★Mazagran
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Riccardo Dillon Wanke (b. Genova, Italy 1977) established in Milan from 1982 until 2005, lives and works in Lisbon. Multi-instrumentalist and composer. From 1995 active in arts (music, installations), his interest includes classical, improvised and exploratory music and it is focused on the diffusion of contemporary art. He is particularly interested in digital and analog manipulation of sound and its use into musical compositions. His work with guitars, keyboards (piano and rhodes) and electron…
Loops4ever
An astonishing album by Manuel Zurria with music by Alvin Lucier, William Basinski, John Duncan, Terry Riley, Pauline Oliveiros, Giancinto Scelsi among others, 2CD in deluxe packaging with 12p booklet... Foremost in my mind was the idea of being able to manipulate some compositions for flute, that were not original or were “extremely free ” in their conception, personalizing them to the extreme with the use of multitrace or electronics. Only a work conceived in this way has led me to reflect on …
No Para Siempre En La Tierra Solo Un Poco
**2018 edition, this time as double CD (not CD-R) in a six panels digipack** Amuleto is Francesco Dillon and Riccardo Wanke. Amuleto takes its name from Roberto Bolaño’s novel. Our desire is to trace invisibile links among distant geographical and cultural spaces, words and sounds that influence our imagination. Good part of the inspiration for this record came from works by Manuel Scorza, Julio Ramón Ribeyro and Bolaño himself. More ideas from travelling together (or not) in various sides of th…
Musica per un Anno (March 28th, 6 pm)
Musica per un anno is a pivotal project by Italian pioneer of electronic music Enore Zaffiri. In 1968 Zaffiri devised a project to create music for each hour of the year, by providing precise instructions to organise various layers of sinusoidal sounds. Working in isolation but ideally sharing the same attitude of La Monte Young’s approach to sound in time and space of those same years, Zaffiri created some tape versions of his masterpiece. The version recorded in this album is a radically…
Trees Have Cancer Too
Duo of Pedro Sousa and Pedro Lopes, two portuguese young musicians, and some of the most exciting in the plastic, tonal and energic exploration of sound in a long time. Using sax (Sousa), turntables (Lopes) and a communal use of electronics, their music is admittedly nervous, obsessively bent over the following moment. Unlike other past forms of improvisation more concerned with listening and a certain purity of sound, this search is as focused as much as frantic in the pursuit of a new d…
Airfields (musikFabrik)
Airfields is a large scale work in 12 moverments for ensemble and electronics. “I use satellite images from various sources and rendered them into electronic soundscapes, fascinated by the idea that one could translate an aerial image into sound, as a way of mapping space onto time and then back again. I have often thought of my compositions as a musical environment where one can wander through in a relatively open time scale, so the idea of using a map of a physical space as a direct ana…
Espírito Santo
* 250 copies limited edition * “Espírito Santo” was recorded one October day in Lisbon in the cellar of the “Espírito Santo” building. Formerly a bank, this building had been empty many years and was recently opened again for artists to use as studio and exhibition space. The room we recorded in, resembling at first glance more a cave than a cellar, is remarkable for its acoustics. With eight-meter high ceilings, brick walls and concrete floor we found ourselves dealing with a very responsive s…
Orgelpark color chart
A very special edition for this première of a new opus of the legendary minimalist composer Tom Johnson. 50' minutes of a unique piece for four organs, recorded live at Orgelpark, Amsterdam, The Netherlands. "“I have two good minimalist composer friends who have been writing drone music for many years: Phill Niblock and Eliane Radigue. When I told them I had finally left my metric melodies and harmonies and was writing a one-note piece, they were quite surprised and pleased. So am …
A fonte de aretusa
Latest collaboration of the acclaimed minimalist portuguese musician David Maranha with the talented free-form drummer Gabriel Ferrandini in a 42 minutes of a virulent organ+drums out-jazz drone improvisation. “A fonte de Aretusa” is the convergence between the legendary organist David Maranha and the free-form young revelation drummer Gabriel Ferrandini. Based in Lisbon, Portugal this duo started in 2010, with regular rehearsals and concerts that lead to this first album that captures a b…