We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Klimt

Relativity Suite
**Strictly limited to 300 copies. Clear Vinyl** Finally available again on vinyl! Don Cherry's Relativity Suite, recorded with the Jazz Composer's Orchestra in 1973. At this time, Cherry was becoming increasingly interested in Middle Eastern and traditional African and Indian music, having traveled extensively and studied with Indian musician Vasant Rai. This suite of songs was particularly influenced by the Indian karnatic singing tradition, as can be heard from the very opening moments of the …
Body Music
**Royal blue vinyl edition** Ken Elliott was the keyboard player for Second Hand and Seventh Wave, two obscure and elusive bands from the Seventies British underground scene, and this is the first ever reissue of his ultra rare gem released in the UK in 1979. After fourty years Body Music still sounds as a highly eclectic album. This is groove oriented music based on a series of both motoric and infectious Electro Funk rhythms and Synth Pop Disco elements. In other words this is great fuel for d…
Affenstunde
**Transparent blue vinyl edition** Issued on Liberty in 1970, the debut LP by Popol Vuh features Florian Fricke's Moog synthesizer experiments at its most spirited wild. One of the earliest experimental Moog LPs, with Fricke's electronic explorations supported at times by Holger Trülszch's percussion, flying free at others, the result has been labeled as a dark, unmelodic, unprecedented sound and it settled the path for many Kraut adventurers to follow.Blending electronics with traditional percu…
In Reality
**Clear vinyl edition** In 1971, following the departure of his bandmate Jerry Cole, bassist Alan Henderson joined forces with U.S. guitarist Jim Parker and drummer John Stark to make this lost power trio classic - the last to be issued under the legendary Them moniker. It opens with a searing medley of the Them classics Gloria and Baby Please Don't Go, boasting superb interplay and savage psychedelic guitar throughout. Elsewhere, Stark and Parker flex their songwriting muscles on a series of po…
The End of the Game
**White vinyl edition** Peter Green's legendary debut album was released in June 1970, only a month after leaving Fleetwood Mac, the iconic band he formed in 1967. The End of the Game takes a radical shift from Green's previous works with the band. The music, produced through a long free form studio session based on almost non existent structures, takes us through a deep hypnotic sonic experience. Green on guitar was joined by Alex Dmochowski on bass, Godfrey Maclean on drums, Nick Buck on keybo…
Fela Ransome Kuti and his Koola Lobitos
**Clear vinyl edition** Before Afrobeat, there was Highlife-Jazz and Afro-Soul. Highlife music, originally from Ghana and widely popular across West Africa, dominated the music scene in Lagos when Fela Kuti returned to the newly independent Nigeria in 1963. Fela had been studying trumpet at Trinity College of Music in London where he met drummer Tony Allen, who also joined him in new group Koola Lobitos as they sought to mix things up by introducing the sounds they had heard in the capital's jaz…
Little Red Record
**Edition of 500 copies, pressed on color vinyl LP with a bonus track** From the 70's Canterbury scene, one of the greatest pieces of work in the genre. Matching Mole was the first band formed by Robert Wyatt after the seminal Soft Machine experience. An incredibly tight unit featuring Phil Miller (Hatfield and the North) on guitar, Dave McRae (Nucleus) on keyboards, Bill McCormick (Quiet Sun, 801) on bass and Wyatt himself on drums and vocals. Released in 1971 Little Red Record was Mole's secon…
In The Land Of Grey And Pink
2021 Repress. The third album by Canterbury's own Caravan, originally released in 1971, reissued with two full sides of bonus outtakes taken from the album's original recording sessions at A.I.R. and Decca studios in London in 1970-71. This was the last album to feature the original Caravan line-up, before David Sinclair left to form Matching Mole with Robert Wyatt (Soft Machine) later that year. "In the Land of Grey and Pink is considered by many to be a pinnacle release from Caravan. The album…
Buy
Another newly reissued album included infamous and influential NWW list. An angular & brilliant mix of free jazz & post-punk funk, this seminal 1979 album is the quintessential No Wave release & the spark for much of what has come out of the Downtown New York music scene. Although James Chances Contortions had already appeared on Brian Enos legendary No New York compilation in 1978, Buy was the groups first full-length LP. An angular and brilliant mix of free jazz and post-punk funk, this semina…
Live at the Bracknell Jazz Festival
Small repress available, in process of stocking. The mid 80s were a pivotal period for Don Cherry. Much of his energies had been devoted to co-op projects like Codona and Old and New Dreams and he also helped jumpstart the Leaders. The time being ripe to form his own ensemble, Cherry created Nu, a quintet with saxophonist/flutist Carlos Ward, bassist Mark Helias, percussionist Nana Vasconcelos and drummer Ed Blackwell. Live at the Bracknell Jazz Festival, 1986 confirms Nu to be an ensemble that …
Harumi
Wow what a find! One of the trippiest albums recorded for Verve in the 60s -- a unique 2LP set by Japanese psyche artist Harumi -- and a record that stands proudly next to the best by Zappa or the Velvets at the time! Originally released in 1968, Harumi is a classic double album of obscure Japan meets Greenwich Village psych with legendary producer Tom Wilson at the helm, desperately trying to reign in the talents of this enigmatic Japanese artist on the outer fringes of an East/West freak out. …
Spellbound
Of Sudanese heritage, the bassist Ahmed Abdul-Malik (1927-1993) was born Jonathan Timms in Brooklyn. After working with Art Blakey and Thelonious Monk, among others, Abdul-Malik studied music of other cultures. He was among the first to incorporate Middle Eastern and Indian influences into Jazz.A mindblowing mix of jazz and Middle Eastern influences— and a rare ‘60s treasure from Thelonious Monk’s former bassist! Ahmed Abdul-Malik blends together percussion, bass, and oud with some soulfu…
Plays Brown, Cage & Feldman
An accomplished group in the world of chamber music, the Concord String Quartet, active from 1971-1987, gained almost immediate attention from the press as well as a dedicated following, after winning the prestigious Walter W. Naumburg Chamber Music Award in 1972. Although the quartet was a classical string quartet, these rare 1973 recordings show the groups affinity for the "New York School" of avant-garde composers, like Earle Brown, John Cage and Morton Feldman, as well. Side B is entirely co…
The Trio
Featuring two American ex-pats on bass (Barre Phillips) and drums (Stu Martin), and English saxophonist (John Surman), The Trio is a monster 2LP of avant-garde and free jazz originally released on the Dawn label in 1970. By the time this double album was recorded, the various band members had developed quite a pedigree having played with the likes of Archie Shepp, Paul Bley, Bob James, Mike Westbrook, Attila Zoller, Gong, Marion Brown, and more! Their experience and expertise are visible here as…
Tales of the Algonquin
Originally released in 1971, 'Tales Of The Algonquin', is one of the finest artifacts of the British modal and free jazz scene of the 1960s/1970s. Johns Surman and Warren, like their contemporary Mike Westbrook, take the big band form and flip it on its head by incorporating elements of modal, free, and progressive jazz. The results are powerful and this album is perhaps the greatest example of that quintessentially British jazz style. Long sought after by jazz collectors across the globe, this …
Celebration
Originally released on Deram in 1967, 'Celebration' is one of the most important albums of the 1960s British progressive and avant-garde Jazz scene. The Mike Westbrook Concert Band included some of the UKs most important jazz figures of the time, including John Surman, Mike Osborne, and Harry Miller. These recordings, culled from two days of studio work, are equal parts swinging and experimental, boundary pushing and accessible. Original copies on Deram now fetch a hefty sum, thankfully the folk…
Oud
Oud virtuoso and composer Salman Shukur was the Head of the Music Department and Professor of Oud (the Arab lute) at the Baghdad Institute of Fine Arts for over 30 years. However, despite his long and illustrious career, Shukur made only one LP, recorded in London in 1976 at Rosslyn Hill Chapel. Shukur's compositions, while based on the Arab classical musical tradition, attempt to bridge the gap between eastern and western music, and may be described as tone-poems, embodying both free and formal…
Septober Energy
A mammoth, fifty-person enterprise featuring the cream of the early-seventies jazz-rock brigade, Centipede's 1971 album 'Septober Energy' proved to be an exercise in both gargantuan excess and instrumental brilliance. Naturally, opinions on the release are divided. The line-up is far too numerous to list here, though it did include the likes of Soft Machine alumni Marc Charig(cornet), Elton Dean (sax), Roy Babbington(bass), Robert Wyatt (drums), Nick Evans(trombone), John Marshall(drums,…
The Sensational Guitars Of Dan & Dale: Batman And Robin
"This novelty album, released in 1966 during the height of the Batman & Robin craze, was initially credited to the 'The Sensational Guitars of Dan and Dale' and featured an album full of tracks based on the popular TV show like 'The Batman Theme Song', 'The Penguin Chase', and 'The Batcave'. The album is entirely instrumental, except for someone singing 'Batmaaaan!' in the theme song. But the interesting thing about this album, and what makes it an absolute cult gem, are the musicians who…
Electronic Noise Improvisation 1999
After spending the first half of the 1970s globetrotting with Asia's premiere avant-garde band--Takehisa Kosugi's Taj Mahal Travellers (where Seiji Nagai played trumpet and keyboards)--Nagai continued to study and play music, particularly Indian music (drones) and electronic/computer generated music. In 1999 he finally released Electronic Noise Improvisation, with the help of Koichi Watanabe, Koji Kawai and Minoru Yonemoto. Here, as in the days of TMT, Nagai concentrates on creating dense …
1 2 3