oscillator, bass clarinet, tenor recorder
Arid Parallel
*2026 stock* "When two desert ecosystems collide, the arid terrain blossoms with thriving biological and geological diversity, generating the feeling of existing in two superimposed universes at once. It is deeply appropriate that Cecyl Ruehlen and Derek Monypeny–living, respectively, in the Sonoran and Mojave deserts–would meet at High Desert Soundings festival in Wonder Valley, CA, not far from where those vast southwestern deserts converge. This fated introduction, along with the duo’s shared…
Beside
2026 stock "A vibraphone, a snare drum, a knitting needle, a cymbal, and a marimba compose five flickering points: stars at the threshold between perceptibility and deep space. The constellation they form shimmers dully, its design clearly painterly, but out of grasp. I stand on the outskirts of a large city, trying to keep them all in view. But, I just can’t make out anything. So instead, I fix myself to a singular point of the five. My eyes strain and tremor as I gaze at one star amongst trill…
Split The Sky, Sheets Dipped In Chrome
*2026 stock* Split The Sky, Sheets Dipped In Chrome is a new album from Chaz Prymek & Seth Andrew Davis. This recording was a long time coming, with both Prymek & Davis in discussion for a long time about when and how to collaborate after connecting online. The duo first performed together in Kansas City at Farewell in December 2022 and from there developed a sound together. The music heard here varies from sparse introspection, energetic catharsis, and the exploration of a new landscape created…
Self Portrait As A Meditation On Something Else
*2026 stock* "As a fifth-generation Nebraskan, growing up on the native lands of the Chatiks si chatiks people (Pawnee), this project is a part of my process of learning, listening, and developing a relationship with the land and its stewards in my home state: a beautiful place with a rich history that is as much a part of me and my family as it is part of the settler-colonial project of displacement and genocide
Self-portrait as a meditation on something else is the third entry in my ongoing se…
It Burns With A Sweetness
*2026 stock* It Burns with a Sweetness is the culmination of the work we’ve been doing together for the past three and a half years: six studio improvisations of voice and electronics edited and mixed on late nights while borrowing our friend Drew’s speakers (thanks Drew). The album maps out the sound worlds we’ve been traversing these past years: ethereal streams, static electricity, and chewed-up slimy gibberish. Our first improvisation together was for three people, in a courtyard, with the v…
Fluid Crystal
*2026 stock* composed & performed by chelsey lee trejorecorded, mixed, and mastered by andrew weathersrecorded at wind tide | littlefield tx | on the fall equinox | sept 2024photos by chelsey lee trejo | design and layout by cecyl ruehlen & chelsey lee trejo
Dry Spell
*2026 stock* Alluvium, a collaborative project of Nika Kaiser and Nathan Stickel, uses a combination of composed and improvised video projection, field recordings, and experimental sound. They create performative installations responding to site-specific details within each of their works, drawing ties between the political and the spiritual. The geologic phenomenon of alluvium occurs when loose clay, silt, or sand has been deposited by running water in a streambed or floodplain for an impermane…
Gate
*2026 stock* Bolt of Void was sleeping in the dark, earthen soil for almost 7 years, and like the locust, the group emerged again, anew -- Gate is a wormhole, unlocked ceremonially -- A star-gate traversal that reaches terminal velocity and the feeling of moving forwards, backwards, and not at all become the same. Centered around extreme noise, drone clusters, and atonal portal jumping, the trio's dense sound is powered via three expanded lap steel guitars, bells, and resonant metal. Bolt Of Voi…
Live In Japan
Bolt Of Void // Performance DocumentRecorded Live AtDuct // Nagoya JapanSubstore // Koenji-TokyoJuly 2026
Splendor
*2026 stock* Yellow Moon Temple {is} Kari Treadwell 7 Cecyl RuehlenComposed, Performed & Recorded By Yellow Moon TempleRecorded Live On November 4 2025 {at}The Center For Harmonic Ooze. Performed During The Full Moon
Pleasures
Wyatt Keusch: Electronics, lap steel guitarKeith Wecker: Synths, electronics
Recorded: Studio Fuddruckers, Vancouver, BC, Canada
The Creeps
An experiment in parallel play, The Creeps is an ensemble of soloists deeply rooted in their individual musical practices, working on their own together to weave this unsettling world. The Creeps burst forth in a live performance in downtown Los Angeles before reuniting in the studio to prove the experiment repeatable.
Duos
each sound in solitude, a succession wound among absent threads falling, falling, lighter, lighter— cavernous mouths crown a flickering song without content, exiled from my container, like any other thing, i enter as a thing alone into the world. the world is what enters into nothing— things communicate only by their solitude. three sections, one melody—silences before and after each section. i) player a ii) players a & b iii) player b entries free, note duration and space between notes open, an…
Betwixt
Pebbles, bells, keys, nails,Rice cooker, cigar box, tin can,Flowerpot bits, broken glass, rattle,Bows, pencils, large rock.
Tim Feeney and Cassia Streb, tiny sounds, viola
Ouro
"João Alegria is an essential figure in the Portuguese underground music scene. With a prolific career spanning over a decade, the guitarist – as he prefers to be called – embodies artistic commitment, resilience, and a deep devotion to crafting dark, experimental soundscapes. The numerous albums the Lisbon-based musician has released testify to a sonic vision akin to its object of study: unhurried and unperturbable, yet continuous and tempestuous. Alegria’s music originates from a place we all …
Lucky
Giant thanks and appreciation to Cecyl Ruehlen for his patience and support in putting this out into the world. Dedicated to my dear Dad for teaching me to keep my ears wide open. Lucky is a compilation of happy accidental living room sit-down sessions of what fell out of my hands, recordings made for filmmaker Jeremy Moss (Franklin & Marshall) and choreographer and filmmaker Tori Lawrence (Tori Lawrence + Co), and field recordings of fortunately minimal-to-no people-produced sounds (voices or…