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Loopy

Rubisco
Following Fiume Nero (2014), the young Italian composer has moved from the raw primordial chaos that characterized his first work to develop a reflection on how a hypothetical absence of humans and biological life could modify industrialized and civilized spaces. Using field recordings, obscure samples, and FM synthesis, Epiro draws his abstract landscapes as a series of overexposed and imprecise pictures made by concrete and organic architectures, amorphous rhythmic patterns, and repetitive seq…
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